razadelsoul

Intl. Distribution: razadelsoul@gmail.com Buy Direct: https://imgrecords.bandcamp.com/merch Press & Booking: djcazel@industrymusicgroup.com

Intl. Distribution: razadelsoul@gmail.com Buy Direct: https://imgrecords.bandcamp.com/merch Press & Booking: djcazel@industrymusicgroup.com

Napoleon Demps - Remedy - Sweet Soul From Flint, Michigan Tap to view this Soul Source News/Article in full

Buy direct on www.razadelsoul.com

Thee Exciters (Live!) - Make It With You Tap to view this Soul Source News/Article in full

Modern take of sought after “I Don't Want You” by The Lovations Tap to view this Soul Source News/Article in full

RIP Bob Abrahamian a good friend of mine now has one of his Soul Bibles

I would say that this is relevant to what I said, a private press is not a record label in its traditional form. Although a private press may carry a label name, its usually generic displaying the band's name, something the band just came up with or to your point maybe the church name or some other name. Its basically any release that is self released. Not to be confused with say small indie labels which is in the business of releasing or selling other people's music.

A private pressing is not an indie label, exactly. Its a record pressed by the band/artist. Usually a a private press "record label" is generic and is 100% funded and released by the band/artist, and never bothers signing other acts. This is what makes private press different from an indie label press. An indie label signs multiple acts and strives to become a bigger label. A private press is just a band or artist that is not gonna wait around for a label and self fund their own music.

SONG TITLE/ARTIST: What's Left To Give (After Giving It All?) - Dee Dee Simon w/ The M-Tet CATALOG NUMBER: RAZA - 005 FORMAT: 7” 45 RPM Test Pressing GENRE: Low-rider Oldies, Soul, Group TRACK LISTING A: What's Left To Give (After Giving It All?) - Dee Dee Simon w/ The M-Tet LISTEN: https://youtu.be/EaA0Jez1Ki0 B: What's Left To Give (After Giving It All?) Part II - Dee Dee Simon w/ The M-Tet Please contact J.M. Valle "Mad" at razadelsoul@gmail.com or (408) 661-2604 if interested. ONESHEET Fate has a certain way with things, "What's Left To Give" was originally written by George Kerr’s wife, Wesaline Kerr, now them old words of heartache are brought back to life from a woman’s point of view! The OG by The Whatnauts, now runs a $100+ price tag and 64K views on @64caddykid YouTube! Lead vocalist Dee Dee Simon from Oakland, Ca pours her heart out on a killer rendition known for its masterful production by George Kerr (Moments, Whatnauts, Escorts). Contains studio session excerpts of producer George Kerr conducting Group Harmony, and a Part II not available on digital platforms. Group Harmony conducted by George Kerr and harmonized by Zee Desmondes of The Jack Moves, Ben Pirani and session vocalist Mike Clanton, and recorded at Full Time Records in Newark, NJ. Percussion by Mio “Timbalero” Flores from East Oakland, Ca, known for backing up names like The Whispers, Sapo, Tower of Power y mas! Music by The M-Tet recorded on multi-track cassette tape by Chris Lujan at Lugnut Brand HQ, Pittsburg, Ca during the “Where Did Our Pride Go” sessions. Mixed by Kelly Finnigan at Transistor Sound in San Rafael, Ca. Arte by Big "Treetop" Serg from East Oakland, Ca of Treetop Clothing. TEST PRESS UP FOR SALE WHAT'S LEFT TO GIVE - DEE DEE SIMON - TEST PRESS (CHICANO MURAL FUNDRAISER) $100 EACH SOULEROS BALL COCAINE WTE GENERIC TEST PRESS LABEL SONG TITLE AND ARTIST STAMPED BY HAND LTD TO 20 COMES IN A HANDSTAMPED WTE SLEEVE, POLY OUTER SLEEVE AND BACKBOARD COMES WITH A CERTIFICATE OF AUTHENTICITY AND CONFIRMATION OF YOUR DONATION 100% OF GROSS PROFITS DONATED TO SOULEROS BALL, A FISCALLY SPONSORED 501C3 NON-PROFIT ORGANIZATION TO FUND EL COMITE @MURALDELARAZA THIS RECORD IS SET TO BE AVAILABLE FOR PRE-ORDER BLACK FRIDAY 11/27/20. YOU WILL HAVE THIS TEST PRESS MONTHS IN ADVANCE! 100% of gross profits will be donated to Souleros Ball, a fiscally sponsored 501C3 non-profit organization to fund efforts of El Comite @muraldelaraza. This fundraiser will fund El Comite to continue its work for Chicano Mural advocacy, enlisting Chicano murals in the historic landmark inventory, protecting mural artist's rights, strengthening mural laws through CA state legislation and painting Chicano murals. The goal for this specific fundraiser is to raise $2K for seed money to fund a Chicano Mural in a Chicano community in San Jose, Ca. The final mural will require more than $2K, this fundraiser is simply a kick off!

