When I was in Germany I did a couple of write ups, I hope no one minds me adding theme here:
The Velvet & Silk Mod-Weekender Krefeld
Found my self in a strange town.............. Krefeld, West Germany to be exact!
Saturday the 24th of September and there is nothing going on, Carol and I are a little bored "What to do, what to do?" Quick surf of the net to find some thing local, any thing will do, and then we find "The Velvet & Silk Mod-Weekender Krefeld" only forty minutes from us! The flyer promises, live bands, ride outs, music and sixties markets! Quick time appreciation and we can get there in time for the ride out, "where did I put my Parka?"
You've got to wear the right clothes, be careful not to pick or scratch your nose
Suitably attired in our old and trusted Parkas, Carol and I were soon Scooting towards Krefeld. "The Malossi kitted Vespa purred away a real horrorshow, a nice warm vibraty feeling all through your guttiwuts!" The roads were clear and even, the sun was shining and we found our way to the rendezvous point at Krefeld's train station. The appointed hour for the ride out was 1500hrs and we had arrived at a quarter too so our hearts sank some what as there was no one else there!
But when you ask in a strange town, they say don't know, don't care, and I've got to go, mate
We waited and waited and to be perfectly honest I was starting to get a little pissed off! At twenty five past, Carol and I decided to 'Bin it" Just as we were about to climb back onto the Scooter I heard the comforting sound of a Lambretta! It was the ubiquitous Mario from D¼sseldorf riding his Lambretta DL 150, after exchanging the customary hellos. Mario informed us that there were two sides to the train station and guess what...... we were on the wrong side! Three minutes later we arrived at the correct place.
You can't be weird in a strange town; you'll be betrayed by your accent and manners.
Now before we go any further I would like to say for the record that I am not an expert on the German "Mod" Scene, so my observations are purely based on a comparison of what I know of the British Scene compared to those assembled at Krefeld. Carol and I rode up to this group of about fifty, The Scooter we were riding was a Metallic Orange Vespa PX200Disc with an Ironing Board back rest and a Malossi 225 kit, as far as I am concerned it looks a bit "Mod"? I was expecting a plethora of dazzling Mod Scooters, dazzled I was not!
They worry themselves about feeling low; they worry themselves about the dreadful snow
The group consisted of some of the tiredest Vespas I have ever seen in one place, no that's a lie, I have seen this site one or two times before usually in the "Scooters for sale India" section on the internet! The Mods were not the peacock strutting models I normally would see, It looked like a scene from a Austin Powers themed stag party were the costumes had been hired from the cheep and cheerful fancy dress shop! My next criticism was their hair! Those that still had it certainly had not visited a decent barber for some time and no self respecting Mod would be seen out with such unkempt hair and hair styles! Long sideies and thick locks do not constitute Mod! My blood was boiling, I was now the self appointed Mod Police and I was taking names and kicking ass! Next on my list of horrors were the shoes!!! Can't you get boot polish in Krefeld? Well, can ya huh can ya!!! If our lass had bought her clippers and I had my trusted "Kiwi" black, we would have made a fortune or at least made em look clean!
Though I've only been here for three weeks now, I've got blisters on my feet
Both carol and I were amazed and I was falling into shock! The run organiser approached me with a fag in his hand, does he know who I am! He spoke English with a fake American accent, he said a few things to me but I was looking at his shoes! I watched him walk to his scooter, a vespa 50 Special; I concentrated on my jaw dropping as he concentrated on bump starting this little Italian Classic. One hundred pounds spent on the flyer and three dollars on the scooter, I would have had him publicly flogged!
The rest of the group were talking and trying there best to look uncool as the run organiser entertained us for twenty minutes with his "I can push a vespa 50" routine. I studied the gathering; there were a few student types, some of the old and bold Mods from D¼sseldorf and an unhealthy smattering of Scooter Boys consisting of Krefeld's "Danger Seekers".
