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Chalky

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  1. But these are played at "Northern Soul" venues so it must make them Northern Soul. As I said pretty pointless debating this.
  2. I fully understand where you are coming from but the all-nighter scene moved on from that view decades ago. That is why it is pointless even debating the merits of records like this with the likes of those on this topic who continually compare records to those of the mid 70's or who are not or haven't been involved in the all-nighter scene for some time. I get that some don't have a broad spectrum of taste and like a particular record but it would seem some don't understand that others have a varied tastes.
  3. Off top of my head can't say I have either?
  4. And the scene has probably been better for it and without them, I know I enjoy a range of styles and tempos.
  5. Think too many view records from a straight down the middle "Northern" prospective, compare them to classics if you like when in theory the all-nighter scene hasn't been northern for a long long time. It is a mix of everything, a real melting pot of styles and tempos. Not everything will please everyone, it never has and nor will ones taste be catered for all night or even for the large majority of the night but it is the diversity that has contributed to the longevity and health of the scene.
  6. It has been a few months since the last Soul Junction release but they are back with the first release of 2015 with more quality unissued 70’s... Tap to view this Soul Source News/Article in full
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  7. It has been a few months since the last Soul Junction release but they are back with the first release of 2015 with more quality unissued 70’s. A new label design is also introduced giving the label a 60’s or 70’s look and feel. Back to the music, the group in question for the latest release is the Dynamic Sounds Orchestra giving us two great unreleased mid 70’s soul sides. Both very different, the top side “Take Me Back” a great dancer with a lot going on as you would expect from a nine-piece group. Flip it over and we are treated to a nice ballad entitled “All I Wanna Do Is Love You”. Two excellent mid 70’s Chicago Soul already receiving extensive radio play and a 45 expected to sell out like so many other Soul Junction releases, get it bought before it is too late. The group do though have some history that should be of interest to Rare Soul avids as you will see from the press release. Press Release: Dynamic Sounds Orchestra “Take Me Back/All I Wanna Do Is Love You” SJ1000 Release Date: Monday April 27th 2015 The Dynamic Sounds Orchestra was a nine-piece ensemble who would later become the backing and touring band for one of the windy city’s most famous soul groups, The Chi-Lites. The Jerma release of Lil Gray, mother to The Dynamic Sounds Norwood Gray. The original origins of the DSO had begun earlier in the mid 60’s when teenage bass player Norwood Gray Jr along with fellow guitarist Anthony Barnes held performances using several different drummers as a three-piece combo under the name of The Dynamic Sounds. Norwood was the eldest son of female vocalist, Lil Gray who during the mid 60’s recorded three 45 releases “Are You Fooling” (101), “Out Of Nowhere” (102) and “One Day Your Gonna Get Burned (103) for Ulysses Samuel Warren’s Jerma records label. Norwood himself would also later play bass on U.S. Warren’s collectable funk album “For A Few Funky Dues More” which appeared on Warrens other label logo Chytowns (2001). During 1970 Norwood was invited to play on a session that also featured a brass section that included Charles ‘Butch’ Cater (Trombone), Milton Thomas (Soprano and Tenor Saxophone), Louis Minter (Alto Saxophone) and the late Kevin Thompson (Trumpet). It was from this chance meeting that the concept of the Dynamic Sounds Orchestra was born. Further musicians were added to the line-up, Clifford Conley (Guitar), Ronald Scott (Keyboards), Dennis Howell (Drums) and finally Otis Gould (Conga Drums and Percussion). With the now retired (from her own performing career) Lil Gray assuming the role of the group’s manager. Top row - Left to right Milton Thomas (Saxophones), Kevin Thompson (Trumpet), Clifford Conley (Guitar Middle row - left to right Norwood Gray Jr. (Bass), Louis Minter (Saxophone), Otis Gould (Percussion) Bottom row - left to right Ronald Scott (Keyboards), Charles Carter (Trombone), Dennis Howell (Drums)(lower right hand corner) From early 1972 till 1978 several