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"Woman’s Liberation by the Topics on the Castle label. I remember being up on the balcony by the snack bar and asking someone what it it was. Bought it soon after as it was available as an original issue. Great tune and one you never hear played out. Don’t think it’s been put on any compilation LP or CD to the best of my recollection. Wondering if the group is the same as the Topics with a string of good records?" The Topics - Women's Liberation was compliled on CD by Goldmine, on C'mon & Dance 2, then Trippin' On Northern Soul and later Golden Memories of Northern Soul.

Tomangoes - check out the Roger William's DJ events at such as Filling Factory in Buckshaw, Services club nearby in Leyland, that is 80s to today Soul dance with the right feel. Great music. You would appreciate the Luxury Soul weekender (and releases) that Ralph Tee and Richard Searling put on. Anytime Ralph is on at any event, good times with modern Soul are ensured.

Interesting mid 80s is mentioned, after that the feel of Soul changed towards the staccato New Jack Swing style. That doesn't flow like Soul dance we appreciate had before. It's a different emphasis on the beat. It took a while before the Organic Soul and international appreciation of old Soul evolved and merged where flowing Soul will often be on the same set as some funk or staccato R&B styles. This opened up for modern Soul with the original feel to reemerge. So for me it's all about the flowing feel, rhythm emphasis, song structure and so on. I'm at a point where the terms don't matter to me anymore. But I do think in a Northern Soul setting for people who do not appreciate sounds beyond the 60s, that another term is helpfully available. I once compiled a set for an associate at his request and he later exasperatedly said to me 'how can this be modern soul? A fair number of the songs were made before I was born'. To him the term meant contemporary R&B of about ten years ago. So I stopped using terms at all from then on.

Eddy Edmondson has picked contemporary soul in the right style for a long time along with Roger Williams and others in the Chorley-Leyland-Blackburn area. The crowd in that area are very receptive and I find it has expanded my appreciation. The playlists at his Soultime site and downloads of his Solar Radio show are worth investigating as are the Mixcloud Modern Life and Ralph Tee sets. Colin Curtis plays new Soulful House too (which is slightly different). I buy loads of new Soul,with great stuff at such as Simply Soul. Today's Modern Soul becomes tomorrow's oldie as we all know.

Hi all, a few weeks a go I started a thread on songs with Soul Power or Love Power in their title (I still have a load to add to that). Inspired by the recrnt Harlem '60 book y Stuart Coagrove, here for some Friday enjoyment ans beyond is my next one l. So welcome now are songs with Soul Brother, Soul Sister or Testify in the title or lyrics. Extra kudos for songs with more than one of those aspects. Let's also open up to the phrase Right On too as in Right On Soul Brother. While we have fun now those statements of assertion and pride had meaning at the time and the read in the book mention is recommended. So suggestions welcome .... from Jr Walker to The Parliaments I am sure there are many options.

https://www.bbc.com/news/entertainment-arts-46971610

Hi all, Listening on the train and just noticed how similar the backing instrumental of 'There Can Be A Better Way' by Smith Brothers (issued recently on the Jack Ashford Just Productions Volume 2 CD by Kent) is to 'Scrub Board' by The Trammps (which itself of course went on to be the backing to 'Hold Back The Night' a couple of years later). There is a lot in common between them. Never noticed before but the vocal track had nagged at me for years. Check the links here: There Can Be A Better Way (instrumental) Scrub Board Anyone else found this or other unmentioned similarities on other songs?

I really enjoy the Len Barry version.

To avoid Soul Power! busting the page loading - for further links click on the hyperlink above (fourth from left) and use that to paste your link like this: Chubby Checker - You Got The Power (Youtube) Thanks

Exactly....Sock It To Me.... Be good to get a load up in the thread. Plenty with the same name as the Dorothy Berry... a great one on Stax... I have two fun follow on threads ready once we exhaust this one.

Hi all, there are many dance Soul songs that evoke the concept of 'the power', Love Power' or even 'Soul Power' more specifically. Examples jump to mind by The Esquires, Lee Rogers, Willie Hutch, Chubby Checker and more. It extends into 'Powerful Love', a concept in a few songs with Joe Tex notable. Examples are welcome, I think there's a fair few songs that mention 'the power' in some form. So to get us going here's a very early Willie Hutch song and 'Can't Fight The Power'. So get involved, get into it.... it's Soul Power!

