Just the way I remember it Steve.
Lets face it, Post Wigan, there was only Clifton Hall.
At that particular venue (late 70's / early 80's) we inevitably played scores of 60's 'Northern' tracks but that 'wind of change' referred to earlier was blowing right through this part of the world.
With Sam & Arthur virtual 'outcasts' on the Northern Scene (because of their promotion of 70's & 80's 'newies') they broke away, sticking two proverbial fingers up at the traditional Northern scene and everything it stood for.
A couple of the Clifton Hall DJ's (you & me included) supported the programming of new material and saw fit to include in the playlists some of the tracks that they were plugging (I bought many a good 80's tune from Sam & Arthur at the time and helped plug them to the 'traditional' nighter audience). Clifton was the ideal music environment for me. A no boundaries policy - just good soul music to dance to, from all eras.
We all got our records from different sources which lead to huge variety in the playlist.
Poke and yourself were well supplied by John Anderson. Pat Brady turned up some superb items (old & new) Richard Searling delivered several exciting new LP tracks (mixed in with his 60's rarities)... and alongside these I managed to programme records from far and wide and from my own personal collection that had been gathering dust since I'd bought them as new releases (the sounds that Malc Burton referred to earlier) and those other underexposed (unplayed) 70's and 80's things such as "Getting Together" Brothers Guiding Light "I'm Not Ready" Ujima "Shake Off That Dream" Eddie Billups "I'm In Love With You" Bobby Patterson "I'm The One Who Loves You" Darrell Banks 'Ami I Cold Am I Hot' Bill Harris "We Did It" Syl Johnson "He's Always Somewhere Around" Donny Gerrard "Take It To The Limit" Norman Connors "Heaven In The Afternoon" Lew Kirton etc. none of which had received any kind of significant 'Northern Soul' exposure up to that point.
The 'Modern Soul' 'Breakaway' crowd at the time objected to the exclusion of Sam & Arthur from the key venues, but these two renegades and their followers sought sanctuary on their own soil and it wasn't too long before the uptake was substantial enough to exert enough pressure for the top venue promoters to take notice and include them on the Rosta - the first being the new 'After Dark' Allnighters at the Cleethorpes Winter Gardens (all in one room) followed by Bradford QH (in two rooms) and then Stafford.
The rest is history... but that's how, when and where it started.
And I'm blessed to have been there.
Sean Hampsey