Chalky

I can only repeat what Pete says and that I'm humbled to even get a mention. I wish I knew half of some of those mentioned, still a pupil as far as I'm concerned never mind a professor!!! Lots to learn still.

it is an unissued track, or was until released on Grapevine. Should be able to get it on Grapevine for a tenner I would have thought.

I looked at the list of friends and thought the same!! I did see the re-issue for sale somewhere else but can't remember where, i'll have a google later. Did know where there was one for sale but dunno if it's still there.

better version by far IMHO. check your PM's.

Ey up Molly, hope your well. First recording was by Kim Weston in June '64 and was unreleased on vinyl. Recorded a few months later in Dec '64 by the Supremes and released on the album you state, I Hear A Symphony.

some other info about vinyl.... Usually pressed by Compression Moulding which allows the label to be an integral part of the pressing itself. This process also requires that there be extra material which spills out the sides of the press, therefore this extra material is routinely ground up and re-used. Because vinyl does not re-heat and re-cool to a smooth, glossy surface, the excessive use of re-grind mixed in with Virgin Vinyl can account for the inherently noisy surface of even unplayed Mint examples of the cheap pressings that some record companies used. Noise can be seen AND HEARD by looking at and/or playing the un-grooved surface of the lead-in and lead-out areas. If this area looks or sounds grainy, then the grooves will also have some of this grainy background sound. The stampers used for the compression moulding process will start to break down after only 1,000 pressings because they are forced to expand and contract when heated by steam at the start of the pressing cycle and then cooled to solidify the record. Some companies routinely overused their stampers. The 90's is I think the first time I recall seeing one of the gold presses.

Think the first time this saw the light of day on any kinda release apart form tapes etc was the LP Rob and Chris Marriott did back in the 80's.

Personally wouldn't go that far, sounds too white for me and too "country" (if thats the right description) at times. Average record IMHO.

I think it's worth about £800 personally, but it's been fetching sometimes twice that.

I've seen this for as low as £50, various copies at around £75 and copies up to £150. It has been re-issued with couple of other edits HERE He's also got his own Myspace site (presume it's him) HERE

than money sense more! rearrange to make another sentence

Think Rob Smith had 'em at Bidds last week

Tracky Club had some Tuesday or Wednesday night sessions towards the end as well Malc. We used to put lps on and be entertained by Bub, better than most comedians he was. Used to have right laugh.

those who have it have had permission to play it from Rob. He owns the rights I think.

would have thought the Volumes at least 400 or 500 quid. Superlatives, the Dynamics release is the one fetching around £100. Seen it sell for £150. The Westbound release should be just a cheapie.

It's unreleased.

well I like it and the deep flip both Betty and Rita good records in their own right...one great piece of soul and other great piece of northern

£800 plus IMO. Just how rare is this record? Seen a few the last couple of years. Pete, next time you have one for sale can I have first refusal at 8 pence

7401 Davidson, Detroit, MI 48212

can I suggest Lifeline then

There's always been divison musically hasn't there? When it comes to musical choice soulies tend to be pretty selfish and unprepered to tolerate anything they don't wish to hear even though it's what others want....shame really. With a little more tolerance from everyone there's room for everything thrown in together, oldies , newies, modern etc.

blue label demos are boots

bout £20/£30 innit?

didn't he almost lose it at the 100 Club as well