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John Benson

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Posts posted by John Benson

  1. Even though in the article she clearly states that she chose the name. For some reason I had it in my mind that it was her (then) surname at the time?

    I'm wondering where I could have read this now - or did I just dream it? :g:

  2. As we're not really any further to a definitive answer to our original question, I thought I'd go back to one of the comments made on page 3 about how popular or well promoted it was in the Soul magazines when the Demon LP was released.

    Well, over the weekend I went through every issue of Blues & Soul from late Jan 1989 through to the Xmas issue (December / January)
    I only turned up these few mentions of the LP, no proper reviews or anything.
    Just three playlists (one was repeated in the next issue) plus a couple from Record Corner.
    No mention even from the likes of Richard Searling or Simon Dunmore who's pages you might have expected to see a mention.

    It's not surprising then that it went almost unseen!

     

     
    Record Corner ad - B&S 542 & also 544  - Aug / Sept 89
     
    56a7e0bedea13_RecordCornerBS542.thumb.jp
     
    Rick Scott - B&S 543 - Sept 89
     
    56a7e0d5aa8ea_RickScottBS543.thumb.jpg.0
     
    Steve Hobbs - B&S 544 & also in 545 - Sept & Oct 89
     
    56a7e0fd3541b_SteveHobbsBS544.thumb.jpg.
     
     
    Of course there were a few mentions in Voices From The Shadows, but again only fairly low key.
     
    Jan Barker's brief comment in issue 10
     
    56a7e16844281_Voices10JanBarkeredit.jpg.
     
     
    Jan's second mention in issue 12
     
    56a7e1859d3a3_Voices12JanBarkeredit.jpg.
     
    A little 'dig' from Tony Rounce, also in issue 12
     
    56a7e1db68f61_Voices12TonyRounceedit.jpg
     
    I don't doubt there may have been other mags that reviewed the LP, but I was just mainly looking at Blues & Soul as being one of the major ones.
    Other than the review in Echoes posted earlier. I can't say, as I've not plucked up enough courage to go through those... Yet!
     
    Anyone fancy going back to 1974 / '75 and see if any of the mags have a mention of it there? - somehow I'd be surprised if there was anything.... but you never know do you? :D
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  3. 46 minutes ago, Jason S said:

    Yes, I was thinking this - unless the article was written before he got an original copy??

    As I wrote, the article was printed around 2003, the interview being done the year before that (it says so in the article).

    Which was why I thought it odd he wouldn't mention it - unless Mr Dewhirst didn't actually sell it to him until after that date!  :wink:

  4. I've not long since been looking through that interview that Colin Dilnot did with Sandra which was mentioned earlier - In The Basement 32. (Around 2003)

    As already said, Sandra had no involvement or even any knowledge of the Demon release prior to a number of people saying to her that they had copies of it, but this wasn't until a few years after it was released.

    More to the point, at no point does Colin mention the existence of an earlier copy of it, let alone owning one - I find it odd that he wouldn't have at least mentioned something about it, even if he only said a test pressing exists of it but not mentioned it was his. But as I don't know him that well, I couldn't ever be certain of this.

    I guess we could do with someone currently in touch with him to ask the question :thumbsup:

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  5. Just to add to my earlier comment of when I first got to hear about the LP, I found the tape with the tracks on and I've got written on the case September 1989. So short of hunting through numerous mags from that year, I haven't a clue what month it actually came out on Demon - does anyone know? :g:

    Obviously earlier than September!

  6. 10 hours ago, Mike Lofthouse said:

    Out of interest when were the album only tracks played out on the scene  ?  immediately after the Demon release in '89 ? or were tracks made available and circulated previously?

    I can't recall  its reception on release but was it obvious then it was a gem?     

    I have to say that I don't recall hearing any of it played out after the Demon release, but I 'got wind' of it via my buddy Sean Hampsey who did me a tape with most of the tracks on it. It wasn't very old at that time, weeks or maybe a few months, I can't remember!

    I picked up my own copy shortly afterwards from a local record shop. I don't recall there being any big 'buzz' going around about it either and can't recall where Sean got to know about it - maybe he'll remind me when he reads this?

    After all, it was 'only' around 26 - 27 years back! :lol:

  7. While it's hard to believe that no one has ever mentioned the existence of this LP before - it's not totally impossible for one or two people to own a copy that aren't active on the current soul scene. Although I think Ian's Colin Dilnot theory would have been heard of by someone before now.