At initial glance I thought that's terrible, how can that be? Reading the text, trying to monetise the royalty income before it is earned and this being turned into a financial instrument makes it all less clear. It worked for David Bowie but he did it first, once and at the right time. It looks like there is money still somewhere in those companies mentioned, whose it is and how to access it looks incredibly tangled. Still it's a shame to see such a pivotal person to popular music (and Soul more specifically) going through this at all.

Well done. I will take a listen.

Nice tips on those books. Added to the list!

Even the first few pages of Harlem '69 are jaw dropping in linking soul music, the city, politics. Soul artists woven into the hustle of Harlem. Richard Searling's book was a dip in and out then finally a solid proper read over Christmas. In there was a lot behind the music that was great, I was ready for a second book already though, I'd especially like to read his take on the years after Wigan. I found it interesting how much Richard focused on plays in the '78-'81 period of Wigan Casino (which is primarily what the book is about rather than his own life specifically). I have a load of Soul books and modern design books from recent years still to read (the two recent Thames and Hudson books on design could last years on their own). I think the Dave Rimmer books will be read first though after Harlem '69. There are about five books on Southern Soul and Stax from Christmas last year still looking up at me. For completeness I also ought to get the Gethro book. I enjoyed reading the mammoth book on Philly Soul this year, it was ace and I would of enjoyed an extended section or follow-up covering the seventies and onwards more. I also enjoyed the book on early Motown in UK with lots about Dave Godin in his early years.

Merry Christmas everyone. Plenty of new and old Soul to hear in the Santa sack this year plus Stuart Cosgrove's new book Harlem '69. I put on the radio getting ready and Donny Hathaway's This Christmas was playing. Pass it on and shake a hand this Christmas. Best wishes Mark

This was mentioned earlier but worth linking to

Instrumentals are tricky as another current thread shows. How can a pop MOR track such as Mike Vickers 'On The Brink' be Northern Soul? Leaving that example behind.... I do believe instrumentals can be soulful - take the vocals off Al Green's Hi Records or the backing track instrumentals from Detroit by Darrell Banks and J. J. Barnes (to name but two) and they still have that space and warmth of soul. 'Feel' is perhaps one of the hardest things to explain. The Sky TV programme on drumming is a good example at present, there were endless rock drummers pounding it out then Bill Withers' drummer came on and his groove, economy and feel were the essence of soulfulness. That set of shows has had on Bernard Purdie, others from Motown and James Brown still alive - who really demonstrate that the feel of Soul is evident even in one instrument. Feel free to disagree, this is just third-coffee Sunday waffling.

I'll go check it out. It's only £5.99 which is surely worth a pop to support the work involved.

