jukeboxgeorge

There were no copyright filings for any of the songs. None of the songs appear on Songview (BMI). Gene Redd does not have any other songs written with B. Moore, who might have been a member of this group, or with J. Hightower. No one has added a comment on any YouTube clip. There is one mention in Record World, but otherwise the music publications did not mention this group or its releases.

Unfortunately Bobby Harris had to cancel his appearance, and the concert went on without him.

Based on Copyright filings, Duke Hall = Robert Lewis Hall, born in Mississippi 7 Dec 1939, died in California 13 Jul 1993

22 June 2024 8PM at Brooklyn Bowl (Brooklyn, NY): Eli Paperboy Reed's Soul Revue w/ Special Guests Harlem Gospel Travelers and soul legend Bobby Harris, with support from Bobby Harden & The Soulful Saints. Eli connected with Bobby Harris earlier this year. This will be Bobby Harris' first performance in NYC in about 10 years. Bobby was also a member of The Harrison Brothers (with his brother Jim). He has also recorded as Rod Harris and the X-Cels. Details: https://www.brooklynbowl.com/brooklyn/events/detail/eli-paperboy-reed-s-soul-revue-k7vgfba6b09cj Instagram: https://www.instagram.com/elipaperboyreed/p/C4WEZgFuWoF/

Some of the members used their middle names. George Edward Britt 5 March 1944 - 26 July 2009 (not 100% certain that this is the same George Britt) George Wendell Payton born 30 July 1941 - possibly living in North Carolina Ellery Kerlin Payton born 8 June 1947 - possibly living in Virginia John Milford Wiggins 27 January 1946 - 4 September 2009 Halsey Demetrius Payton 22 January 1944 - December 1992 (obituary published 15 December 1992) Photos and other information are here: http://doo-wop.blogg.org/royal-robins-c29076892

Thanks for the info, Kevin. Here's a story that Bettye might remember, printed in Michigan Chronicle 16 May 1964 page B1, about the 12th Annual Spring Dance at the Latin Quarter, organized by a group of Detroit business and professional men known as The King's Men. The entertainment included comedian Tina Dixon; James Hargrove (sic) & Lafayette Vaughn as "Silk and Satin;" dancers; and, by audience demand, Betty Lavette. See uploaded newspaper clip. (Perhaps the song referenced was Mr. Two-Gun Pete by Jack Cooley from 1950. There is no other info about Lafayette Vaughn, so maybe this name was not spelled correctly.) Ancestry.com records confirm the 1972 death date; no cause stated. Military records show his birth date on 8 September 1940. He served in the Air Force from 15 August 1960 to 13 September 1963. His mother, Mamie Woods of Cincinnati, signed the 1972 request for the Veteran's cemetery headstone. Curiously, in the 1942 Cincinnati City Directory, James E Hargrave & wife Mamie Hargrave were living at 804 West 9th St. The 1949 & 1952 City Directories have James Hargrove (sic) at this address. The 1950 Census (family name spelled Horgrove by the Census-taker) shows that he was an only child. In the City Directories starting in 1953 until at least 1959, James Woods & Mamie Woods were living at the same address, 804 West 9th St. It's difficult to understand why there was a change in the family name. There was a 1961 Copyright for "Teardrops" filed by James Hargrave, Jr. In doing research there are many songs with Copyright filings that were never recorded, and since lead sheets are available at the Library of Congress / Copyright Office, I hope that a singer and producer will search for these, find some that look interesting, and record them. (There was also a 1959 Copyright filed by James Hargrove II, presumably not Silky, but the filing would need to be reviewed.) My first post in January, with a 1968 newspaper story and photo that mentioned "Cold World" as Silky's latest recording and a big hit, was the final mention of Silky in Michigan Chronicle. This and another song, "The Tables Turned On You" - both co-written by the mysterious Tina Love - had Copyright filings toward the end of 1967, when Copyrights were filed for the two songs on Silky's Dearborn 45. Anyone know more about these tracks?

Here is a photo from the same paper 22 February 1964 including Silky, Ster-phonics (Sterophonics), Dwight Turner (Spyder Turner), Little Michael Stokes

Not certain that Silky's father was Bluesman Richard 'Nickel' Hargrave based on the Copyright filing as James Hargraves Jr. The first photo at the top is Silky. Here it is from The Michigan Chronicle 28 December 1968.