    Take the Darrell Banks London 45 as a recent example... Who would have thought that existed!

    Like most reading this thread, I'm eagerly awaiting more developments on this :yes:

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  8. Well at least the mystery is now a little bit clearer! Although the source isn't - not yet anyway.

    I may be putting two and two together, but the mention of the Willie Tee Gatur '45' had me wondering as a certain well known person mentioned it numerous times on one of his recent 'podcasts'. I thought it odd that someone would mention it in such a casual manner. Yet I'd never come across any other mention of it until yesterday on this thread, and the words 'Soul Pack'..... I wonder if I'm thinking about the same person?

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  9. Regarding BIEM - I've a Dells 45 on Italian Cadet with that on.

    A quick Google search shows this:

    From Wikipedia, the free encyclopedia
     
     

    This is a list of BIEM member organisations.

    1. Albania ALBAUTOR
    2. Argentina SADAIC
    3. Austria AUSTROMECHANA
    4. Belgium SABAM
    5. Brazil SBACEM
    6. Bulgaria MUSICAUTOR
    7. Canada SODRAC
    8. Chile SCD
    9. China MCSC
    10. Croatia HDS
    11. Czech Republic OSA
    12. Denmark, Norway, Sweden, Finland, Iceland, Lithuania and Estonia NCB
    13. France SDRM
    14. Georgia GESAP
    15. Germany GEMA
    16. Greece AEPI
    17. Guinea-Bissau SGA
    18. Hong Kong CASH
    19. Hungary ARTISJUS
    20. Israel ACUM
    21. Italy, The Vatican, San Marino SIAE
    22. Japan JASRAC
    23. Malaysia MACP
    24. Mexico SACM
    25. Netherlands STEMRA
    26. Peru APDAYC
    27. Philippines FILSCAP
    28. Poland ZAIKS
    29. Portugal Sociedade Portuguesa de Autores (SPA)
    30. Romania UCMR-ADA
    31. Russian Federation RAO
    32. Serbia and Montenegro SOKOJ
    33. Slovakia SOZA
    34. Slovenia SAZAS
    35. Spain SGAE
    36. Switzerland, Liechtenstein SUISA
    37. Trinidad, Tobago COTT
    38. Turkey MESAM
    39. Ukraine UACRR
    40. United Kingdom MCPS
    41. United States of America HFA
    42. Uruguay AGADU
    43. Venezuela SACVEN

    So, it doesn't relate to a specific country but represents a lot of them, there's too much to post on here, but this link gives you a good idea of what BIEM is and does: https://www.biem.org/index.php?option=com_k2&view=item&layout=item&id=20&Itemid=442&lang=en

  10. As I said on the earlier thread about this, back in September - I do find it odd that someone would go to the trouble of pressing this up on a 45. It's never been popular enough to warrant it in my opinion.

    But it isn't unheard of for singles to be taken from LPs 4 years or so after the album came out,so you never know.

    Plus as I also mentioned, by the time this record is suspected to have been released - 1973, Ray Charles had started his own label 'Crossover' so you may think it would have got released on that. Unless ABC had the rights to it and not Ray.

    Of course this is all speculation until we get confirmation from someone else who can verify that copies do really exist!

     

    By the way Steve G, I got that same 'picture' bag with an unplayed copy of Neal Kimble :thumbsup:

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  11. I've got most of the Al Hudson Atco 45s, including both of these.

    I'd already got "We must make it happen" when I came across it well over 15 years back, so bought it blind - just out of curiosity.

    Just going through the notes on Discogs for this release number, it mentions the two B sides, plus that the copies with "When I'm loving you" on were credited to Al Hudson & The Soul Partners. But the ones with "We must make it happen" on are only credited to  Al Hudson.

    I can't say as I'd noticed that, so will have to check my copies! :D

  12. Yes, a memory record for me also. First heard in the Highland room and at the time thought it was great!

    Picked up shortly afterwards at Cleethorpes and the like, to get even more plays for a time before vanishing for another song to take it's place!

    Not so much a fave now though, I still have my copy but never think to listen to it these days. I did know about the Adrissi Brothers involvement and that they were in fact a group, not a person. Which could well have swayed my feelings away from it just a little... :yes:

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