Sorry Matt, it's not more popular then when CD's came out mate. I was Head Of A&R for the world's largest vinyl reissue company in the late 90's and I reissued some 400 albums and 150 12"'s between 1998-2002 and it was a law of diminishing returns unfortunately. These days it's really a cottage industry with a small but fanatical audience.
Couple of other points which tend to confirm Brett's feelings:-
1) There is now pretty much only one decent vinyl pressing plant in the UK - most of the others have closed
down (including Chris King's Independent Pressing which was superb whilst it lasted) and the art of pressing
7" singles is becoming like as difficult as finding dry-stone walling experts who know what they're doing. In
other words, it's a dying art. Phil Dick and myself found this out the hard way when we did some Soul
Intention releases 18 months ago.
2) There is only one major music chain left in the UK - HMV and they no longer stock vinyl in any of their stores.
What remains is a tiny network of small independent shops which, more often then not, stock very few new
vinyl releases whilst fighting to keep trading.
Soul Source and a handful of other forums are probably the last bastions of true vinyl fanatics so we generally get a very subjective viewpoint on this subject. In the wider world vinyl is a quaint reminder of a bygone era.
The same conversations about formats no doubt happened 100 years ago when people bemoaned the passing of the cylinder, then 50 years ago with the passing of the 78, then 30 years ago when the 8 track cartridge hit the dust, then 20 years ago when the cassette imploded etc, etc, etc.
That's why I keep saying that it will be important to set up an archive or museum of the Northern Soul era otherwise future generations will not be aware of the sheer magic of a wonderful scene.
Brett should be the curator!
Ian D