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Sean Hampsey

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Everything posted by Sean Hampsey

  1. Sorry Nev, Sold my spare UK Buddah copy to Steve Mannion. But this should help... Its also on the "Loves Happening" US Curtom LP (CRS 8002) from 1969. I've got one of those too, but the cover is very different to the UK copy so I'm hanging onto it. The LP also features the immaculate "Baby, Make Me Feel So Good". Should be easier to track down than a clean UK copy. Sean
  2. International Club Blake? I think you're right. And note he's not got his Jacket on (cos I've got it!). I also caught him sat on the bonnet of my car that night eating a Kebab! He's a lad that Womack! Sean
  3. Yes Mike, I do have loads of unusual overseas 45's. Might start a thread on the subject at some point. Got a bit of a weakness for Ozzie releases, having first picked up a quantity some years ago whilst in Sydney & Melbourne on business. Also got quite a few Israeli, Lebanese and European label Soul 45's, but the Greek Frankie Beverley has, so far, evaded me. Guess the "Cry To Me" got released on RCA on the strength / success of "After All". Same label design and around the same period. Sean
  4. Close Paul. The track was recorded by Major Lance and the Impressions (being a Curtis Mayfield composition) both real nice Chicago Soul cuts but the Stairsteps version, having been recorded much later is a much smoother 'Crossover' track which, as Steve said above, I've been playing out since the early 80's (Clifton Hall, Cleethorpes, Bradford etc.). More recently, I've included it in my sets at Soul Essence once or twice over the years and it always goes down well, but until this thread I've never seen it get a mention. For me its one of the finest Soulful Dance tracks ever! Simply Gorgeous! And thanks for the name check Steve. As you know, I've been plugging this baby for decades... and I'm pretty sure you'll be playing it too! Now we only need another 2 or 3 'Soul DJ's' to pick up on it and we could have a Monster on our hands! Sean
  5. Just for info, Ken, these guys (essentially) became the Skull Snaps! Nice record mate. Sean
  6. Sorry Mike, Not ignoring you, been a few days since I've been on here. The RCA is a Black issue from mid 80's. The scan I put up is the rare Aussie copy. Nice innit! Sean
  7. Rob Pilnick played me this 28 years ago (late Wigan). Seemed nobody else rated it back then, except me Rob & Craig! Funny how things change.... sometimes for the better! Great tune! Sean
  8. A Beautiful Slice of Sam Dees... As well as the LP it also came out on 45 on US Aware, and also on UK RCA (which is nice!) but this copy is the most desirable for collectors! Sean
  9. Yeh! I think you did too. Just like I did. You made me feel a lot better about my own premature shot though. Especially after Tony R's comprehensive drubbing. Sean
  10. Which just goes to show... the harder you work... the luckier you get! Wonder how many thousands of records he needs to wade through to find something like that! Fair play to him. Did you not get an early bid in? Sean
  11. I'm sure you'd be able to work it into one of your sets, Steve! Sean
  12. I think you're right Steve. You do mean the 'filthy one' dont you?
  13. Debbie Dean. Old enough to be the lovely Conny's Mother!
  14. Sorry Tony, but I always believed that the lovely Conny signed with Motown in 1960, age 15 (She was born 28 September 1945). Berry Gordy 'discovered' her at a 'Miss Teen Night' and he 'signed' his first White Female artist immediately after, in 1960. Its certainly incorrect to say that she didn't get to Motown until 1963. You're right though, Debbie Dean WAS the first white female artist to actually RECORD for Motown. I jumped the gun and read the question as first artist at Motown.... and I've always believed it to be common knowledge that Conny was the first! Either way, I know who'd I'd have wanted to have first! Sean
  15. Right Darren, and it was also on the budget priced "Essential Collection". A Stunning track. Sean
  16. In my opinion, Derek, it was always the much better side. It's called "Its Not Right" and is on the flip of both the US Tower copy and the UK Capitol 45. A great deepie. Now somebody please put the clip up for Derek. Sean
  17. Surprised the old Ann Perry C/Up's not been mentioned. Covered as Ann Perry, the Mecca played a 33rpm 7" at 45rpm (entitled "Let The Dollar Circulate") by Billy Paul on Philly International. Also, Moses Smith (actually Epitome of Sound) "You Don't Love Me" was speeded up (and wrongly credited) on the 45 pressing... and some 5,000 people bought it! So since this practice has been going on for 30+ years, why's everyone so shocked? - especially now (in the 21st Century) the technology is on your desktop? Not saying I approve, but sometimes I think there's a real luddite mentality to all this stuff. Pete Smith has the right approach. It's good for a giggle. No more. And I cerainly agree that the guy (whoever he is) should not 'profit' from his experimentation, through blatant deception. So, what shall we do with this fellow? Throw him in the river to see if he floats? Sean (Playing Devil's Advocate Again) Hampsey
  18. Tut Tut! That's just crude! Sean
  19. Don't go there Malc. It's Sunday and I'll need absolution! Sean
  20. Hi Blake, Good memory you've got mate. I bought a Melvin Davis from you about 15 years ago! Won't be making it to Sponson though. Julie's Birthday... and she's got other plans! Sean
  21. Hi Blake, I reckon it will be the same version / same record, since Melvin Davis was 'with' 8th Day. 8th Day were a 'phoney' group in that they had records out under the name before a group was actually assembled (such tracks as "She's Not Just another Woman" were actually by 100 proof with Steve Mancha). Seems to me that this is just a 'mis-badged' sequel compilation. "You Got To Crawl Before You Walk" by 8th Day WAS Melvin Davis also. The other 8th day 45's were also not by 8th day! So, if you did get to hear the 8th Day 'version', I reckon it would be note for note Melvin Davis. Sean
  22. Neil Page then Martin! Clowne's finest. Top Lad young Neil. Had Great taste (always danced to my stuff). Used to come on my bus to Clethorpes too. But that box... and Neil... are legendary! Happy times.... 20+ years ago. Neil Bloody Page. Well I never! How you doing Neil? Sean PS: BTW. He was actually just as good a dancer as you young Kenneth! It was always a toss up between you, Neil and Eric (remember Eric) as to who was most entertaining to watch from the stage. You were my standout three (standout FIVE if you count Hockey & Mick Scott)
  23. Known a lot of Neils in my life (not in the Biblical sense though ) Neil what mate? Would be good to know. Sean


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