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Sean Hampsey

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Everything posted by Sean Hampsey

  1. Hi Steve, It is and you MUST visit the Hampsey Basement again soon. Give me a call to arrange dates Matey. Sean
  2. Jean Wells "What Have I Got To Lose" Bobby McClure "To Get What You Got" Debbie Taylor "Touching You" Terry Collins "The Show Must Go On" Carl Weathers "You Ought To Be With Me" Sandra Wright "I'm Not Strong Enough" Levert "I'm Still" Controllers "We Dont" Zingara "Loves Calling" Dells "I Touched A Dream" Peggy Scott "I Cant Say No" Jaibi "You Got Me" All to die for. Sean Hampsey
  3. Agree on those two tracks. Both very underrated. Also, "Taking My Love" is an under exposed (Crossover) dancer right out of the top drawer. Can't fault Gladys though. Sean Hampsey
  4. Now then David, I think old Bill might be just a tad biased! How is the old Bugger (and the lovely Sheila?). Sean Hampsey
  5. Hi Dawn, Its on the reverse of "I'm Gonna Love You" on Carrie. Sean Hampsey
  6. Lovely Tune. I'm pretty sure that Butch had a Sale copy in his Box at Yarmouth last weekend. I don't know the price, nor do I have his contact details, but I'm sure some kind soul on this forum will help you to locate him. Good luck. Sean Hampsey
  7. Hi there, It was definately released in the UK in 1966 on HMV (His Masters Voice) label. Release No: POP 1532. I think its quite a hard 45. Hope that helps. Sean Hampsey
  8. Good Call. Agree 100%. Also on MCA 45. Pure Sam Dees.
  9. I saw her live in Vegas a couple of years ago too! I thought she was incredible... and so was the chicken in the basket! Like you I just loved "Neither One Of Us" but when she sang "Please Help Me I'm Falling" from the "At Last" album I was totally slain. Great performance... and after all these years too. One very classy lady. Sean Hampsey
  10. Yo Stevie, Cryptic One. If I showed up at the Orwell without my records and had a £20 shuftie in your Pound Box early on.. would I get to do a spot? ... and would it be any better than my regular fare? (don't answer that one) Poser Man
  11. Try "I Hate Myself For Loving You" and "Didn't You Know" For perfect Deep Soul Gladys and "Since I Lost You" (up there with Ty Karim's "Lighten Up") For midtempo majesty. IMO of course. Sean Hampsey
  12. Sam Williams "Love Slipped Through My Fingers" An intro that takes the top of my head off everytime... Fist clenchingly magnificent!
  13. A short burst to help quench the thirst can be found here! (until someone puts up the whole bucket full) https://www.amazon.com/gp/product/B00005YP9...v=glance&n=5174 Sean Hampsey
  14. Jon Ford - You've Got Me Where You Want Me - Phillips - 50p Barbara Mason - Yes I'm Ready / Keep Him - London Demo - 50p Dee Dee Sharp - Standing in The Need of Love - Cameo Parkway Demo - 50p Incredibles - Theres Nothing Else To Say Baby - Stateside Demo - 50p O'Jays - I Dig Your act - Stateside Demo - 50p All from Sheffield in 1977. There were others I don't recall off hand but then the guy charged me £2.00 for PP Arnold "Everything's Gonna Be Alright" on Immediate... because he thought that was a rare one! Happy days! Sean Hampsey
  15. Probably Priceless (I realise that's no help at all) but seriously it's a great, and I think pretty scarce, version of the Womack song. I think £5 would be a real bargain.
  16. Thanks Brian but I beg to differ, if only very slightly. Dave's article in an issue of Blues & Soul in 1971, called 'The Soul Of The North' was about his first visit to the Twisted Wheel in Manchester. His observations were primarily about the 'scene' in the North (this was part of my original point) but yes, you're right, he was obviously struck by the difference in the type of Soul Music played in the North, differences that we are all well aware of. The main point I was trying to make (obviously not well enough) was that Dave had tried to shake of the handle for some years after, as also mentioned by Mel Bratt above. Dave (like many of us) was first and foremost a Soul lover. It's a question of interpretation I guess, pretty much like our own posts on the subject. Many thanks Sean
  17. Soulful Strut - Young Holt Bok To Bach - Fathers Angels Festival Time - San Remo Out To Lunch - Poets Six By Six - Earl Van Dyke California Montage - Young Holt Wade In The Water - Ramsey Lewis Time Is Tight - Booker T & MG's Are the only 'Soul Instrumentals' I could ever even tolerate. But even those would be a bit monotonous all night long!
  18. I was working for my local Record shop when all this lot came through and they ordered in quantity. I don't recall having any problems with delivery. We had two boxes of the Charades and couldn't give them away even when it was new! Of course the Joe Matthews, Ernest Moseley, Jades, George Blackwell, Flirtations etc. were huge sellers. BTW: About time we exchanged tapes again Eddie. Please send me your addy. All the best Sean Hampsey
  19. Wow Eddie, 30 years ago, seems like only yesterday. Must admit I bought at least half of those at the time (Anderson Bros, Sam Moultrie, Freddy Chavez etc) as I was deejaying a couple of times a week and this seemed like an excellent resource with excellent titles at the right price (about half a days wages). Shame on me. Loved the f*** Off Sam bit and the "Stammering Welsh" line. Wicked man Simon. Wicked. Thank god we've all grown up since then...
  20. I've always believed that Dave's coining of the phrase had little or nothing to do with the music but was a geographic reference to the scene only i.e. "the Soul Clubs in the North". It was an appropriate enough reference at the time, but he spent many decades afterwards trying to disassociate himself from the phrase in the way that it had been contorted and often said that the 'scene' needed to ditch the description as a classification of the music itself. It was the 'scene' that 'took up' and adopted the term and I can assure you that he would have said a big Amen to your comment that "Soul Is Soul whatever sub-genre you file it under". Let's remember that, whether you're from the North or the South of the country, Dave's contribution to the growth, acceptance and appreciation of real Soul Music in Britain is unparalleled. Those of us whose lives were enriched by his reviews and recommendations (of any tempo or sub-genre) will be forever in his debt. Sean Hampsey
  21. His "There Goes My Sanity" is an outstanding record. Played as new in the Deep room at Essence. RIP Sean Hampsey
  22. King Floyd died from a stroke. Really loved his "Can You Dig It". If you don't know it I reckon it would be right up your street. A truly beautiful record. Also worth checking is the equally lovely "I'm For Real". RIP Sean Hampsey
  23. Good to see such an appreciation of Gene Pitney on here. His contribution to our music was (although indirectly) much greater than one might first imagine. He could easily have been signed by a Major (RCA/Columbia etc.) but thankfully for us lot his hits were with MUSICOR who (because of the income generated from his sales) were able to finance such things as Radcliffe, Melba Moore, Jyve Fyve, Dean Parrish, Platters, Porgy & The Monarchs, etc. releases in which sales were minimal in comparison. Respect Well Due Gene Pitney RIP (ask Jerry "Swamp Dogg" Williams how much he rated the man).
  24. If you like "Are You Gonna Leave Me" I'm guessing you'll be dissapointed with "I Wanna b/w I Gotta". It's quite a common record... in comparison to "Are You Gonna" but still nice to have! Sean Hampsey
  25. Certainly was Gavin. Circa 1995 I don't remember anyone else up north (or even at Pitches) having it or playing it... course I remember some Southern shandy drinkers raving about it around 3 years later... at Essence!


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