-
Posts
6,283 -
Joined
-
Last visited
-
Days Won
8 -
Feedback
100%
Content Type
Forums
Event Guide
News & Articles
Source Guidelines and Help
Gallery
Videos Directory
Source Store
Everything posted by Sean Hampsey
-
Bart Jackson ( George Jackson ) Dancing Man
Sean Hampsey replied to Sunnysoul's topic in Look At Your Box
Yes, the 'Sound Facts' is a boot from recent years. I have a Decca issue and Decca Demo. T'other side 'Wonderful Dream' is magnificent. Classic midpaced George Jackson. Sean -
Fuller Bros - stranger at my door - price?
Sean Hampsey replied to Ljblanken's topic in Look At Your Box
Yes 'Don't Knock Me' by Fuller Brothers is on US Bell Demo as well as Soul Clock. Good versions also by the Ebony's and Connie Tanzell. "Stranger At My Door" is a great record on either label. Sean -
Joe Mayfield - 'I'm On The Move' - Excello
Sean Hampsey replied to Sean Hampsey's topic in Record Wants
Still looking for this. Someone must have it out there! Your price paid. Many thanks Sean -
Record shops in New Orleans any advice
Sean Hampsey replied to Sheldonsoul's topic in All About the SOUL
Yes, that is a shame if Jims has ceased trading. Had some great stuff out of there. Jim Russell is legend in New Orleans. Before his store he was a Radio DJ, in the sixties. He once barricaded himself in the station (Shawshank style) as the station wanted to stop him from playing 'race music'. He had many great tales to tell and even introduced me to the Dixie Cups once in the store. Sean -
New Comp Alert - Lost Without You - The Best Of Kent Ballads 2
Sean Hampsey posted an article in News Archives
“Lost Without You - The Best Of Kent Ballads 2” If you’re a Deep Soul or Soul Ballad fan I really must bring to your attention the latest ‘Kent Ballads’ compilation which is to be released at the end of October. This CD series tends to cover the whole of the soul music era and most genres, but those on the blue or mellow side in particular. Having had the great pleasure of being able to absorb the tracks in this fine collection over many months, and in some instances, several years, I can only say that, for lovers of the deeper shades of Soul, this latest in the series is absolutely essential and very much up there with the finest compilations you’re ever likely to hear. This volume has a particularly impressive 20-year span, ranging from New Orleans-recorded Turquinettes’ 1962 track to the early 80s quiet-storm groove of Jimmy Scott. From the list below you will see that 14 of the tracks have previously made it to vinyl and will already nuzzle in the collections of many ardent deep soul fans. However the 10 tracks which were never released at the time will more than justify the purchase. A quick review of just a few of those on offer should put you in the picture. 1. The opening track ‘Stay Away’ is a hitherto unreleased number which I’ve previously played out here and there as being performed by ‘Carlson Oliver’ - who on further investigation turns out to be one of the co-writers, but not the vocalist. This was the name on the Tape Box and until the artists were correctly identified served a very useful purpose. Blake Helliwell may well recall me passing this to him to play in the lounge at Soul Essence a couple of years ago. It is actually a Kent / Modern recording by The Turn Arounds with Terry Evans on lead. Comparisons with the Knight Brothers ‘Temptation ‘Bout To Get Me’ are inevitable. An absolute Killer that just has to be heard… and owned. 2. A surprise package which arrived recently is the hitherto unknown and still unreleased second album from South Carolina Hairdresser, Jerry Washington. Crossover fans will go ape over the Whitfield influenced original (pre-Glades) recording of the song ‘Don’t Waste My Time’. For those of us who fell in love with his hit record ‘Right Here Is Where You Belong’ back in ’73, there’s plenty on this unreleased set of completed masters, including the lovely ‘I Don’t Need Nobody’ which is a chip right off the ‘Right Here’ block! As a taster for the complete album to come, it’s included here and is an absolute beauty! 