I did post the story on this once before. Got 4 copies from Joe, it caught my eye at his house, as the label has none standard catalog number, see scan. So I ask him the story, he told me that he recorded, wrote and worked on a number of releases for the label, his own and others. He was only 16ish at the time and knew little about the industry. Fairly quickly he realised that maybe he should be getting paid more than he was for his work so he approached the label owner and Winfield Parker on the subject. This fairly quickly broke down into an argument and he walked out of the company. At the time of leaving, this 45 was due to be released, as he left the offices he grabbed a handful of copies. He tells me that he learnt through a third party, that after he left it was agreed that the record wouldn't be released and all the copies at the office got thrown away. A few copies had gone out to radio DJ's, but the word went out not to play it.
Now this is his memory of the story, little reason to doubt him, I spoke to Winfield about the release around the same time, his memory of the 45 was fairly sketchy, but he was fairly sure it hadn't come out also. As for his voice, he was 16, he said his voice was breaking at the time, so give him a break, it maybe not the best at times on the recording, but it's way better than many classics I could name. The style in which he sings is unusual on 'Nobody beats my love', but that gives it a uniqueness I like. His vocal on the flip are possibly better, but the track is a little more messy. As for it's rarity, well if the above stories are true, then few survived his leaving. When I got back, I asked the usual suspects and none of them had a copy in their collections, played it to all of them, both sides and all said they would like a copy. As for price, it was arrived at by common consent, all were happy at the agreed price. They are all old hand, no fools and all agreed.
It's true that not long after I got back Ady Pountain did find a copy at a Bristol record fair for maybe £20, Malayka was standing behind him when he got it. But that has nothing to do with it's value, he just got lucky. For those that don't like, I respect you view, it is a little different vocally, as I have already stated. But to say it's scrapping the barrel is just ridiculous and being provocative for the sake of it, or maybe your just bored. Lastly as many have stated, from day one of being played out, the dance floor reaction has been great.
The music I listen to now, my own records and that of other DJ's has changed almost beyond all recognition from that I used to hear at places like Wigan, Yate etc. I personally can see how both have or had a time and place and thats why I still travel most weekends places to hear the soul music I love.