I went out solidly every week for over twenty five years, even when my kids were young. I'd return from nighters and doze off while looking after my young kids. How I did that, I don't know. Now I'm older and at peak of my work, there's almost no choice but to do what I can over the next few years and then ease off as I go through my fifties. I'm supporting one of our kids at uni and the other is about to go. That comes first obviously, In my head I'm always thinking about soul music and listening to it (not just Northern Soul), it's constantly present but life gets in the way from getting out and about. It happened before that people 'left' the scene and it happens now, it's just that we don't have to disconnect entirely now and can still carry on a more active enjoyment of the music. The company I helped grow that was fifteen of us is now nearly four hundred and we're responsible for a lot of people's lives. Like others I work hard, travel constantly both in and out of UK so when back home in Nottingham, weekends are for family, catching up with my now older kids and generally relaxing. I've overdone it travelling a couple of times and ended up with severe pneumonia or shingles before, so not going to travel for Northern Soul now in addition to work. Next week Monday to Friday is Berlin, Nottingham, Bristol and London then back home so I'll be shattered by the end of the week and need to relax. Many of the events I would like to attend such as So Soulful 70s are in Leyland, Buckshaw type area where our office is. So I'm not travelling to where I am in the week if not out and about. When back in Nottingham at the weekends, it's hard to find the time or energy to go out when it all starts again on the Monday. Like many I have this idea of 'getting back to it' as my work level declines over the next few years. However Northern Soul is my main enjoyment outside work and family, I'm constantly collecting, listening, reading books about soul, writing here and other groups. I listen to many soul radio and podcasts without fail every week , find new tracks and then go on the hunt for them. I'm not 'on the scene' anymore but I'm still spending a load on it every month. If I ever start collecting vinyl again, I'll be in real trouble I'm sure! I realised that for me and to use a cliche it is 'all about the music' - I like the Northern Soul scene, the people, that sense of underground scene mystery, but I'm most happy with the music and if at this stage I can't go out all the time, that's enough. I do feel there is a rich seam of great soul music being found, released from the archives and today. I balance my searches to support both old and new soul music and put some money back towards the artists where I can. Musically, I'm very happy and constantly still finding new songs to surprise me in Northern Soul. I have lots of friends who have become 'festival Northern Soul' fans. They don't buy or listen to it, other than getting tickets to Blackpool Tower and other similar festival type events, They treat it like a music festival 'greatest hits' set and for them that IS Northern Soul. I envisage for a more casual set of people, that will be their way forward, which it is in gigs for younger people generally. When everything is so expensive (tickets, travel, accommodation, food) then I can't blame people wanting maximum return for their money once or twice a year. But that doesn't support any kind of scene, maybe the very nature of scenes will fade away in the next online-first era. My older kids see their mates, love music (including NS) but don't have any scenes as they can blend music, drinks, computer gaming, films, socialising all at one - with all that, who needs a scene? Scenes seem to spring up to bring people together and fill the time in the absence of other things, they need boredom if nothing else to get them going. I'm torn, Northern Soul is by now in my DNA I'm sure, yet there's a nagging bit of me that still wants to get out amongst it, even though for time and health reasons that's probably not a good idea. If I felt more motivated then I'm sure nothing would stop me, but with the music to enjoy - for now that is enough. I know that the nights, niters, dayers and weekenders are the lifeblood of what keep it going. I'm grateful others have more time than me to do that. I know I'm now not part of the 'state of the Northern Soul scene' in terms of going out, but I'm perhaps part of the wider evolution of Northern Soul as it goes beyond the going-out scene into something more broadly encompassing that many here mentioned too.

Sad news, I've enjoyed his songs through my life.

The variety of instrumentation and quality of musicianship are definitely aspects that add longevity to my enjoyment of the music. That's along with the vocal parts, the orchestration, the arrangements, the heartfelt songwriting - there is an endless variety under the banner of Northern Soul to me. The core soulfulness extends across a range of genres encompassing on various songs aspects of blues, funk, disco, country, pop, garage rock, latin, doo-wop, psychedelia, MOR, orchestral music, gospel and much more. The focus of the music always draws back to soulful dance, creating something unique I think. Other dance music forms get more specialised and narrow but ours evolves, extends and grows without losing the soulful core that we all appreciate and return to. It can't always be the variety of instrumentation though, a song such as 'Sister Lee' barely has any instruments at all but is definitively Northern Soul. On the other hand many Big City soul epics or 70's Philly songs are masterpieces of arrangement and instrumentation. I like that Northern Soul is ultimately based only fundamentally on words 'rare dance soul' - we might not all like the forms incorporated into Northern Soul, but over time they find their place whether it is 1980s synth based soul, late 1950s popcorn, 1970's funk or 1960's sunshine pop. Each has had songs that become part of Northern Soul, enjoyed by some and rejected by others. There are instruments closely identified to Soul, especially Northern Soul and I'd call out the Vibes as a good example of that.

Leap Frog got some plays and was compiled by Kent on the 'Right Back Where We Started From L.P..

The Richard Searling compiled 3CD set is out. Some of the usual tracks but also some only on the 7s sets or on the earlier Motown vault CDs or CD artist boxsets. Sound quality seems good. Price excellent. Although available a bit cheaper still at that Amazon place, here's a link to it as NSD. https://www.northernsouldirect.co.uk/the-essential-motown-northern-soul-3cd-various-artists-3x-cd-spectrum.html