Thursday 12th April
DJs: Mark Houghton / Mark Taylor / Brian Baker
+ Special Guest Paul McKay
A Special Soul Essence 30 Warm-Up
Majestic Soul Special: Friday 13th April in the Jim Wray room from 4 - 8pm at Soul Essence's 30th Anniversary
Upstairs @ Horse & Groom
28 Curtain Road, London EC2A 3NZ
6.30pm - 11.30pm / Free Entry
majesticsoul@groups.facebook.com
I was absolutely basing it on the musical content rather than the value.
I've never discriminated against a record based on its financial cost merely it's perceived quality. I wouldn't bother buying Rare Soul records if this was the case.
Like it or not we inhabit a scene where poor quality records are highly valued because of their rarity. I believe this is a case in point.
You believe differently. Neither of us is right or wrong.
When I "washed my ears out" I heard a pretty uncommitted and amateurish vocal with a half-decent backing track. Hey-ho! Such is the Rare Soul scene.
Sadly you don't seem to "respect my opinion", but I'll get over it...
I will concede that the label design is quite nice - it looks like a rare record should.
Getting back on topic - Jackey Beavers version on SS7 is very nice - So is the Jaber version. One is a tenner or thereabouts - the other is a lot more.
You pays your money and takes your choice... ;-)
DJs: Mark Houghton /
Mark Taylor / Brian Baker
+ Guests: Dave Taylor & Buey
Upstairs @ Horse & Groom
28 Curtain Road, London EC2A 3NZ
6.30pm – 11.30pm / Free Entry
Why bother?
Back in the day my real life saw me designing record sleeves for "superstar dj's" like The Chemical Brothers.
They were paid unbelievably vast amounts for playing out records they were given for nothing.
In contrast us muppets on the rare soul scene pay vast amounts for records we play out for nothing. In most cases we wouldn't even get our tube fares/petrol money.
Why would anyone bother assembling a ridiculously expensive collection of rare records unless you were an eccentric millionaire?
Arguably for the love of the music - which is why we mugs do it - but surely not for the kudos?
The other consideration is that a lot of the landmark/popular records on the rare soul scene in the last 25+ years or so were from the vaults and therefore money wouldn't count for much anyway.
Here's a list of the records I played as guest at the highly enjoyable Majestic Soul on the 2nd June. My box suggests this was largely the order they were played in..
Keep on Trying – Dan Brantley (Hollywood)
It Hurts Me Too – George Hughley & The Cama Rockers (Fairlane)
I Need You Baby – Arthur Alexander (Monument)
Don't Stop Now – Ralfi Pagan (Fania)
Years Of Tears – Frank Polk (Capitol)
I'm Hip To Your Game – Renaldo Domino (Smash)
I Don't Know Why I Love You – Ollie Nightingale (Memphis)
Lucky Fellow – Maurice Jackson (Lakeside)
Don't Make Me A Storyteller – Steve Mancha (Groovesville)
Hello Stranger – The Capitols (Karen)
Speed Up – The Impalas (Capitol)
You Say You Love Me - The Delicates (Pulsar)
The Love of My Woman – Darrell Banks (Cotillion)
Your Love Was Good For Me – James Brown (Polydor LP)
Girl I Love You – Garland Green (UNI LP)
There's Gonna Be A Showdown – The Rance Allen Group (Stax)
She's Got You Now – The Witches (Bang)
I'm In Your Hands – Mary Love (Modern)
Could It Be You – Sharon Scott (RCA Victor)
I'll Be Loving You – Soul Brothers Six (Atlantic)
Get Yourself Together – Young Hearts (Minit)
Sweep It Out In The Shed – Tobi Lark (Topper)
Any Other Way – Chuck Jackson (Wand)
Paris Blues – Tony Middleton (Mala)