Paul Shirley

well it was once a lot rarer than it is now thats for sure . obviously been drip fed for a year or two on ebay

your welcome but i only mentioned it the once ! anyway i didn't keep it in the serious context of CLUB CULTURE did i ?

doncaster warehouse and sub club acid jaxx scotland

you get though some records you do phil best o luck anyway

i'm also very sure the clubbing normal masses of the late 60s will not accept this documentary as being anything like factual. as it didnt include a whole generation that had started a dance club culture that might not have been as accepted and as big as todays or the 80s scene .but very much a pretty similar scene complete with similar drugs . btw i did like and enjoy a lot of the rave scene and house .i visited many of the clubs that were mentiond in the programme ...loved those nights and enjoyed some of the programme as well ,

eh? the dance scene that became northern did in fact start in night clubs and there was defo a club culture since the late 60s as already mentiond in a post further up and it wasnt in any old working mens clubs or dance halls either what do you think went on at the wheel then? there were clubs springing up all over the place open all night unlicensed hence the term underground , what do you think they did there play darts and dominoes or somthing ? how do you think amphetamine became so popular

according to them it all started with disco and the drug that changed the dance scene was mdma er? wrong on both counts i would say

you would need to ask the people who bought the record , im sure there must be many reasons but im just pointing out the fact that lots of people buy records on credit cards and somtimes are willing to give a little more if they have got more time to pay . not sure i understand the answer further up the page lol but never mind

credit cards and longer time to pay ....simple as that

im in complete agreement. i stil use the term in comparison to funk soul r&b and so on when talking about diferent music. but i feel these days the term has been manipulated completely it conjures up this embarrassing image of dressing up as stated above. needless to say i'm wary when using the term and i spend a lot of time trying to explain northern soul the dance scene (not the reminisers scene)

The Twisted Wheel club in Manchester is known as the birth place of Soul in the UK making this a truly Iconic Club, through out the world. the legendary status came about viar northern soul fans later on ( that i would agree with ). but regarding the above statment i cant agree with as blues and soul music was being played at many clubs around the uk before during and after the wheel. each club had its own following and was popular within its own town or city ,

i think every soulie in wigan knew them mate i personally have some cracking stories but cant repeat them on here . i understand kenny was caught out on the stage in the main hall one night im told it involved a young woman and the piano as the curtains unexpectedly opened

kenny and steve back in the day . i think we all agree great times gone by

the soul nights were on monday wednesday and friday's at the old emp i remember mike during the week. also on a roxy n bowie night were he dj'd on thursday nights in mrms of all places for me mrms was kenny spence and steve whittle grate times great laughs, ive never been to a nighter that could match the atmosphere on a saterday night in that little room back in the early days

cause i love you .....pretty tough record to find this , valued around 3 times what im asking in ex condition £100 p+p 2 squid Here is the actual 45 for sale. sold

it never got that far with phil as he already said on his original post , the only promotion after stan and pat in the original building was from me and tony we did the sunday nights again for a few months , before any of that i was a regular at the sunday nights in the sink along with denbo pete everett g farington and many others great sunday nights in liverpool at the sink in fact some of the best nights ive had at any venue . i remember the film being shown on the last night at the sink before stan pulled the plug

not on your own you didnt

you are wrong ....because i bought it and i can tell you it wasnt anything near to that price

chips again for tea :sleep3:

eh? i think most people understand what im saying but nevermind . i thought i explained my reason for lp only tracks ? and the can of worms ect'? and like it or not the truth is value has lots to do with it even tho it was you more than me who mentions value post 35 , but anyway its all rubbish then ok mate obviously my comments are related to northern soul dj ing with lp's as thats what i took this thread to mean . some great lp's around with great tracks on them we all know that , funny how not one person has come on here and said yes thats what i thought about the lp track only rule ethics decision .but are very happy to bitch about it in private

the exiters caviar and chitlins .....moving too slow

er ? who mentiond lp's not selling for as mutch as 45's ? i didnt .ive bought them . regarding laws ect' notice i used the word thought !! ......nothing suprises me anymore . most people i know who buy original first press records also adhere to playing lp only tracks so long as it only came out on lp and not a 45 . if you follow one rule then you follow them all ? or so i thought .and many others also .... what other people do is up to them . having said that ive done it once or twice and ended up selling the lp as i didnt feel right playing the harvey avern track on an lp even tho every bugger and his dog does but thats me . so in answer to your question .... there are lots of issues regarding lp's its another can of worms that if you want to avoid then you stick to lp track only and i would be here all day explaining all the misgivings,

always thought you only played lp's if its an lp only recording and not if its on a 45.

as in umpa lumpa :lol: falling of me chair here laughing joan