different permutations of the DSO (at one point containing 13 members) supported the vocal talents of Chi-Lites, Marshall Thompson, Robert ‘Squirrel’ Lester, Creadel ‘Red’ Jones and Eugene Record, as well as later additional members along the Chi-Lites meteoric rise to world stardom. When Eugene Record left to pursue a solo career in 1976, some of the members of the DSO also followed him to Warner Brothers and are featured on the three albums that he recorded there. Eugene also produced an album for former ‘Lost Generation member Lorrell Simon entitled “Mellow, Mellow, Right On” again with musical accompaniment provided by some members of the DSO. When Eugene Record later returned to the Chi-Lites line up he again called on some of the former members of the DSO to provide the orchestration on the 1982 Chi-Sound album project “Me And You” which featured the popular 12”/7”single release “Hot On A Thing (Called Love)”, a US R&B number 15 chart entry. Back in 1976 the DSO using some of their earnings from their time with the Chi-Lites embarked upon an album project of their own although they never quite finished the project, also due in part to a later house fire, which destroyed their master tapes. The band later disbanded in 1978, but still remained in contact while following their, own careers and lives. Fortunately for us, a later discovery of a cassette tape of the unfinished DSO sessions by Otis Gould would lead to the groups lost masters eventually being heard by a wider audience. Otis painstakingly set about re- mastering the tracks, which he eventually released via several internet based outlets. Through one of Soul Junction’s Chicago A&R contacts, this project was brought to our attention and two subsequent DSO tracks have been licensed, so before you, you have the uplifting dance track “Take Me Back” backed with the excellent sweet soul ballad “All I Wanna Do Is Love You” both finally gaining a vinyl release (SJ1000), its intended format at the time of its conception. To this day all the members of the DSO have remained in contact with the exception of their trumpet player Kevin Thompson. Kevin lost his life during a house fire at his Chicago home, initially safely exiting the building he was then severely injured when he re-entered the building to save his beloved instruments, later dying from his injuries. His spirit is sorely missed. Kevin was also the lead vocalist on “Take Me Back”. Both Clifford Conley and Dennis Howell relocated to the West Coast. Dennis did eventually return to his native Chicago where he still occasionally plays with The Chi-Lites. Clifford currently resides in Altadena. CA. where he still plays within a band at his local church. Percussionist Otis Gould following the breakup of the DSO moved south to Atlanta, GA, to pursue a career in Education. Now a retired school administer he has just recently completed a two year tour with the Broadway show ‘Ain’t Misbehavin’. Otis is also the driving force behind the reclamation of the DSO’s previously unissued material. Trombonist Charles Carter still resides in Chicago where he still plays with an Earth, Wind and Fire tribute act by the name of ‘Shinning Star’. Alto-Saxophonist Louis Minter too still lives and works in the Windy City as a car salesman, he too continues to perform, some of his performances at the ‘Apostolic Church Of God’ can be found on You Tube. The final member of DSO’s brass section Tenor and Soprano Saxophonist, Milton Thomas now resides in Ypsilanti, MI. Although now suffering from a deterioration in his hearing. He still continues to play in between his day job in the construction industry. Keyboardist Ronald Scott later became an ordained minister at The Beyond The Veil Ministries. He is also an undertaker for Scott Funeral Services and continues to write and play around Chicago. The final surviving group member, bass player Norwood Gray Jr still lives with his family in Chicago. In 1980 Norwood graduated with a degree in electrical engineering that allowed him to enjoy a long and successful career with HP Computers, from whom he is now retired. Sadly his mother Lil Gray passed away in 2000 due to heart failure. Words By: David Welding. With acknowledgements to: Norwood Gray Jr, Otis Gould, Clifford Conley, Ronald Scott, Dennis Howell, Charles Carter, Milton Thomas and Louis Minter. Photograph courtesy of: Otis Gould. https://www.soul-source.co.uk/uploads/select_1428841060__dso_edited_clip.mp3 Buy this and previous Soul Junction releases direct from Soul Junction or the usual stockists: http://www.souljunctionrecords.co.uk/buydirect.html
  8. Chalky