3. The third unreleased track to feature is the title of the compilation from Detroit heroine Lorraine Chandler in ‘Lost Without You’. This is a Pied Piper recording, laid down at the same session as ‘Oh, How I Need Your love’ and Northern Soul favourite ‘I Can’t Change’ and had remained in the can since December 1966. It’s a Teddy Randazzo composition and lacks none of the lyrical drama we’ve come to expect from his work, with a superbly sophisticated arrangement from Jack Ashford and Joe Hunter. 4. Julius Wright ‘Lonely Girl’ is a formerly unissued Brent recording from 1965. This is an organ filled deep soul, southern style, number that goes right back to church. A very worthwhile inclusion! 5. The Exotics ‘Nobody But You’ is an unreleased Excello recording. A southern ‘brassy’ group sound that the Low Rider crowd will absolutely love and the rest of us will also admire. And the good news is, there’s still more ‘in the can’ to come from this great group! 6. Must admit, when this next cut arrived in the mailbox I was completely blown away. A previously unissued Dore recording from Little Johnny Hamilton on ‘Apartment Number Nine’. No other way to describe this other than a killer deep ‘wrist slasher’. It’s a definitive deepie in the mould of Don Covay on ‘Leave Him’ or ‘I Was Checking Out’ but with even more tears, shrieks and misery. Completely breath-taking. 7. Another that got me from the get-go is a stunner from Nashvilles own Peggy Gaines, on a previously unissued recording from Bob Holmes. I’ve been playing this one over and over for months and the more I hear it, the better it gets. Just wait until Dave Halsall and Kev Briscoe hear this! Mid-tempo loveliness that’s as good as anything I’ve ever heard by her, and she made some absolute gems. Buy it now! 8. Lastly is a track that some may be familiar with via a later recording. Jimmy Scott ‘Sure Thing’ is actually an earlier inception of his 80’s ‘Back-Bone’ 45 ‘Take A Chance On My Love’ and it’s even better than the side that came out. A wonderful recording and absolutely remarkable that it remained hidden for so long. There’s far more on offer here than these few ‘previously unissued’ highlights and I’m sure that Soul Lovers will also find great pleasure in the sublime offerings from the likes of Ty Karim, Alice Clark and Dori Grayson. I’ve thoroughly enjoyed playing these tracks, over the past few years and in recent times, in various shady haunts and where mid-tempo, deep and ballad soul are applauded. I do know that this project was a real labour of love and meticulous devotion for, Ace compiler, Ady Croasdell as he sought to create and assemble an album full of tracks that even the most die-hard Deep Soul fan would love and cherish. Mission accomplished Captain. This is a compilation that every fan can file among those other Deep Soul treasures, without any fears. Head to Amazon or Ace right now and place that advanced order. You won’t be disappointed. Sean Hampsey Stay Away - The Turn Arounds I Don't Need Nobody - Jerry Washington I Love You More - Lee Williams & The Cymbals Lost Without You - Lorraine Chandler Don't Let Her Make You Cry - J.J. Jackson & The Jackaels After He Breaks Your Heart - The Wanderers Lonely Girl - Julius Wright Nobody But You - The Exotics Apartment # 9 - Little Johnny Hamilton I Can Fix That For You - Dori Grayson Everybody Knows - Peggy Gaines I Give A Damn - Johnny Watson Crying Clown - Eddie Parker Messing Up A Good Thing - John Edwards Sure Thing - Jimmy Scott Don't Let Me Be Lonely Tonight - Ty Karim Heaven's Will (Must Be Obeyed) - Alice Clark How's Things With You - Joe Mayfield King For A Day - Danny White The Last One To Be Loved - Lou Johnson Give This Fool Another Chance - Eddie Whitehead Lonely Man - The Soul Brothers Take Another Look - The Turquinettes The Price - Mary Love Comer -
Joe Mayfield - 'I'm On The Move' - Excello
Sean Hampsey replied to Sean Hampsey's topic in Record Wants
Still looking for this. Your price paid. Many thanks Sean -
Joe Mayfield - 'I'm On The Move' - Excello
Sean Hampsey replied to Sean Hampsey's topic in Record Wants
Still looking for this. Your price paid. Many thanks Sean -
Decent playing copy of Joe Mayfield 'I'm On The Move' / 'How's Things' required. Please pm me with condition and your price - or email marketing @ usegreymatter.com Many thanks, Sean
-
I have the US copy and play it often, but, as a matter of interest, I also have a UK Test Pressing so believe it was perhaps scheduled for UK release and then cancelled. Must go check on the flipside as I don't honestly know what track is on there Sean