Chicano Soul is now revered and sought after. But during it's time, SUEÑOS like many other Chicano bands struggled with the record company support they needed in order to be truly successful. Although SUEÑOS was able to be musically versatile and cater to various markets within the Latino community, they were held back by record contract restrictions and pressure from promoters to sound a certain way and one way only. During their nine year recording history from 1979 to 1988, SUEÑOS recorded primarily in Spanish including everything from Ranchera, Salsa, Norteño, Tropical, Funk and Chicano Soul. Like many Chicano acts before them, SUEÑOS, from Sacra, Califas found themselves caught between an Anglo, Mexican and Chicano world struggling to exist and become embraced as an act for their diversity. As Frank Lizarraga puts it, “We were a Chicano band that played Mexican music”. SUEÑOS was formed in the summer of 1979, during the height of the Low-rider Renaissance. Most of the original band members were still too young to gig at a 21 and over club. Jaime Zuniga, co-founder of Sacramento's Midnight Players, was invited to join other bands but after playing with SUEÑOS in Frank's mom's basement, Jaime knew this was the band for him. Frank wrote a majority of the music and Jaime became the English lead singer. Frank Lizarraga was just about complete with his record contract obligations with Ellas y Ellos, a Ranchero and Cumbia band on the San Jose label, Luna Records. Frank Lizarraga, Richard Martinez and Fernando Quiroz, came up the name SUEÑOS. Although SUEÑOS performed as a Latin cover band in the local club scene to pay the bills, the band's focus was writing, recording and performing original music in English and Spanish. A few jam sessions later and the band signed a distribution contract with Luna Records which both made them and breaked them. Frank's wife loved Oldies, so he decided to write a rolita titled, “Baby I Love You”, to impress her. When Jaime Zuniga first gave the rola a listen, he responded, “When are we going to record it?”. Luna Records, was a strictly Mexican label. After heavy negotiations, Luna agreed to release SUEÑOS’ first English rolita in 1982, titled, “Baby I Love You”, but with a few restrictions. Luna agreed to cut 1000 singles, no dice on the album and no distribution. Luna kept a good 800 sold in their record shop in San Jo. The remaining 200 were sold by SUEÑOS at concerts, car shows and through mail orders in Low Rider Magazine. Luna's compromise was to cut a Spanish version titled, “Mujer Te Amo”, on their debut self titled album in 1983. Ironically, “Mujer Te Amo”, was never cut as a single and was largely unnoticed by their Spanish following and, “Baby I Love You”, is now sought after among Chicano Soul record collectors. Performing was even more tricky. Mexican promoters did not want SUEÑOS to play what promoters called “Chicano music”, stopping entire sets in the middle of performing rolitas like “Baby I Love You”. During San Jo's King and Story days, SUEÑOS played at the Tropicana nightclub where they were restricted from playing in English until after the midnight hour. Radio DJ's, agents and promoters found it difficult to label SUEÑOS and promoted them as Mexican band. In spite, the band would play Oldies in front of an all Mexican crowd and Salsa in front of a crowd of Cholos. Regardless of the band's challenges, SUEÑOS was able to be consistently booked in the Mexican market, and bill on the same bill as Tierra, Los Lobos, Tigeres del Norte, Los Yonics; and thrive in Chicano Soul in the low-rider circuit. After the band’s break up in 1989, band members continued gigging in other local bands and for the most part went on with their lives. It wasn't until 1999, when former band members discovered their first English record, “Baby I Love You”, featured on a bootleg Rare Oldies CD compilation, Lost Chicano Oldies Vol. 1. After contacting the vato selling the bootleg, the conversation didn't quite end well but inspired Frank Lizarraga to officially re-release, “Baby I Love You”, in 2004, on a CD compilation titled Hollywood Girl and More Chicano Soul. Hollywood Girl and More Chicano Soul featured the band's entire Chicano Soul catalog derived from the original master tapes and highest graded vinyl. What's even more impressive is unlike many artists, Frank Lizarraga was smart enough to own his publishing company and masters to the entire SUEÑOS' discography. This paved the way for the band's reunion in 2009, and performing at the Souleros Ball in 2013, held in their hometown. The OG bids for $200+. The Spanish version never cut on 45. The OG was a 1000 press. This Re is a 500 press. Bootlegged on various Rare Low-rider Oldies CD compilations.... Now for the first time, Raza del Soul, de San Jo, Califas proudly presents an officially licensed limited 500 press of the English version on one side and the Spanish version on the flip. "Baby I Love You" b/w "Mujer Te Amo" RAZA - 004. A Reissue without Borders. LTD 500 Press. No repress. Baby I Love You LISTEN: https://youtu.be/OZh4GTqLdB0 Mujer Te Amo LISTEN: https://youtu.be/OGHqvcNfeW0 Sueños “Baby, I Love You” b/w “Mujer Te Amo” Arranged and performed by: Sueños Music, Words, Bass, Vocals, & Producer: Frank Lizarraga Spanish Version Music, Words & Translation: Pedro V. Reynoso, Jr Lead Vocals (English & Spanish) & Drums: Jamie Zuniga Ele. Guitar: Roy Santos Rhodes Piano: Andre Macias Trumpet: Rudy Alcantar Saxophone, Vocals, & Horn Arrangement: Bernie Torres Recorded & Mixed by Drew Palmer & Ralph Stover with Frank Lizarraga and Jamie Zuniga at Custom Recording Studio “C” Stockton, Ca Recorded on 24 track analog 2” inch and mixed to 1/4 tape at 15 ips Mastered & Cut by Timmion Cutting Laboratory from aiff digital format transferred from the original master tapes in 2006 Non-exclusive worldwide vinyl record and permanent digital download license courtesy of: Pancho’s Music Publishing Company (BMI) © 1981 Pancho’s Music Co ℗ 1981-2018 LoveTaxi Productions Sueños Logo Designed by Esteban Villa - RCAF Graphics Center Originally released December 28, 1982: Sueños - Luna Records 318 Sueños - Luna Records LP-1087

Will there also be an LP release?