They all ignore me 'cause they don't know; I'm really a spaceman from those UFOs
As soon as the little Vespa 50 started, we donned our helmets and took off for the ride out. Krefeld is a busy little city and we wrestled the vespa through its smooth cobbled streets whilst playing Russian roulette with the trams and tram tracks that reminded you of your own mortality as your back tyre danced the tango of death! Carol was oblivious of the riding conditions and relaxed as the charming city unfolded before us, I concentrated on not shitting myself as Mod after Mod zipped in and out of the procession as if on tuned fifty kits! I needed a bit of air in my back tyre so indicated to turn into a garage, thank you to those who waited for me. Tyre inflated and it was back onto the road to play "Where has the ride out gone". I'm not too good at that game, so after half an hour it was time to ride back to The Dutch border and home.
I've finished with clubs where the music's loud, cause I don't see a face in a single crowd
The plan was to have a bite to eat, a little kip, we are both middle aged now, then back to Krefeld's Magnapop Club for the Night Do. A shit, shower and shave later we were on our way.
You've got to move in a straight line, you've got to walk and talk in four four time
The Magnapop Club is a typical student dive with concrete floors, there are the normal trendy posters declaring that they are cool and hip, you know the ones, film and band posters. It seldom works and a little more imagination is needed as this place came across as grotty and cheap. The usual cliental are those with not too much dosh in their pockets and I suppose the owners of the club are used to the "Pot Noodle student loan brigade".
I look in the mirror, But I can't be seen, Just a thin, clean layer of Mister Sheen
The entertainment looked promising with two live bands and both Dutch and German DJ's who were capable of steering the trendy bendies into a Modernist frenzy, well that was what it suggested on the flyer. The first DJ was a Dutch chap, Michel Da Capo T. (Utrecht-NL), "Vould you like a schmoke and pancake?" His set consisted of some sixties "Hammond Organ" and "Freak Beat" this could of gone down a storm but the night was still young and the punters were not yet in party mood. I enjoyed the first DJ set and I did appreciate the mans vinyl collection, the time was now 2200hrs and the first band was now setting up.
Break it up, Burn it down, shake it up, Break it up
The first of the two bands were the German four piece "Surf Band" named Cave 4 who play numerous Sixties Punk and Rock'n'Roll classics. Cave 4 consist of, Trich - Bass Guitar Oeli - Guitar and Vocals Joerg - Guitar Marc - Drums.
Now here was the turning point of the weekend, it went from being a bit "naff' to WOW!! Hold on coz we're gonna partyyyyyyyyyyyyyyyyyy! This was the sound of brain blasting supersonic surf guitars; this is the sound `Pulp Fiction! The set ripped up the audience into a blended thrash of Mods n Mockers who really needed this boot up the backside to let them selves go!
Cave 4 blasted out Journey To The Stars, Too Cool To Talk To You, Hot Ride, The Rebel, Boy Don't Tell Me, God Loves Cowboys, Sheena Was Right, Toes On The Nose, Nice Girls, Shapes Of Things To Come, Boulevard Patrol, Gotta Get Myself Together, Margaya and their latest version of the ELVIS classic "Burning Love"
I can honestly say that I was stunned! The set was electric, fast and furious, if you ever get a chance to see this ban do!
The band finished its last belter and the house lights went up in order for the stage to be cleared and the next band to set up.
Let me tell you how it will be There's one for you, nineteen for me 'Cause I'm the taxman, yeah, I'm the taxman
The young lads setting up looked as if they had just stepped straight out from the set of "Kevin and Perry Go large". Complete with track suites, trainers, fly away hair and the usual nineteen year old bum fluff. The band was Dutch and called De Biet and by the look of them I was ready to go home!! They disappear back stage for around five minutes only to emerge wearing matching crushed velvet suits and billowy shirts! At least these lads had made an effort.
Should five per cent appear too small Be thankful I don't take it all 'Cause I'm the taxman, yeah I'm the taxman
The first track they performed was The Beetles classic taxman, out of this world!! De Biet professionally transformed themselves into a dynamic band complete with drum, bass, lead guitar, percussion and a Hammond organ to boot! De Biet injected the sixties straight into the jugular, next up was Heat Wave, they sounded like the Who. I forgot to tell you that it only cost nine euros to get in to see this, I would have paid double to see De Biet.
