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Chalky

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  1. Soul Survivor - Sir Lattimore Brown Back From The Dead! If anyone is entitled to a pain in the heart it is Sir Lattimore. Born to beginnings we cannot comprehend in 1931 and growing up with practically nothing. But from these humble beginnings he was introduced to music, the music of the cotton fields and gospel from the church. Whilst serving in the Army in Korea, Lattimore was listening to acts such as King Cole Trio and Big Joe Turner and listening to these acts taught him a unique combination of R&B shouting and smooth vocal phrasing that he would carry on into his later work, work that would make him a veteran of the Chitlin Circuit working with some of the biggest names of the time. Upon settling down in later life, hoping to see out his days in peace and tranquility his world was turned upside down by Hurricane Katrina, the storm was to take from him everything he owned in life. Lattimore's wife tragically died of a heart attack whilst attempting to escape the storm (it would be five months until Lattimore found out about his wife), Lattimore himself survived the storm but was badly injured. Further tragedy was to come. Whilst getting his life back together after the ravages of the storm, Lattimore was then mugged whilst collecting his meager Army pension. One of the muggers driving a screwdriver into his side leaving Lattimore fighting for his life. Fortunately Lattimore survived but is left with a nasty scar to remind of the brutal attack. (photo courtesy of Red Kelly) It was whilst in hospital that he told a nurse of his past as a famous R&B singer. Curious she googled his name to find an article stating that he had died ten years earlier. The nurse found another article by the Soul Detective Red Kelly so she e-mailed Red to see if her patient was the same person. Red contacted Bob Wilson of Golden World Records fame, a name and a label very well known to many Northern Soul fans for his records such as All Turned On and his record work with Joe Simon and ZZ Hill. Bob called the hospital and it was indeed the Sir Lattimore Brown. Friends got together and got Lattimore somewhere to live and Bob decided to take Lattimore back into the studio. Bob believes in doing things the old way, analogue. Bob used a combination of his own studio in Detroit (for overdubs and mastering) and Willie Mitchells' Royal Recording Studio in Memphis (for recording). He also gathered together the cream of Detroit and Memphis musicians. A line up that consisted of guitarists Skip Pitts & Charlie Hawkins, Steve Potts on drums, Dave Smith on Bass, on trumpet is Kelvin Green, Tenor Sax James Chaney and of course Bob Wilson on electric piano, organ, congas and tambourine. I must mention the backing singers, two singers very well known to the Northern Soul fraternity in the UK and to soul fans world wide, Pat Lewis and her sister Diane! Now I've got to mention who and what this is all about, Sir Lattimore Brown, The Soul Survivor who at the age of almost 80 years and having gone through so much in his life never thought he would be back in the studio but thanks to Red Kelly and Bob Wilson he was and the result is this CD single and a forthcoming LP. Photo courtesy of Red Kelly The first track is a cover of the late great Otis Redding's "Pain In My Heart". Otis was a good friend of Lattimore and Lattimore himself delivers a haunting version of this soul classic. You can feel the pain as he asks where can his Baby be, pleading for to come back as he's had enough, wanting the pain to stop! The second track is The Itch, another cover (originally recorded by Keb Mo who shares writing credits with Jeff Paris. Here Lattimore begins by prayin' to the Lord above for mercy. He goes on to say how he keeps falling in love, or is it lust, often with the woman he knows is bad for him before getting the Itch and leaving only he is pleading with the Lord for him not to make the same mistakes and go back, hoping he can learn his lesson and not do the same damn thing all over again! An often heard story of a man thinking with his balls and not his brain no matter how much pain and money it would cause him!! A great piece soul set at a mid-tempo pace with Lattimore raising it for the chorus proving that he can still do the business! Just check out the video for further proof he still has it. Bob again tells me how he wanted to keep this real and did so by doing not only the full version but also Parts 1 & 2 that could be found on many records back in the day, hopefully the radio stations will pick up on this. Bob also says that it is perfect to dance to doing the Hustle to it or The Twine as it is called in Tennessee where Bob used to live. Visit Real Thing Records to not only buy the CD but see Sir Lattimore live in the studio proving that he still has what it takes. http://realthingmusic.com/fr_home.cfm Photos of Lattimore and the musicians are also on the site and more videos of Sir Lattimore can be found on YouTube, seek them out. There is no way I can do the story of Lattimore Brown justice in a page or two but you can read a comprehensive story of Lattimore Brown on the excellent blog of Red Kelly, who without him Lattimore probably wouldn't be here now to share his music with us, the first part of the story can be found at http://redkelly.blog...t-this-way.html take some time out and read all the parts to the story, it is a fascinating and interesting story. There is also an interview of Sir Lattimore by Robbie Benson earlier this year that can be found at http://worldwidewebc...lattimore-brown Lattimore is still in need of all our help. You can help in at least two ways, buy this CD single and the upcoming LP from Real Thing Records and make a PayPal donation via the friends of Lattimore Brown page which can be found at http://www.sirlattimorebrown.com/ Click on the Friends link at the bottom left of the home page and give Sir Lattimore Brown some much needed help and comfort. Special thanks to Bob Wilson, Red Kelly and also to Sir Lattimore Brown. Chalky (April 2010).
