Good thread!
Always felt that a lot of the stuff around in the early 'Modern' scene and the late 80's / early 90's would resurface and perhaps even cross over onto the 'Northern' scene.
In some cases they have... i.e. Al Mason "Good Lovin"... but by and large, apart from the 'evergreens' the majority of modern sides were always destined to fall by the wayside for the reasons you cited, mainly that 'Modern' DJ's generally have a quest to be first with the 'next' big tune.
I'd love to see the reaction at a Northern night to some of the following, underplayed Modern 'monsters' from a bygone age.
Niteflyte "All About love"
Leon Ware "What's Your Name"
Leroy Hutson "Love Oh Love"
Randy Brown "Love Be With You"
Loleatta Holloway "Dreamin'"
Anthony White "Hey Baby"
Whispers "Gonna Love You More"
Philip Mitchell "In Her Own Way"
Ronnie Dyson "I Want To Be Where You Are"
Little Anthony "Love Was Born For Me"
Little Reuben "In The Name Of Loneliness"
Brothers Gilmore "I Feel A Song"
All Soulful uptempo thumpers.
Equally, it would be interesting to see how these more midtempo things might be received:-
Cheryl Hunter "Make Good Love To Me"
Denise Lasalle "Here I Am Again"
Mary Love "Sandbox"
100 Proof "Don't You Wake Me"
Goldie Alexander "Go Back"
In recent years we've seen Modern 'Standards' such as Ace Spectrum, Jan Jones, Corey Blake, Carl Hall, Innersection, Channel 3, Bettye Swann, Futures, Aretha "Integrity" etc becoming big 'Northern' tunes and most, if not all of the above (all but forgotten tunes) would give those particular titles a run for their money!
It still amuses (yet depresses) me when those who rate James Fountain / Ann Sexton / Voices of East Harlem / Bobby Hutton / Anderson Bros etc 'because they are 'Northern' classics' pour scorn on 70's / Modern soul.
I'm pretty sure that most 'Northern' fans would embrace more 'Modern' (as in non 60's) tracks if they were to able to hear the quality of some of the 'discarded treasures' above, played out.
The challenge is that some 'Modern' DJ's don't really know the good stuff from the bad and can't discern a good 'Soul' record from a good 'dance' record. I've been to some 'Modern' nights and can easily see why some 'Northern SOUL' fans might be put off.
As a Soul fan (first and foremost) I've never really cared when a record was made.
In the 60's I bought 60's soul.
In the 70's I bought 70's & 60's soul.
In the 80's, I bought 80's, 70's and 60's Soul and so on to this day... where I still buy and play current and 'historic' soul music.
Never done me any harm... but I've always given Modern 'Dance' records just as wide a birth as I did the 60's 'pop' stompers of 30 (ish) years ago.
Sorry. I ramble.
If the cream truly rises to the top, then the best of the bunch will/should eventually find their way back onto playlists, sometime along the way.
Sean