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Chalky

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  1. Great info guys. I just need the basics for the 70's, who when and where etc. It is the 80's I am more interested in and especially so Peterborough.
  2. The E.A.S.C. Who ran it? I presume Tony Clayton was involved. When did it begin life as a soul club and until when? What venues? I know the Fleet in Peterborough was one.
  3. Allnighters the same Chris, still 10/12 quid. Been that for donkeys. Go to a "normal"clubs and you will pay a lot more, often 4,5 or 6 times more for the decent clubs. Trouble is too many promoters out to undercut others, some afraid of losing customers if they up the fee and the worst are the punters, many who complain about the prices charged now. Plenty still do whatever they can to get in free as well.
  4. Not gonna argue over its value but it ain't very good, just rare. If it wasn't rare no one would bother with it.
  5. It would appear the comments regarding his death are a bit premature, sorry.
  6. Sure it wasn't Andy Dyson?
  7. Just read elsewhere that he had now passed away. Sad news.
  8. I can't remember. I remember the Paddocks Club, opposite The Mirror building. We couldn't find so dumped car at St Pauls and got a cab we werevsurprised the car was still where we left it cant remember if that was a Chosen Mass event.
  9. It will be basically the allnigter scene as that is what it is all about really. There will be a chapter for influential soul nights, ones people travelled too so Lenny's may get a mention there is no way I could mention every soul night as there are simply too many. I couldn't mention all the allnigters either, far too many that ran just briefly. I will devote a chapter or two to the rest of the world so any of our oversees Soul Brothers and Sisters who have promoted let me have your story. same for weekenders, chapter for those. will probably devoted some space to the influential Djs of the time as well and to soen of the music too. Plenty to go at so any info will be greatly appreciated. Any scans (flyers/adverts) and photos would be magic. Need to be 300dpi though if scan or a loan of the material if possible and I wil return everything.
  10. Pretty sure I have the flyers still for one of the Chosen Mass venues. Paddocks club another of Ion's, can't remember if Paddocks was Chosen Mass, will check the flyer.
  11. Not many blank weekends for quite some time though Rob. I have a diary boxed up somewhere with 104 allnighters in one year 1987 or 1988. I can also remember one weekend with six allnigters.....so not a lot changed in reality in some instances. Like you say, great times for many.
  12. Hi Steve. If I could loan the photos etc that would be great, especially dancefloor and venue type ones. I can scan whayt I need and return them, full credit of course. Just need to sort my room out, nearly done painting and then I can start on the book.
  13. Think it was Kev Murphy who played it.
  14. The flip is the better side for me. But it also one of those records that does sound better in a venue rather than at home. Sounded good t'other week when hearing it.
  15. Well it is but doesn't mean I agree with it. When you are taking money on the door then I believe a Dj should be paid. As said the promoter should act with a certain amount of professionalism and if can't afford to take the hit then get out of promoting. As also said, rarely does a Djs fee go up if there is a decent turn out.
  16. I presume the one Rob had then is the one Andy D got as the one with Kev is the one Searling had. The one on ebay I take it is the one sold via JM originally and about to be resold. That makes three known issues.
