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Chalky

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Everything posted by Chalky

  1. Must have seen half a dozen or so in recent times through various sources.
  2. Chalky

    cdtop 419b

    From the album: Scans 2

  3. Chalky

    cdtop 419

    From the album: Scans 2

  4. Chalky

    the contours

    From the album: Scans 2

  5. Chalky

    contours

    From the album: Scans 2

  6. Went for £310 on JM auction earlier this year. Tough one.
  7. If you read here is a book worth reading.... https://www.amazon.co.uk/House-Fire-Rise-Fall-Philadelphia/dp/0195149726
  8. I asked Bruce Hawes and he said.... It is probably, Wynn Winford, Debbie Allen the actress' first husband who played with Kenny for years, or Sugar Bear who played with the original Philly house-band and Roland Chambers the band leader, or Ronnie Baker of Baker, Harris & Young... BH
  9. Cracking CD, had a couple of listens in the wagon this week. Not to everyone's taste and certainly not to those who just like their classics but there is plenty in there to like. The Jeannie Trevor (think it is that one) reminds me of Ady's Gerri Grainger acetate.
  10. The labels look round enough and real enough to me, I wish I could cut that round with scissors when doing cover up labels in the past It would also be pretty intricate and difficult to cut the rest of the label, around the centre etc with scissors. The deadwax matrix matches the label matrix as well. So unless one off the other London 45's has the same matrix I doubt it is a fake. If it is a fake it is a bloody good one.
  11. We will never see a weekly all-nighter for several reasons. The two main ones are there aren't enough regular nighter people young or old and you wouldn't get the support of the dozens of promoters around the country which you would need for it to succeed. Musically it can be done with some thought and imagination.
  12. Depends what groups you join, most of the wigan type ones are crap full of rubbish and folk who don't have a clue, but the Stafford, Deep, mid tempo ones etc are fantastic with some superb records posted, plenty I'd never heard. Depends how they look after them and what muppets they let in.
  13. I agree with Phil there isn't enough new music, interest nor desire to go to the same venue week in week out. The nearest we have been in recent times was Sheridans and that had a different club at the helm every week. That kinda venue might work but not one offering the same every week.
  14. I beginning to think not too many know what's on the LP, there are at least two class dancers but the LP is full of quality.
  15. I can help you with that when you are ready Ady.
  16. Usually see it for around £60. Great LP too
  17. Isn't that in Shifty's set
  18. Chalky

    The Trey J's Story

    I Found It All In You - The Trey J's Story The Trey J’s were a vocal duo which featured James Binford and Joseph Smith. James Binford originally from Indianapolis, Indiana began singing in various local Doo-Wop and church ensembles from the age of 9. Something he continued to do after enlisting in the Marine Corps as a 17 year old, often performing in Officers clubs where he was stationed. He also ventured out of camp to perform in local clubs, building a solid reputation as a performer. While stationed in Albany, Georgia James was introduced by his then wife to one of her relatives Mr Eddie Harris, the band leader of one of Atlanta’s most popular acts, the Eddie Harris Review. Following his release from the Marine Corps James took a job with International Harvester in his native Indianapolis before being transferred to the MacDonald Douglas Aeronautical Engineering Company in Atlanta. Here he once again hooked up with Eddie Harris working as a backing singer as part of his Review. James later had aspirations of forming his own ensemble so under the guidance of his manager Johnny Glover, James, began to form his own review. In 1968 James and Johnny held an audition for a baritone vocalist through a local radio station. From a 150 hopeful applicant’s a 28year old Detroiter by the name of Joseph Smith was chosen. Joseph who had previously moved to Atlanta some 10 years earlier where he had married his first wife Jacklyn and raised a family of 3 children. Joseph Smith and James Binford Thus with the addition of Joseph the Trey J’s were born, their name being taken from the Americanisation “Trey” a derivative of the French word for the number three “Tres” and the first initial of James and Joseph and their late manager Johnny Glover’s christian names, hence Three J’s equals the “Trey J’s”. By the early 1970’s The Trey J’s had become regular performers at Atlanta’s most infamous Black night club ‘The Pink Pussy Cat’. It was while performing at the Pink Pussy Cat that the Trey J’s came into contact with a local record producer by the name of Thomas Fletcher Davis more commonly known as Tee Fletcher. Tee a successful recording artist in his own right with a string of recording for several labels such as Josie, Shurfine, and Tragar had begun his own production company Tee Gem Records. The Trey Js - We Got A thing (Going On) - Tee Gem James Binford had previously written the basic lyrics for a songs entitled “We Got A Thing Going On” and one day while at the Pink Pussy Cat with Tee Fletcher accompanying him at the piano he began to recite the lyric’s. Together they composed this and a further song entitled “I Found It All In You” which Tee eventually released on his Tee Gem label (PS-4044). Although the Trey J’s only ever had the one 45 release, they continued to performed live shows on both the college and Chitlin circuit as the Trey J’s Review. The Trey J’s Review also featured Ray Ransom and Reggie Hargis who later became members of another Atlanta ensemble, known as Brick who enjoyed a successful recording career of their own from the mid 70’s through to the mid 80’s, scoring a number 1 R&B/pop hit in 1976 with the song “Dazz”. The Trey J’s also once featured as part of a tour that included Chicago recording artists, The Chi-lites and Ruby Andrews. (Due to Ruby being a friend of Johnny Glover’s wife). In 1972 Joseph who by now was married to his second wife Barbara a former pastry chef who he had met while working as a waiter at the Morrison Cafeteria returned home to Detroit. Although he initially tried to find work as a singer he eventually embarked upon a career as a social worker, gaining a masters degree in social studies, his full time occupation until his retirement. Sadly Joseph passed away in 2010 from lung cancer. In 1974 James Binford entered into the Islamic faith, taking up the name of James Hassen Ameen. He later returned to Indianapolis where he became a promotional booking agent his occupation until his later imprisonment during 1992 although he is reputedly due for parole sometime during late2014. The Trey J’s “I Found It All In You” is currently enjoying a current reactivation due to it’s dramatic funky edge guitar and horn rifts fitting perfectly into the current funky soul genre. While it’s haunting deep soul ballad flip “We Got A Thing (Going On)” is a must for any real soul collector. https://soundcloud.com/chalkster/i-found-it-all-in-you-we-got Words by: David Welding. Acknowledgements to: James Binford, Carolyn Binford, Barbara Smith and Thomas (Tee) Fletcher. The above article is an extract from the sleeve notes of the forthcoming Soul Junction CD album “We Got A Sweet Thing Going On” Catalogue number SJCD 5009. This compilation will feature both of the Trey J’s tracks, “I Found It All In You” and We Got A Thing Going On”.
  19. The Trey J’s were a vocal duo which featured James Binford and Joseph Smith... Tap to view this Soul Source News/Article in full
  20. Yes but not them all and not this one, the vocals very weak and the lyrics are terrible. It takes more than a decent back beat to get me into a record.
  21. I have to agree with Win, it is terrible and can't for the life of me think why anyone would want to play it?
  22. Yes it is, I'd been up a long time.....
  23. Still a list but that wasn't my point. My point was not to compare one against one from our youth or any other time for that matter but to take a record and judge it on its individual merits, whatever its era.
  24. Whereas exclusivity used to be the driving force behind records years ago when we were younger and people travelled it is a factor that possibly holds a record back today. As said it takes years for one DJ to break a record. With the scen becoming more and more regionalised it might be a case of getting the disc to DJ's at popular venues and to maybe step up the publicity machine.


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