Known for her 45s on Broadway [Sue] and collaboration with Swamp Dogg Tap to view this Soul Source News/Article in full

Although this topic has endured for a dozen years, it may be worth another look. A YouTube for Ward Burton - Sweet Temptation has replies by the songwriter @willhammond5265 (look under @thegreatmarkjohnson 11 years ago) here: https://www.youtube <dot> com/watch?v=nf45rvjoaLo "Martha Starr and Cressa Watson are the same. It's the same record with just a different artist name. I don't know where the Cressa Watson thing came from, but listen closely and you will hear they are exactly the same. I actually gave her (Carolyn Sullivan) the name "Martha Starr." I wrote and produced both the Martha Starr and Ward Burton versions..... but have no idea why the Cressa version came about. Just crooked "hanky panky" stuff that goes on in the record business. There is NO Cressa Watson." Note that this comment refers to Cressa, not Cresa. More importantly, it suggests that Martha Starr - spelled with two Rs - is Carolyn Sullivan, who recorded on Charay and then on Soft (also picked up by Philips). Although there isn't an exact data on this Martha Starr 45, Will Hammond filed the copyright for Sweet Temptation on 13 April 1965. Also note Chalky's comment about her sister Martha Star posted June 30, 2011: "In 1964 Martha went to Michigan..." This would indicate that Martha Star was not in South Carolina when Martha Starr recorded. There is also no mention by the sister of recording with Moses Dillard in 1971. In addition, Carolyn Sullivan's 45 on Soft / Philips was arranged by Moses Dillard, and Moses Dillard also recorded with Martha Starr on Awake (also released on Shout). There's also a comment by Joe Huffman (who co-wrote "Dead" with Moses Dillard): “I remember Moses Dillard brought in this one girl, Carolyn Sullivan. He said she had a great voice but he didn’t really have a song for her. Well, he started pumping on this thing on the organ, this rhythmic thing and I spewed out some words. About fifteen minutes later we had a song. We were working with a guy in Texas and he shot it out and Phillips Records picked it up. It went to number one in San Francisco for like six weeks.” Source: https://markfivearchive <dot> com/2021/01/18/moses-dillard/ These comments seem to indicate that Martha Star on Thelma was not Martha Starr, and that Carolyn Sullivan was Martha Starr.

Bennie Charles Cherry (born 1945) should still be living in Las Vegas, and if you google this full name you might find his current address, though in the past decade he seems to have moved a few times. BMI.com credits him as sole songwriter of My Love Has Gone, No Time For You, and Too Late To Cry. BMI.com - whose database has numerous mistakes - has not yet linked this name to Benny Cherry, who in 1997 co-wrote Keep The Power In The Punch (on a CD as Keep The Power In Your Punch). Songwriter credits for No Time For You might have been a mistake when the label was printed, not necessarily an effort to take a credit away from Cherry. BMI.com does have the flip side Hey It's Love credited to Dan Henderson. Who Can I Turn To (Where Can I Go) is not in BMI.com for Cherry, Sanders, or Lenoir Music, despite both being credited on the 1972 copyright filing which credited Cherry with words, Sanders with words & music. There was no copyright filing for Who Do I Turn To, and no publisher was printed on the Lota Soul label. The credit to Sanders could be another example of a manager taking partial credit for a song in return for getting it recorded, something far more common in the 1950s. It might also be a legitimate (if slight) change to lyrics and music arrangement that could justify partial songwriting credit. BMI.com also has songwriting credits for Bennie Charles Cherry II (born 1998) who writes and raps as BC The Ice God, and if you contact him on social media he might help locate his father.

The New York Times reported that this publication is being digitized by the grandsons of the founders. The story is here: https://www.nytimes.com/2023/02/08/arts/music/soul-newspaper.html The website has added about 30% of the issues, and continues to digitize and add new issues. To view them, the website requests a monthly subscription fee of $9.99. Some original copies of this publication can also be purchased. The website is here: https://www.soulpublications.co/ It will be interesting to read replies and comments by any Soul Source members who have subscribed.

The author didn't do much research. Jo Ann Garrett has lived in the same house in Chicago for decades. She played at least one show per year 1972-1975. In 1996 a Chicago newspaper had a preview story about Andre Williams' first Chicago show in 35 years; it stated that Andre's "former protege and ex-wife, singer Jo Ann Garrett," would perform. And in 2008 she performed at a Chicago club. There may have been other performances that were not included in club listings of Chicago papers. The author of this should have done more than ask a few mates about her.

Book review - audio or transcription. https://www.npr.org/2021/03/23/980234533/last-soul-company-details-the-malaco-records-story Review Ashley Kahn has written numerous music books, mostly jazz.