    sj1000b

    From the album: Scans 2

  9. Chalky

    sj1000a

    From the album: Scans 2

  10. Chalky

    post 9095 1213560851

    From the album: Scans 2

  11. Chalky

    dso photo large

    From the album: Scans 2

  12. I agree Dave, Andy sold one for that a year or so ago and he could have sold it ten times over. Some realism needs to be added, of course when you are looking to buy you want as cheap as possible but it hasn't been 300, even 350 for some time....Expect to pay 500 at least for this.
  13. This is all I have..
  14. Came up in another topic so I thought I'd add the info here as very relevant. Originally the Montells (Golden Crest), The Pussy Cats (Keetch), The Witches (Bang), Witches And Warlock (Calla & Sew City) The Montells on Golden Crest. Witches and Warlock in 1967. L_R: Faye Barnes, Charlotte Parsons, Glenda Barnes & Raymond Berry. ​(courtesy of Mick Patrick/Ace records)
  15. The Sew City promo photo was/is courtesy of Mick Patrick/Ace Records.
  16. More digging and a tasty photo and names Witches and Warlock in 1967. L_R: Faye Barnes, Charlotte Parsons, Glenda Barnes & Raymond Berry. and as the Montells on Golden Crest.
  17. Just done a bit more rooting and apparently the Witches (And Warlock) were originally the Montells (Golden Crest), The Pussy Cats (Keetch), The Witches (Bang), Witches And Warlock (Calla & Sew City).
  18. No. Previous topic on the Witches I started some time ago....
  19. https://www.soulunderground.co.uk/StaffordTOTW/files/b7b224e7d690aa161e0b90925c1e983b-63.html Seems an age since I last did a podcast..I haven't forgotten the Stafford Story, I have been busy doing more research and seeking out more tracks played at the Top of The World. Finally managed to nail another hours worth of music that Jimmy Wensiora played back in the days of Stafford and Rock City. It has been tough because despite his collection not many seem to remember much about Jimmy. Here is a selection of Rare Soul, acetates and unissued that make up the 61st podcast telling the musical history of the Top Of The World All-nighters! Ad-Libs – You’ll Always Be In Style - 10’ April & Blackwood Acetate (Patti Austin) B.B. Carter – Cool It Baby – Kris (Baby Washington) Berkshire 7 – Stop And Start Over – Stop (Mel Wynn) Bo Fowler – Now You’ve Got The Upper Hand – Unissued Studio Acetate Vince & Connie – I Bear Witness – Virtue Acetate Timothy Wilson – My Heart Belongs To You – April & Blackwood Acetate (Actually Van McCoy) Little Bobby Parker – I Won’t Believe It Till I See It – Unissued Shrine recording Precisions – My Sense Of Direction (Is Blown) – Hen Mar Fascinators – In Other Words – Bombay Honey & The Bees – Be Yourself – Academy Sea Shells – Quiet Home - Village J.T. Carter – Closer To Your Heart – Decca Eddie Holland – I’m On The Outside Looking In - Motown Temptations – Angel Doll – Unissued Jobete Recording Linda Griner – Goodbye Cruel Love – Motown Linda Rae – Time For Love Is Now - Mike C.V. Horn – Love Is A Situation – Della Donnels – Everybody Don’t Know – Alpha (Sapphires) Springers -Nothing’s Too Good For My Baby – Wale Johnny Summers – I’m Still Yours – Yorktown Tommy Dodson III – Cooperate - Main Sound Robert Tenard – Gotta Get Goin’ – Fabulos Ambers – Funny Face Girl – 10” April & Blackwood Acetate O.C. Tolbert – I’m Shooting High (I’ll Reach For The Sky) – Audiodisc Acetate (Cleveland Wilson)
  20. I don't think or I haven't seen anyone knocking the quality, Jack Montgomery hasn't done a bad record really. I can think of quality records that sell for less that are just as if not rarer than JM.
  21. By Jack? "Baby, Baby take A Chance On Me"? That is what I was playing late 80's early 90's at Tracky, Hollingwood etc.
  22. Ey up Joan. I went to Welshpool t'other day and went through a village called Pant and I immediately thought of you I nearly stopped, got out and was gonna draw an "S" on the end
  23. Supply is there though, it is up for sale somewhere just about everyday.
  24. Hi Penny. Yes I was aware of Stuart's help. I'd have loved to have seen Pete putting these together, I can just imagine the rants as well as the laughs
  25. Everyone love a rogue as they say, sometimes the bad over shadows the good someone did.


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