Thats probably the way I would have seen it Nev, horses for courses though and I suppose it illustrates the diversity of the scene, James highlights the 100 Club and I can see where he is coming from cos I have had some of the best nights of my life there and I must admit the place does demand to be rocking from the off, but as you stated it is good to go somewhere and take in an alternative concept like listening and waiting to hear something you aint heard before, and that is basically a big part of why I go to venues, theres not a better buz than hearing something you don,t know that knocks you over when hearing for the 1st time, great example being the DDA at Lowton who encourage a "no pressure on the DJ" culture, don,t get me wrong, the dancefloor is important but I wish that I had a pound for everytime a record received great applause with not a sole on the dance floor at the DDA. Like you say a lot of collectors/punters go to places now to listen and debate and have the odd visit to the dancefloor while still religiously appreciating the music they are listening to, horses for courses though and theres room for us all, just keep loving the music. Heres a few more early plays
Tyrone Ashley-I want my baby back-Phil. la
The Capitols-I thought she loved me-Karen
Jimmy Lewis-What can I do now-Era
Four Sonics-Easier said than done-Sport
Classmen-Doin me right-Pearce
Albert Jones-Up to the sun-Bumpshop
Friday, Saturday, Sunday-There must be something-Dig
Good debate this, any other takes, post up your lists
Best to all
Kev