No, it means I would've liked to have seen more Kent LP releases in the series, simple as that
Girly group sounds on CDs...Kent wasn't recognised as their home...they were more an Ace label genre, weren't they?
With regards to my comment about available catalogue - naturally licensing tracks is not always easy/cheap/viable..surely there was still life within the Kapp, Congress and Decca material...why wasn't the MCA deal renewed?
Sales figures - well by the end Northern Soul CD releases were common place and cheap, as were CD players, and record shop shelf space was given over to CD rather than LP, so I can understand vinyl taking a dip.
For reference, towards the tail-end there was confusion with releases with my regular customers...if it was on Kent they'd buy it, period. However, the inclusion of the jazzy/funky albums turned them off and they began to pick and choose or even pass over...leading me to think that maybe these volumes may have sat better on a new logo other than Kent?
In hindsight...and maybe why I wrote what I did...I saw what I consider to be a similar fate happen with two other labels I liked, albeit they were Dance labels - 4th & Broadway and Urban. Both had a great image and sound-identity...people would buy up new releases in safe knowledge that they would get something they liked...then they both diversified with different genre...and they both rapidly lost their supporters and guaranteed sell-in figures.
One thing for certain, long live Kent CDs!!