-
Evening all. Just had to give you a shout about this stunning new Bettye Swann compilation from Ace / Kent, featuring some of the finest tracks from right across her illustrious soul career. Money - Capitol - FAME - Atlantic 1964 - 1975 Compiled with a great deal of love by Ady Croasdell it kicks off with the one track I vividly remember buying, on recommendation from my old friend Dave Godin, as he raved about it in Blues & Soul; the totally gorgeous 'Make Me Yours'. As we all know, a 24 carat soul music gem. From there it includes the stunning slice of Muscle Shoals 'I'm Just Living A Lie' from FAME, the wonderful 'Today I Started Loving You Again' the recent massive spin 'When The Game Is Played On You' crossover monster's 'Kiss My Love Goodbye' and 'I Want Sunday Back Again' plus superior ballad excellence in the shape of 'Time To Say Goodbye' and the recently unearthed 'Either You Love Me Or You leave Me'. Take a few minutes and feast your ears on the YouTube video with just a few snippets as a taster. Then tootle across to Amazon or Ace (or your favourite retailer of really great Soul Music) and, for less than a night at the pictures, grab yourself one of the finest female vocal compilations in a very long time. Cheers, Sean X
-
Loved 'Stop Accusing Me'. Was a regular spin of mine back in the day. Sean
-
Duke Browner On Impact. What Does The Boot Look Like ?
Sean Hampsey replied to Suinoz's topic in Look At Your Box
Had a mint original given to me over 35 years ago. Bloody awful record. Sean -
Thanks all. Here's the full playlist! 01 Just Loving You (Rap Intro) - Garland Green 02 No Limit - Darrow Fletcher 03 It Takes Heart - Greg Perry 04 If There Were No You - The Natural Resources 05 Don't Send Nobody Else - Luv Co 06 Baby, You Got It All - Street People 07 There Will Never Be Another You - Jesse Johnson & Chocolate Fudge 08 Don't Matter To Me - Billy Cee & The Freedom Express 09 Gotta Be Loved - Herman Davis 10 Tears Begin To Fall - Elaine Armstrong 11 I'll Laugh Till I Cry - Toussaint McCall 12 Daddy Please Stay Home - Obrey Wilson 13 Never Felt This Way Before - The New Experience 14 You're My Little Girl (Edited version) - The Ovations feat Louis Williams 15 It's Everything About You (That I Love) - The Pretenders 16 We Communicate - Gail Anderson 17 I've Got News For You - Viola Wills 18 Don't Lose What You Got (Trying To Get Back What You Had) - The Dramatics 19 See Saw Affair - Cesar 20 Night After Night - Elayne Starr 21 Midnight Affair - George Soule 22 I've Never Been In Love - Alvin Robinson 23 You Amaze Me - Fox Fire featuring Johnny Adams Many of these have never previously seen the light of day on CD or any other format! Give the sampler a listen. I'm sure you'll agree, you're in for a treat! Cheers, Sean
-
Just want to alert ya'll to this stunning compilation, out at the end of the month, from Ace / Kent. This is the fourth in the series and contains so many fabulous unknown, underplayed and unreleased tracks, several of which, I'm very pleased to say, have been firm favourites in the playlists of Steve Plumb and yours truly for quite a while! Do yourself a favour and take a listen to the YouTube video. In particular, I urge you to listen out for "Never Felt This Way Before" from The New Experience which is bound to go on and do even greater things on the dancefloor, and the blinding "I've Never Been In Love” from Alvin Robinson, a raw, killer vocal version of the CP Love 'Chimneyville' crossover classic that's met with masses of approval every time I've played it out! The hard work, as usual, has been down to Ady Croasdell (Happy Birthday, Chief) for your listening pleasure, so I urge all fans of 'modern' and 'Crossover' Soul to pick up this fabulous collection and give these great, recently unearthed, tracks the exposure they certainly deserve! Cheers everyone, Sean X
-
Great stuff. A few memories there. The Birdcage was indeed in Barnsley at Hoyland. First time I heard 'Cool Jerk' was at 'bud cage' as it was pronounced locally! Also, remember Terry Collins 'I LOVE You' being played there as a new release a couple of years later. Good times! Sean
-
Luther Vandross - Never Too Much - Epic MASSIVE! George Benson - Supership - CTI Sean
