Amsterdam Russ

Why bother with a single acetate when you can buy the entire shop - lock, stock and barrel? Buy my shop - $100,000!

By way of additional confirmation, here's an overlay of the writing on both sides! The word 'Timi' is obviously from the same hand, and the 'r' in Yuro is very unique and easily identified as being the same in both. By the looks of things the ink side was written using a fountain pen and the other with a blunt pencil. All this confirms to me is that the writer changed writing tool!

The difference comes from the fact that one side is done in pen and the other in pencil. In the same hand pen and pencil will produce slightly different results even on the same paper. But, look closely and you'll see they are indeed the same. They certainly look the same to me.

Wanted: Jimmy Robins - 'I can't please you' - Impression. Ex preferred. PM's please.

Bob, you confirm exactly what the 'Band on the Wall' website states (Band on the Wall being one of the organisers/sponsors)... Band-On-The-Wall

My partner Bev has just reminded me that this is the same Allen Klein who stitched up the Rolling Stones big time and is seen by many as being responsible for the break up of The Beatles (so he couldn't have been all bad, then). Nice story here courtesy of The Daily Mail from 2009 when reporting on Kein's demise. Also, it's worth noting that ABKCO - Allen Klein's company - owns the rights to Cooke's publishing legacy (and I presume that would include KAGS) and many of his master recordings!

What also helps is having a father who (it is alleged) was as slippery as an eel and managed to stitch up so many artists and bands so successfully that his company still owns the rights to their songs today and continues to profit from them to the degree that those same artists and bands have seen very little or even nothing from their creative output. Here are a few lines from the book 'Boogaloo' by Arthur Kempton, which explores at some length Sam Cooke's career and contractual dealings with Allen Klien: "By the fall of 1964, Cooke had concluded that Allen Klein was 'No f*cking good'." "He [sam Cooke] spoke of firing him after Christmas. Cooke never had a chance to act on his premature New York resolution." (Cooke was murdered just a few days later, on December 11th 1964). "Allen Klein never lost a lawsuit. Later [after Sam Cooke's death], when Barbara Cooke tried him, Klein's claim on the company her husband had been assured existed solely as his means of owning himself, was found to be absolutely and utterly unassailable." Clement and la Frenais better make sure they get paid in advance

Resurrection of St Vincent? Think I saw one on Ebay earlier in the week. Not sure if it's the one you're after, though.

Brahm's Lullaby...

Wanted: Roy Roberts - Got to have your love - Ninandy/ Bo Ro (hiss free). VG+ as a minimum, EX preferred. No John Manship prices unless you happen to be John Manship! Payment by Paypal. Int'l Signed For post & insurance to the Netherlands will be required. PM's only, please. Thank You!

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Macca's clarity of insight and well constructed points remind us that having a world view, or at least an historical view of the music we love and its context in the greater scheme of things, is absolutely essential. Anyone who has read Stephen Calt's sharply observed and highly cynical biography of 'lost blues legend' Skip James and what effectively was a man hunt of an effort to track him down (he wasn't lost at all, obsessed fans just couldn't find him), will shudder at the nefariously self-serving nature of blues fans. Without a doubt, the Northern Soul scene is unique in so many ways, but let's not forget that the blues scene has a history that stretches 40 years further back in time (longer, depending on when and where you consider those roots to begin). The musical genre 'blues' has had its own section in record shops years (decades) before Northern Soul went mainstream pre-millennium with its limited, but inspiring back catalogue in what were the high street entertainment emporiums of the day. And let's not forget Jazz. Without it, how would Motown have found its supremely talented musicians? How, 30 years later, could the 100 Club all-nighters exist - housed as it is in a jazz club that, courtesy of its progenitors, has its own roots in the London music scene that developed with the aid of radio and the 'Yanks' (over paid, over sexed, and over here) who came to be based here during WWII. Northern Soul is unique and merits the mainstream praise heaped upon it, but as has been pointed out, Blues and Jazz have long been established as academic and musical fields worthy of serious study. 'Northern Soul' isn't even a musical genre, it's just a cult that has as it's essence all sorts of tribal indulgences, one of which is the music (see 'All Our Yesterday's'). Any professor of 'Northern Soul would need to specialise in the origins of the music and its many variations; the depth of its obscurity; it's peculiar resurgence 'only' in the North of England (cos, of course, nobody outside of 'the North' was ever listening to the same sort of music); the development of tribalism and factionalism in the cultures that brought the music back to life - fashion-wise and culturally ; the origins of negro and popular dance; organised crime and drug distribution - and its petty criminal consequences (have you read some of the threads in 'All our yesterdays'?). And that's just for starters... Oh, and as a professor you would be expected to author and get published a minimum of two academic papers on your chosen subject during your three-to-five year tenure. Could you imagine having to present that to the participants here for constructive comment?