De Biet cranked out Things we said today, Wrong from the start, I can hear the grass grow, Satan's Holiday, Get off of my cloud and believe it or not Pink Floyd's Astronomy Domine with the band proudly announcing to be all Pink Floyd fans!
Lime and limpid green, a second scene a fight between the blue you once knew.
My only criticism of De Biet was there rather strange insistence on bringing on a young Dutch girl who murdered a few Dutch sixties songs with her tuneless mother tongue, my advice to you guys is ditch the chick! I think it was a classic case of "I want my girl friend to sing" or maybe her dad owns the van?
If you drive a car, I'll tax the street, if you try to sit, I'll tax your seat. If you get too cold I'll tax the heat, if you take a walk, I'll tax your feet.
De Biet stole the show and both carol and I were glad to have made the effort to turn out, it was three o'clock in the morning before we decided that we decided to bale out.
Michael Wink had just completed his DJing set; he is by far the best Mod and RnB spinner in Germany.
Don't ask me what I want it for If you don't want to pay some more 'Cause I'm the taxman, yeah, I'm the taxman
On our way home we reflected on the day, I have to take my hat off to the German Mod Scene, it is seldom given, if ever, any kudos from the German Scooter Boy Scene and to be honest there is no love lost between them. There does not seam to be the same "cross over" from one cult to the other? Pity really as we had a fantastic night, I can not forgive the state of their Scooters and I do think a little more effort is needed on some of their grooming.
Now my advice for those who die Declare the pennies on your eyes 'Cause I'm the taxman, yeah, I'm the taxman And you're working for no one but me.
I look forward to next weekend at the "Unique Club" in D¼sseldorf were the next mod weekender will take place, stay cool.
Monsters of Funk and Soul Weekender
After last weeks trip to Krefeld's Mod Weekender, it was now time to get 'Hot funky and sweaty' in D¼sseldorf's Unique club as part of "The Monsters of Funk and Soul Weekender". The promoter promised to bring together a highly charged cocktail of musical genres, Funk, Soul, Northernsoul and Acid Jazz. The DJ crew were Gerald Jazzman, Henry Storch, Michael Wink, Benne, Eddie Piller, Karlsson, and Agent OO Soul.
The Funk scene is way COOL and the "Funky Funksters" seamed to wallow in a free and easy atmosphere void of the usual night club clichs. You aint going to see any handbags on the dance floor and you aint going to see groups of testosterone fuelled Chaves glaring "Oi Oi" What you do get are the Trendy Bendy beautiful people out for a roller coaster ride through the powerful, yet forgotten back catalogues of rare black dance music.
Those steering the Acid Jazz and funk scene have winkled out some of the best, rarest and at times surprising and crazy! Dance Floor Toonz from the most unlikely of places. To find that Funky Vibe on a shiny black piece of plastic aint that easy, most finds come after thankless searching of back street record shops and record company warehouses. Time and money by the shed load has gone into this scene and if it wasn't for the likes of Keb Darge and Gerald "Jazzman" Short's Herculean quest for those allusive discs then the scene would not be the quality it is!
Check out https://www.jazzmanrecords.co.uk to hear these disks
A few years ago I interviewed Keb Darge for the NorthernSoul magazine "Manifesto" Keb crossed over to the dark side of funk selling a considerable collection of NorthernSoul records to peruse BBE records. BBE and Jazzman Records have dominated the funk compilations over the last few years, with both Keb and Jazzman DJing; every were that is anywhere! Jazzman was on tonight at the Unique Club in D¼sseldorf spinning his tasty box of Funky vibes.
Jazzman Records was established by Gerald Short in the 90's as a music dealer. Later he went on a mission to re-release the best and most obscure & rare tracks from the late 60's and early 70's. His aim was to bring the long forgotten sound that didn't get any recognition in that time period. Over time, as Jazzman label was running he set up two more labels, 'Stark Reality' releasing even more obscure but modern produced music. 'Funk45' was also established to reissue Deep Funk/Hammond Funk rarities.
