Yes- but how big was the demand? Every radio station in the U.S. didn't start playing records at the same time. "Look.."
was a hit in Chicago in December, 1966. Who's to say a few months later a station in Philadelphia or San Francisco
didn't start playing "Look...", and a distributor asked for copies to be pressed up?
A good example of this is Tommy Neal's "Going To A Happening". The Palmer copy was reviewed in Record World in
August ,1967. I've heard the record was a big hit in Pittsburgh and so copies were pressed. The record took off in
December, 1967 on the West Coast and the Vault copy came out 4 months later.
It's hard to say exactly when the label change happened- definitely sometime in early '67. The next two releases
on the label (Debonaires" "Loving You..." and Jimmy Gilford were on the light blue label). I've only seen the
next Debonaires and Pat Lewis' "Warning" on the "red balloon" label. I believe the "red balloon" label "Look.."
was reissued due to demand on the new label design.
"Hey Girl" never came out on a U.S. Pye 45 but is on Jimmy's "You Don't Stand A Chance If You Can't Dance " album
which is a much better alternative as far as cost goes.
Something doesn't seem right about the 45- "I Am Somebody" came out on U.S. Pye so I'm not sure what
it's doing on this smaller label. Isn't the flip side "Moon River" by Greyhound?
There are a few sales on Popsike, two of them describe the 45 as a "reissue for the Beach Music" crowd.
The liner notes to "Northern Soul's Classiest Rarities Vol. 4 lists the lineup for Salt and Pepper as -
Eddie Mobley- lead singer, Tony Nardi - Vox organ, B.T. Bailey- drummer, Steve Jarrell - sax, Jim Plummer- guitar,
Dan Sullivan- bass/ guitar.