Perhaps someone can confirm whether The Vibrations - Come to yourself / (Let's find love) Together (Okeh 7297) got a UK release?

Out of interest, how is the distinction being made here between 45s that 'don't exist' and recordings that were never released?

Following on from the Bob & Earl and adding to the mysteries on Loma, there is one 45 on the label for which I'm certain no demo exists, and that's Lucky Carmichael - Hey girl / Blues with a feeling (Loma 2006).

This is exactly what DJs have been doing for years!

Not so. Last time I used Vinyl Carvers I uploaded an aiff file to them that was approx 25mb in size.

I made the mistake of buying one of their soul packs half a dozen years ago. What a waste of money. First off, it was a general soul pack and not a Northern one. At the time of buying there was nothing to indicate that this was the case. As I recall, condition was supposed to be vg+ to ex. What turned up was crumpled box of the cheapest, softest cardboard. Worse, it was too big for the contents and there was no packing materials stuffed inside. This meant that 100 45s, many without sleeves, were unprotected and rattling around freely. Whether this lessened the condition of any of the 45s, I could not guess, for I'd say they were vg at best. Many looked as if they'd been under a steam roller or had been picked up from the fast lane of the motorway. I still have them, forgotten and neglected in a box. I look at them every now and then and wonder what to do with them. The lot included seven crackly 45s from Joe Simon as I recall, and many duplicates. Even at 50p each (or was it a quid a piece?) I felt as if I'd been had. I've never bought from Anglo American again. Looking at the shear numbers of 45s out there now, and the decreasing desire for anything but mid-to-top end items, I think that soul packs are just about to make a come back. The 'job lot' is a regular feature in the sales section nowadays and these will increase as demand continues to fall away.

Agreed - it's a great double-sider. To the best of my knowledge, the promo of The Invincibles - So much love / Can't win - is the same as the issue. Not seen any European releases of it. Not long ago found a French EP of four Loma releases by The Olympics, which I'd not seen before, so there could well be others from the label out there. All Loma releases are styrene. The one you're thinking of is Carl Hall (Loma 2086 - Nov 1967). The promo has long and short versions of 'You don't know nothing about love', whilst the issue comes with the long version on one side and 'Mean it baby' on the other.

Soul and Funk are but two sides of the musical coin that is Boogaloo. A few years earlier and it all went under the catch-all term of Big Beat. There are no clear lines that bisect the musical genres, and so many tracks infuse aspects of more than one style and cross over from one artificially constructed genre to another with great ease (remember that musical genres were propagated by music companies and retailers so that they could stack everything into nice sections and charge accordingly). The artists invariably have no problem with how their music is labelled or categorised, so why do punters obsess so? And I've yet to see any discussion or argument that has come anywhere near close to delineating in any meaningful way what Soul is or isn't. As far as these type of discussions are concerned I'm reminded of the lyrics, "Let's go round again... one more time..." Yawn...

Hercules is also available on the flip to the Aaron Neville UK 12" - Close your eyes (A&M 1991)...