Frankie Crocker

Even stamped Archer demo or issue would be perfect but not the uneven Archer stamped bootleg. The WME stamped records are legitimate second issues. The WME was scribed by Warren McCleallan Evans who cut the lacquer in a Nashville studio. Manship Price Guide #7 rates Archer and WME stamped records with three figure values but these are well out of date by now. True Archer stamped records are rare whilst WME records are more plentiful suggesting they were the bulk order produced in Nashville. As of yet, exact dates of the Archer pressed records in Detroit are not known - neither are the exact dates of the Nashville WME discs. It is universally assumed that the Archer pressed records came first for the local Detroit market with the Nashville records coming later for a more national distribution. Given the shortage of first edition Archer records, DJ’s would be advised to spin the WME variant as it was made in the USA early on in 1969.

Trying to keep an open mind, this thread has got me really confused. I always thought Modern Soul emanated from the 1980’s and amounted to rare disco inspired tunes with a high soul quotient and danceable quality. Some of the tunes mentioned above were termed ‘Newies’ back in the 70’s, recently produced records that followed on nicely from the classic years 1966-69; nowadays, they are lumped under the broad heading of ‘Crossover’, still largely made up of traditional instruments but with a bit of electronic music creeping in. I recall going to a 100 Club Modern Allnighter 25-30 years ago. The sounds were totally unfamiliar and not enjoyable so I left after a few hours of suffering. There were no tunes like the Montclairs, Lou Pride, Carstairs etc. Ady C seemed to stage only one of these damp squib affairs and apologetically said the event was put on as followers had no other venues to go to. So perhaps someone could define Modern Soul for us. Is it mainly electronic dance music from the 80’s onwards or what? Does it overlap with House Music? Apologies for sounding such a klutz on the topic but I need enlightening.

Spot on. Vintage years for the nostalgic. Rare 60’s and 70’s tunes, latest discoveries, one-offs, rarest of the rare. Dance floor code followed by all. Folks from all over the country. Sales boxes on the tables full of records you want nowadays. Dress code was smart, presentable, casual, informal and still is. Packed dance floor, good dancers, both ladies and gents. A few new onlookers but barely noticeable. Back then, an underground scene, members only, most folk still on the young side. The 100 Club will long be remembered in the same way as The Wheel, Torch, Wigan, Blackpool etc…you can’t beat a good dose of nostalgia looking back on the scene.

Congratulations on posting one of the most condescending opinions ever seen on Soul-Source, a forum ostensibly for those wishing to share their appreciation of soul music and the soul scene down the decades. The main cause of rising record prices is wannabe-deejays hell-bent on filling their hot-boxes with sounds that have become increasingly scarce. As an old soul-boy, I have insufficient income to buy records but the joy of reading about the soul scene in the 70’s makes up for this

Great to see a young crowd out enjoying themselves. Good music and some dancers who know their stuff. The clip answers one of the questions currently posed on Soul-Source - this is the future, a dedicated promoter, appreciative audience, suitable venue and plenty to drink. No pensioners in evidence, so young deejays and dancers can relax without concerns for dress-code, dance-floor code, OVO etc. The music will endure for ever at places like this. Grass-roots venues catering for mainly locals will draw others in from afar given a chance to succeed. Well done Peckham for flying the flag…

There were other records that brought the tempo down roundabout the same time - Kenny Smith, Bobby Hutton, Dena Barnes but to name a few. Ann Sexton before this phase. The Carstairs are often quoted to be the definitive game-changer but there was a whole raft of newies being plugged at the same time such as Lloyd Michaels, Spooky & Sue, Southside Movement etc. James Fountain was one of many groundbreaking sounds at a time of diversifying influences before disco and funk really took a hold.

Spotted your record for sale on eBay - much interest in it so you should do well. Great track and wanted by many in the UK and Europe. Well done on this rare find.

Cheers. It’s no trouble at all. Like many Soul-Sourcers, I look forward to 6.00 pm on Wednesdays. Oddly enough, I have only ever won one of John Manship’s auction records but have done a few deals with him down the decades. He runs a fully transparent auction and deserves much credit for this.

A few odd results here. Saxie Russell well down on previous value. Sunny & The Sunliners well up and about time too for this good sound. Too many set-sale items to list here… Hy-Tones value a PB for this item but well worth the outlay. Chubby Checker down a bit. Maybe folks are tiring of shelling out big bucks for sounds that are widely available ?

Hope this helps…

Machine Gun album was released 1974. The Zoo was one of the tracks, massive at Wigan’s 1st annivesary.