  17. Back in the midst off time, well the 70s actually, Grapevine had tucked away on one of its popular LPs an instrumental entitled 'Let's Do The Duck' by the fictitious Motor City Shakers. Fast forward to today and the vocal finally sees the light of day. Tap to view this Soul Source News/Article in full
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  18. As part of the deal brokered between Soul Bowl's John Anderson and Richard 'Popcorn' Wylie, some fantastic unreleased gems from Richard's vaults in Detroit were released on the ever popular Grapevine series of 45's and LPs. Betty Boo, the International Woman of Mystery for so long for some gained cult status with her tracks 'Spellbound' and even more so with 'Say It Isn't So'. An instrumental entitled 'Let's Do The Duck' by the fictitious Motor City Shakers was tucked away on one the the LPs. Fast forward to today and having had exposure via the radio and a select bunch of DJs in the clubs, Betty Boo's the vocal, 'Our Man Flint' finally sees the light of day on general release via Soul Junction's first release of 2016. Press Release: Betty Boo “My Man Flint” (Vocal & Instrumental) SJ1003 Release Date: Monday January 18th 2016 Betty Boo A.K.A Betty Winston who along with her late sister Jackie, and fellow sisters Diane and Pat Lewis recorded three 45 singles for the legendary Detroit Golden World label during 1964 and 1965 under the group name of The Adorables. With their final Golden World release “Ooh Boy/Devil In His Eyes” (GW-25) becoming a hugely collectable dance floor favourite in more recent times. Following the disbandment of The Adorables’ Pat and Diane Lewis both went on to record as solo artists and as part of Isaac Hayes Hot Buttered Soul project. As for Betty she would go on to record several, at the time unissued songs with Richard ‘Popcorn’ Wylie (the producer on “Ooh Boy”). These unissued masters would remain in the can until their eventual discovery during the mid 1970’s by Soul Bowl’s John Anderson. Therefore, through a subsequent licensing deal followed by extensive airplay via advance acetates given to the influential DJ’s of the time Richard Searling, Ian Clark and Poke amongst others. Two of Betty’s songs would become dance floor favourites within the Northern Soul scene. Firstly the track entitled “Spellbound” which only appeared on the first Grapevine album ‘Talk Of The Grapevine’ amongst a host of other excellent previously unissued Popcorn masters, released during 1978. Followed a year later by the perennial favourite “Say It Isn’t So” which gained a release on a highly collectable Grapevine 45 as well as featuring on the second Grapevine album, ‘The Sound Of The Grapevine’. So fast forward to 2016, and a third unissued Betty Boo track “My Man Flint” will be gaining a belated release. “My Man Flint” is Betty’s contribution to the media’s 1960’s cold war influenced obsession with espionage. The British had James Bond, The Russians a whole bunch of former 1930’s Cambridge graduates and the Americans one Derek Flint. Master spy Derek Flint (played by Actor James Coburn) featured in two spoof spy films, “Our Man Flint” (1965) followed by “In Like Flint” (1967) as a suave, undisciplined philandering secret agent (much to the annoyance of his boss Lloyd Cramden, played by Lee J. Cobb) who invariably saved the western world from being held to ransom by some evil clandestine organisation. One can only assume that Wylie and Hester wrote and produced this track in the hope that it would be used as part of a future film score? But what seems to have turned out to be the big screen’s loss will now become the Northern Soul scenes gain. Soul Junction’s release of “My Man Flint” features both the vocal and instrumental version. With the instrumental version albeit as a shorter cut being previously issued on the aforementioned Sound Of The Grapevine album under the fictitious artist and title of The Motor City Shakers, “Let’s Do The Duck”. SJ1003 - Betty Boo - My Man Flint - Promo.mp3 For further information please contact Soul Junction at: Tel: +44 (0) 121 602 8115 of E-mail: sales@souljunctionrecords.co.uk To purchase go straight to Soul Junction at http://www.souljunctionrecords.co.uk/SJ1003.html or via the usual stockists.
  19. I've seen records nowhere near as rare as this fetch £3k. A great oldie and a great double sider.
  20. Whatever the agreement is it should be honoured regardless of the amount of paying people. If they agree to do it for nowt or waive their fee then that is entirely up to the DJ. But I know of countless times a promoter has said to a DJ we have only had such and such through the door so can only afford this, that is what I am saying is wrong. Nothing a promoter does guarantees a successful night.
  21. I'll be back for a more comprehensive version for the book
  22. $4000 is a bit of a risk. The market they are aiming at then would be very niche and the developement and production costs must be pretty significant. Considering they left the market because of costs vs. money made I find it a bit bizarre to price the biggest majority of potential customers out of the market.
  23. I didn't know Rob had a red issue? Andy Dyson got one at Yarmouth time which isn't the one Searling had which Kev now has. So The ebay one would be the third or the fourth copy.
  24. I could well be wrong with died bit but something happened and all copies destroyed bar the three file copies. There is a previous topic somewhere on here where Andy Dyson tells what Eddie said, think it was to Kev when Kev showed him the issue. As for the third copy not sure it ever turned up.


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