night nurse

Cheers john thats the one

Is there a album he released with the above on i think this is but for the life of me i cant think

35.00 anyone interested

he is so tiny but he gonna be great

nothings to good for my baby my daughter gave birth Friday Cohen lea 4 lb 10 oz so i know what you feeling right now

For sale 4ft deck stand used 4 times in black no light rig just stand 40 quid buy to collect

It never fooled me i was to cleaver for that....... NOT...... got me worried though Nice one mike

I hate facebook i hate face book

done i think

Sorted thanks

Im not on face book and dont want to be does this mean i wont be able to get on here any more i would be lost with my daily read

Anyone got a 6ft dj stand for sale pm me or send me a message on here Cheers

My girl the temps cranking tune

the term painting drying comes to mind sorry

For me its got to be Tammi & marvin with out a doubt

Go were ever you want you choose if you dont like it then you can leave simples To much back biting going on today and you got to go were the incrowd dictate........its a we will come to your if you come to ours you can have a dj spot if i can have one at yours.its the end of the world i cant cope of to me bunker till its over lol

soulsource 100% the best. facebook is for jeremy kyle fans

if wigan and its music policey was so bad why do do some folk bang on about it as if was the best thing since sliced bread . must say i never went so cant judge it . i believe we have far better venues today. as for the music the dance floor was always packed in the videos i have seen

The Supremes’ hit Stop! In the Name of Love is the title of Tony Jordan’s new TV series, which weaves Motown into the storyline. Photograph: Michael Ochs Archives The co-creator of Life on Mars is developing a TV drama series, partly inspired by the success "jukebox musicals" such as Mamma Mia!, featuring famous Motown hits such as Dancing in the Street. Tony Jordan, a former EastEnders lead writer with credits including Life on Mars, Hustle, Death in Paradise and By Any Means, is working on scripts for a 10-part series, called Stop! In the Name of Love, after securing the rights to 40 Motown songs from EMI Music Publishing. He is developing scripts which weave Motown classics such as I Heard it through the Grapevine and What Becomes of the Broken Hearted into a narrative about a group of four "smart 30-somethings and their search for love and friendship." The tale will be told through the characters singing Motown songs, a device successfully used in West End jukebox musicals such as Mamma Mia! and Rock of Ages. "No one has ever done this kind of thing on TV, full stop," said Jordan. "I'm talking about 100 women in burqas doing Baby Love, that's a big deal. I always wanted to do a big, sexy, amazing musical for TV, something we've not seen since those old MGM musicals." Securing the rights to songs from Berry Gordy Junior's famous hit-making label Motown Records was something of a coup, taking a year of negotiations with owner EMI Music Publishing, handled by music consultant and former Universal Music UK chairman John Kennedy. EMI Music Publishing is now owned by a consortium led by Sony/ATV Music Publishing. Jordan is developing the series through his production company Red Planet Pictures, as a joint venture with Kennedy film producer Duncan Kenworthy and former NBC Universal International president and Cineflix Studios chief executive Peter Smith. Jordan and Kenworthy will executive produce. Red Planet and Smith are leading negotiations with potential broadcast partners for the series in the UK and internationally. Jordan said the Motown music is an essential element of the series, which aims to be reflect the UK's multicultural society. "Motown was the first music that really went across the social divide, it came out of Detroit and it was the first music that brought black and white together for the first time in popular music," he said. "The Motown catalogue was important because we live in a more multicultural society than we ever have before, it feels the perfect time to do the show." Jordan added that he has long harboured an ambition to bring his take on the musical to TV, and that the successful adaptation of West End hits such as Mamma Mia! into films proved it can be done successfully. "I've always wanted to do a musical, look at the success of Mamma Mia! at bringing drama and music together," said Jordan. "I was gutted when Pete Bowker did [bBC1 musical comedy drama] Blackpool, and when Glee came along I thought 'gutted, now someone's done it', but they didn't do what was in my head. "In my head was Busby Berkeley, not just two people singing in a kitchen." Jordan added that using music as part of the main plot, not just the background, allowed him to pull the heart strings much quicker than the slow-burn build-up of writing for a traditional TV show. "It could take me 40 pages as a writer to get the audience to an emotional trigger to cry, I can do that in one page with music," he said. "I'm talking about a shortcut to an emotional trigger that only music can deliver." Kenworthy's credits include Notting Hill, Love Actually and Four Weddings and a Funeral. "Sex and the City, Bridesmaids, Bridget Jones's Diary and others have a universal theme of everyone looking for that extra piece of the jigsaw to make life complete," said Jordan. "Stop! captures that theme of love, that piece missing".

a massive well done great amount rasied

great post enjoy the music and keep it alive

Still looking nd living in hope

A true icon not seen him for a couple yrs but will be sadly missed Rip mona and our harts go out to all them that was very close to him

also not northern soul but two out of three aint bad meat loaf

What about somday by the tempest &the temptations my girl to amazing tunes