I’m surprised to learn there’s a cluster of bars playing Northern Soul in Turkey - perhaps this is what the future looks like. The cat’s been out of the bag a while now with NS events in Spain, Italy, Germany, France, Sweden to name but a few European countries - clearly the spread of NS continues and given that it is ultra-catchy dance music, it will always have its supporters. Given the finite supply of original vinyl, CD’s and new issues, it’s hardly surprising the music is being streamed via the internet or played on DIY CD’s etc. The future looks rather watered down with the further proliferation of small venues in bars, pubs, clubs etc with the occasional larger event catering for more committed enthusiasts. To some extent, this validates the high quality of the sounds we hold dear and have enjoyed for decades. With the decline of the contemporary music business, NS can be taken advantage of to fill the void. Look out for pop-up eateries and bars playing piped NS music coming to a place near you…

Some BIG numbers there… Bob And Fred WOW…Gerri Granger HUGE…plus a few set-sales records as usual.

Comedy Gold. Actually two of a kind as I’ve got one… Probably another 50 out there too.

Thanks for posting. Hard to believe the figure for Rita and The Tiaras, good record though it is. Thought the Wooden Nickels might fetch more. John should be pleased overall with this evening’s takings.

Never seen a black Ron Holden but Jerry Fuller’s ‘Double Life’ appeared in a black issue format as evidenced on Popsike. Both Ron’s and Jerry’s offerings were storming biggies back in the day, booted due to popularity and still fondly remembered in some quarters.

This is the harder to come by issue. Value probably above £150 nowadays. The song is also on Royal-Tone and more commonly available at about £100 - £125; on this release it is titled Baby I Dig You and is on a gold label and on a red label. I can’t add anything else more factual other than to say it is a great tune, seriously overlooked probably undervalued and my advice to anyone would be to grab the yellow Ambassador issue if you have the chance.

Jades went for £4,828 as mentioned above. Bidding went beyond 6.00 pm. as is often the case on juicy items. If the winner pays immediately, the record is removed from the listing so nothing to worry about. Jades is one of the rarest New Orleans records so highly collectable if you’re a New Orleans completist. 5K is steep for this 45 but it rarely comes to market. The Para-Monts shot up in value too.

Inclined to agree. The pink issue is very hard to come by. Manship says the white demo is very scarce but Popsike shows the frequency of it marginally more numerous than the pink issue. I vaguely recall the red edition being on styrene and a pressed unofficially but don’t quote me on that. Both the white demos and pink issues of Buster and Eddie are very scarce and rarely come up for sale - more importantly, it is a top tune.

Hi Joel. Excuse the delay. Hope you’re well.

Here’s the article to distract those worried about a few Proms.

Phew...does this mean our Bentley’s and Range Rovers will be safe parked outside the Festival Hall come Prom time?

Yummy, my kind of food but I still dream of chicken sandwiches served at the balcony cafe at The Casino. Maybe the scene needs to move up a class or two, take over Stringfellows nightclub for an evening of mid-tempo sounds served to gents wearing suits and lasses wearing cocktail dresses... drinks at £10 a time should deter the car-thieving-drug-taking-riff-raff. Think Manchester Ritz or Birmingham Locarno, plush decor, good sound system, plenty of wannabe DJ’s around, surely loadsamoney to be made. As long as the music remains quality, all the rest doesn’t matter.

Loads of interesting comments above, mainly critical it must be said. Personally, I don’t see the Proms threatening the current scene or debasing the past as these events take place in a parallel universe. Yes, the Proms could result in more divs dropping into Soul Nights but I recall plenty of claims on Soul Source of the need for new blood; don’t forget that many of us were divs once upon a time when we stumbled into The Casino. I suspect that some of the Cat’s oldtimers will enjoy the event in Wolverhamton whilst the old Wheelers will derive some satisfaction at the Manchester Prom. Sadly I’m travelling and can’t make it to the London, Manchester or Sheffield events but would have gladly gone to any of them, distance no object.

UK buyers only please. Payment by bank transfer preferred but PayPal F&F or add 4% fees acceptable. Special delivery postage is £8. PM to reserve or request further information. Thanks for looking. Classics-Looking For A Love (Of My Own)-Wide World 42767: VG- some gloss but scuffed with light scratches, label damage £100 SOLD Steve Mancha-Friday Night-Groovesville 1004: VG- some gloss but scuffed with light scratches, label wear £100 SOLD Monticellos-Don’t Hold Back/I Can’t Wait Until I See My Baby’s Face-Red Cap 702: VG- some gloss but scuffed with light scratches, I Can’t Wait side has a small feelable ding that plays through fine £60 SOLD Sadly these rarities have been left unsleeved in their early days. Recently cleaned, they play with no major issues and would be fine for DJing. Marks are mostly superficial scuffs and rubs, hairlines and the odd noticeable light scratch - playback is generally clear with only minimal surface noise in quieter places. Prices quoted are roughly a third of a mint copy value.