Gerald "Jazzman" Short is one of the worlds most prolific and active figures preserving and re-issuing rare funk and jazz today. With 50 releases and rising on 7 inch through his Funk 45 and Jazzman imprints, and his two excellent double LP compilations, Gerald continues to introduce funk veterans and newbie's alike to the never ending depths that were late 60s, early 70s, black music.
Just before jazzman took to the decks I managed to grab him for a few Q&A.
The first impression of jazzman is that he is a quiet unassuming guy with a real passion for his music, 37 years young and here by invitation from the organisers. Jazzman praises the Unique club and is well aware of its importance in Germany, tonight he will drop in his latest discovery, Sheila Wilterson - Baby you're a jive cat.
Gerald has the records, I peep in his record box, in there is "Can't You See" by Freedom! It should have been played over and over again, it is an excellent seventies disco soul track that oozes sex appeal, I love it! "Do You Really Want to Rescue Me" - Elsie Mae an absolute stormer that could easily bring the house down at any nighter! Give this track some more plays pleaseeeeeeee!!!
Simon: How did you start?
Jazzman: I moved from my home town in Middlesbrough to London some years ago looking to get into obscure sixties and early seventies music. I was a little disillusioned with the main stream and spent a lot of time listening to new and rare stuff played by John Peele. When I arrived in London Kiss and Jazz FM were playing some well serious dance that had never been heard by the majority, I was inspired to start collecting. At first it was just for my own pleasure but as with most collectors you start to buy and sell in search of the more rarer and harder to find tracks.
Simon: Were did your quest for black plastic take you?
Jazzman: I used to get a load of stuff from "Soul Bowl" and also a load from mail order from the states. It was inevitable that the states had to be visited because one find usually leads to another; there is quite a lot of detective work to be done looking for rare records. Some times you will strike the mother load, other times you can return with a few discs. The money tag on the track aint important, what counts is the groove; it has to take you there. This is the only thing that is important. People on The Acid Jazz and Funk scene want to hear new, quality stuff and don't get hung up on hearing the same old same old.
Simon: Were did you get the vibe from?
Jazzman: I used to go to Dingwalls in London the DJs where Gilles Peterson & Patrick Forge who where playing what I thought sounded good, funky and danceable; I never want to be pigeon holed so I try to be as musically diverse as I can. I want the dance floor to be full but I will not play it safe! The average funkster will not be as snobby as on the northern scene and I think there is an easier acceptance of newer sounds. I will flit back and forth from musical genres playing some Acid Jazz some Funk and even some Northernsoul; this is what this scene is all about, good quality rare music.
Simon: Do you play CD's?
Jazzman: No! and I hope it never comes to that!
Simon: Have you ever played on the Mod scene and what do you want to get out of tonight?
Jazzman: I have never done anything on the Mod scene and I suppose what I want out of tonight is a full dance floor.
Simon: Thanks for talking and good luck with your spot.
I enjoyed the night, I enjoyed talking to Jazzman.
Gerald "Jazzman" short's Top Ten
1 Manteca - Afro Funky (GRT)
2 Soul Pleasers - Baby Don't Cry (Living Legend)
3 Gladys Knight No - one Can Love You More TMG
4 Nathan Davis - Cecen Tizi (TRT)
5 Poncho Sanchez - Half & Half (Picante)
6 Charlie Rodrigues - The Theme (Triunfro)
7 The Firebolts - Everybody Party (Greenback)
8 Curtis Walker - That's the Way the World Works (Bet)
9 Elaine Brooks - I'm so Blue (Vibra)
10 Ronnie Knoller - Raunchy Rita (Alba)
You can sample some of Jazzman's stuff on his website, give it a visit and expand your mind. Stay cool and funky! https://www.jazzmanrecords.co.uk Click here to visit Jazzman's web site.
Simon Cuerden