-
What era are you looking for Ady? Those that were big in the 70's only? There's a few good examples above from the 70's. You could also throw in Carstairs, Montclairs, Ernie Bush, Invitations 'Look On The Good Side', Johnny Johnson 'HoneyBee" - Jimmy James 'A Man Like Me', John Miles 'One Minute Every Hour' - Eddie Holman 'This Could Be A Night To Remember' Junior Walker 'I Aint Going Nowhere', Terry Collins 'I Love You' etc. But if Greg Perry counts and you include tracks from the 80's etc. I guess you could include Bobby King - If You Don't want My Love - Charles Johnson - Never Had A Love So Good, Otis Clay - Only Way Is Up - Echo, Johnny Bristol - Love No Longer Has A Hold On Me - Handshake, Keni Burke - Let Somebody Love You - RCA, Bileo - You Can Win - MTU Watts City, Atlantic Starr - Circles - A&M, Bobby Womack - So Many Sides Of You - Motown, Dells - Your Song - 20th Century etc. They were all massive at Northern Allnighters and we saw them very much as 'Northern Soul' at the time - as opposed to exclusively 'Modern'. Sean
-
Millie Jackson - My Man Is A Sweet Man - Spring was massive from the get go Ady! Sisters Sledge - Love Don't Go Through No Changes On Me - Atlantic Sean
-
Yep - I'm sure Sam would have played it, along with Arthur too. Robbie Vincent may well have played it on Radio one, but he didn't join the Beeb until 1983, so that would have been after the event, so to speak. It was a Top 5 Northern tune through most of 1982 and most of the top half doz DJ's of the time will have played it! See 1982 Northern Soul DJ's, Venues & Tracks chart which should show what was going on at the time... 33 years ago! Cheers, Sean
-
Maybe all of the above Mark A very quick answer, because I don't have time for a long debate, but I do think your question is a fascinating one (that we've touched on before) and deserves an answer, albeit short and sweet. I can't speak for all of us, from back then, but I think in my case I always included new releases if they were 'good enough' for many years but, in the past 10 years, simply got tired of wading through all the average stuff and the terrible stuff, because time is much more limited for me these days (than it would have been 20-30 years ago) and (to my ears at least) there are simply fewer good new releases in comparison to the 70's & 80's. To be fair, although I was working every weekend at the dawn of the 'Modern Soul' era I never saw myself as simply a 'Modern' DJ in the first place. I was more a 'Whole of Soul' or 'No Era' DJ and always played both decades (60's and 70's) from when I first started DJing in the early 70's and then promoted 60's, 70's and 80's in the 1980's and beyond. The 'decade' thing never bothered me in the slightest and I don't think it did for most of my peers at the time either. It always struck me that those who declared themselves as being 'Modern' DJ's had to be more interested in being 'upfront' than in playing just great records, regardless of the era. That's understandable. When you DJ or 'run' a Modern Night' what else would you play? But, for me, I soon developed an intolerance of the 'modern' productions I was hearing and kissed the 'Modern Scene' goodbye. I think the likes of Arthur Fenn would agree with me that some of us felt it didn't suit us to try and plough a purely 'Modern' furrow. This is why I decided to move into places like Pitches, Phoenix, Soul Essence and more recently 'Just Soul' because I got to only play great records (to my tastebuds at least) regardless of when they were made. Does any of that make sense Mark? Sean
-
Very good Peter thanks mate. Just thinking, Steve Croft would probably have played it a few times too at Cleggy from the 'share' box. Reading the comment above, I understand it wasn't 'classic Northern' but these were very creative times and we were committed to playing the whole of Soul, which often meant the best of the new releases in particular! Sean
-
Yep - I played it from new release, every weekend for a couple of years in fact (right up until Parr Hall and Morecambe). Was a big play at Clifton Hall, KGB, Cleethorpes and Bradford Queens Hall. And you're right Peter, a couple of us played it, probably Steve and Pat from memory. Humungous Clifton record. Sean
-
I have the Green issue, if you want Ady? Sean