  2. I posted a topic in freebasing about this film Rob, only caught a glimpse on Calendar at the time.
  3. I was looking at the issues of Echoes form 87/88 earlier with the adverts for Mexborough (and the rest from the time). I'll scan a couple when I get the chance and post 'em up.
  4. I found some 7th Anniversary Car Stickers in the garage, 1999 the year. I've a broken key ring as well from an anniversary.
  5. Don't Pity Me Argentinian Demo went on ebay few years ago.
  6. think you'll find it's forum and it's also full of people who start people arguing
  7. It still is simple, it's people who are complicating matters.
  8. There's examples of records being over priced every day, Gene Toones is another. Yet there was a record listed on here t'other day for £50, Wallace Johnson (or was it a touch more?) Seen more of some of the tiltes you mention in a month than I've seen of Wallace Johnson in 3 years, so why the large price difference? The seller should sell them now for a fair price and not keep trying to fleece collectors. Surely he has had his moneys worth selling approx 100 copies or so last couple of years? Good records only get crucified by DJ's with no imagination.
  9. no one has accused anyone of causing trouble, or if they did I didn't see that bit, I simply asked if the topic was a genuine request because to me it comes across as a bit of a p*ss take. The topic starter knows his stuff from previous discussions so to ask this question is a little puzzling. He also asked what is crossover when we've just had world war 3 over the very same question in another topic. I also went and looked at the flyer gallery and 3 of the first 5 said Northern Soul. The majority of the venues in the north are oldies driven! Especially the midlands and north west. So get thee sen a hanky and dry your eyes, why what is in this topic would make anyone shed tears is beyond me
  10. Is this topic a p*ss take? The very first flyer although gives no music policy there is a clue when they say Northern Soul, two of the next four say Northern Soul & Motown or Soul and Motown nights and surely everyone has a good idea what DJ plays what. We also had a rather large discussion on across the board too!
  11. bout all its worth really now Anyone willing to part with 400 quid now needs their head looking at with the copies that have come up for sale. The guy who has them been very shrewd.
  12. I can't find them, I thought I had two copies but looked in the box I thought they were in but no luck, there are other boxes but not got time at mo. I can remember tho' they were funny as f*ck How many did they do? And has anyone got any spares they would be willing to sell?
  13. Sure I've got one or two somewhere in the garage
  14. I agree with all of what you say pal, bloody hell twice in one day, must go and lay down in a dark room JT Parker filled the floor at Radcliffe when Ginger played it, fantastic record but it has taken a few years since Andy Dyson first played it to really have an impact. Back in the 80's just about anything was given a try in the thirst for something new, if it didn't work it was dropped, it was either good or bad.
  15. The CSC were the special guests for one night, they didn't run it.
  16. Hi Alan, You are right in what you say I never heard the term R&B etc back then, it was simply Northern Soul, 60's Rare Soul or 60's newies depending on the promoter, but it was all under the same banner. The whole Stafford/100 Club era of the 80's had plenty of examples just like Carl Underwood, Otis Lee, AC Reed, Bud Harper etc etc and no one had a problem with records like these. It wasn't until 10 years or so ago when the real early/rocker type R&B (as Mace puts it) started to creep when it all became complicated and the friction started. Enjoy Sharon Jones.
  17. Otis Lee and Carl Underwood both cover ups for Pat Brady (Lee Blackmore & Soul Searchers) and Roger Banks (Herbert Hunter c/u) respectively mid 80's on the northern scene. I do give credit to both R&B scene and popcorn scene for introducing records to the Northern crowd but then again I like to see credit to the Northern DJ's when it's due
  18. Sarah, Matt was there in the 80's same as many of us and a newie was a simply a new record to the scene even in the 80's which was well known for its 60's newies and many records that were discovered then are still often referred to as a 60's newie for some reason.....
  19. so you're saying that the likes of Otis Lee and Carl Underwood were big on Mod & R&B scene before Northern? I bet it was more like the other way round.
  20. quite right Matt, a newie was a new record to the scene regardless of the year.
  21. Seen Lenny Curtis End boot fetch a tidy sum.
  22. read something else then, no one forces you to read topics. Your doing just as much moaning as others you are moaning about.
  23. Good post pal I'm no lover of the early or rockin' R&B as you out it being played at Northern venues (thats not to say I don't like it, just no wish to hear it out) but nothing wrong with the examples you've given. Gritty soul/Northern always been played. We did get some real early stuff played 5 to ten years ago but much of it seems to have disappeared to more specialised venues. And anyway the roots of rock and roll lie in R&B as many of the early R&R acts were simply black vocal/R&B acts.
  24. The late 80's was definitely Guy and his Soultown promotions, there's a flyer for the second anniversary a few posts back. MYK took the place over after Guy stopped promoting there very early 90's, can't remember the dates for certain when Mick started running it but Guy was still there in 1990.
  25. I remember that now Byrney, stayed in Tony's meself I think. Politics and the scene, venue clashing, we never learn still having the same arguments now.


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