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Chalky

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Everything posted by Chalky

  1. the system and tactics were no help to them, right system they would be fine
  2. Someone mentioned this elsewhere, took it with me last weekend but never came out. Might just drop it this week. Bit of Stafford maybe?
  3. Dean Anderson presents The Sound of Soul™ 11th July 2024 **LIVE CHAT EVERY WEEK** 8pm till 10pm On this show take a break from football, cricket and tennis with the best rare soul music on the Sound of Soul Show Join us the usual quality music and live chat here on this stream...
  4. I knew there was an "I" in there
  5. It sounds ridiculous but Alice Taylor is in love with a rock & roll singing superstar. Soul Junctions new release by Philly session singer Alice Taylor, tough to find on its original imprint and with a previously unissued take. View full article
  6. Press Release: Alice Taylor “Sounds Ridiculous b/w (I’m In Love With A) Rock 'n' Roll Singin’ Superstar / (I’m In Love with A) Rock ‘n’ Roll Singin’ Superstar (Previously Unissued Alternative Mix) SJ556 Release Date: Friday July 27th 2024 Alice Taylor was a popular session singer who sang background vocals for several local Philly groups including The Delfonics during the height of the Philly Soul boom of the early to mid 1970’s. In 1974 Alice under the auspice of producer Emanuel ‘Manny’ Campbell Jr and fellow Philadelphian musician/composer Charles R. Bowen entered the famed Sound Room Studios in Upper Dardy PA, to record a session of her own. This session yielded two songs. The more commercial pop soul orientated “(I’m In Love With A) Rock ‘n’ Roll Singin’ Superstar”. A song which took influences from other popular songs of the time that mentioned one’s love for Rock ‘n’ Roll singers and taking road trips to L.A (Los Angeles) in an attempt to cash in. Although the elongated song title may at first be a tad off-putting the recording showcases Alice’s vocal talents to the full and in itself is a very good record. The second song “Sounds Ridiculous” is based around the theme of a girl falling in love with a guy who spends most of his time daydreaming rather than getting a regular 9-5 job. An excellent record that should find favour with 70’s/crossover soul fans alike. Manny Campbell Jr used some of Philadelphia’s finest musicians on Alice’s session, notably session drummer Earl Young, reputedly the first exponent of the hi-hat cymbal a style of drumming used extensively throughout the disco period. Young had honed his skills during the 1960’s with his band The Volcanos, recording sessions for the Arctic and Harthon Record Labels. The Volcanos later became The Moods before morphing into The Trammps who Young recorded on his Golden Fleece Label with the group recording several further disco hits for Buddah Records prior to their worldwide hit “Disco Inferno” for Atlantic Records. Young’s strumming can be found on many other Philadelphia International, Sal Soul and MFSB recordings. The string and horn arrangements on the session were provided by another MFSB (Mother Father Sister Brother) pool of musician’s member, Don Renaldo. “I’m In Love With A) Rock ’n’ Roll Superstar/Sounds Ridiculous” came out in November of 1975 as an initial pressing run of 500 copies for promotional use which sadly were not of the best quality with some background noise being present in the introduction on both sides of the single, a possible detrimental factor in the release gaining any significant airplay. It’s was the second and final release on Emandolynn Music’s short lived, Stage-Art label. The first release being another of Manny Campbell’s acts The Nu-Rons & Co “Disco Hustle/Can’t Do Enough Girl” (Stage-Art 1001). Sadly, Alice Taylor passed away sometime during the 1980’s. Soul Junction through its ongoing relationship with Emandolynn Music have taken the opportunity to license these now very sort after Alice Taylor songs, which have been remastered to remove the aforementioned sound problems present on the original release. Which are now presented to you as a 3 track EP which also includes a previously unissued alternative mix of “(I’m In Love With A) Rock ’n’ Roll Singin’ Superstar, a recent master tape discovery. For further information e-mail: sales@souljunctionrecords.co.uk Visit SOul Junction Records to Pre order/order: https://souljunctionrecords.co.uk/SJ556.html
  7. If we sit back and let them play they will teach us a lesson. If we attack and press hard, get in their faces we will win. They will leave space with their style of play for us to exploit. Southgate's rode his luck a lot just hope it doesn't run out tonight...C'mom England!
  8. Sure Neil said he went to Jack Ashford.
  9. Its the Shirrelles and unreleased
  10. I think out time in influencing the direction of the scene is about done, the new breed and social media will dictate and is dictating the direction. We have had out time really, we never for a minute imagined we still be here decades later still doing this thing. We have certainly had the best of the music and the scene as well. It's just a parody, watered down and commercially driven now. As Steve says let them get on with it, as long as history is not rewritten as it seems to be on a daily basis to suit then all is good.
  11. It is definitely not Lorraine singing, she confirmed that on this site. Soussan was behind it, Neil Ruston asked Jack about it BITD and jack said he was approached by SS and told Neil the singer used, he mentioned her name in Echoes when hie was writing back then. Neil told this story on here in one of the topics.
  12. until

    Make sure it not full length, don't want your heels catching in the hem and going arse over tit Seriously though, everything g is set...apart from me and my records Passes are available on the door, just £10 for the night time, £15 for the full day or if you wanna do the whole weekend £30. Hotels close by, look up the topic for a couple of links if you are interested. Quality soul music from a quality line up with the added bonus of Carl Hedberg from Sweden on the Saturday night.
  13. Jack doesn't remember nothing, asked him several questions but he cannot help
  14. I have sent then to Jack to see if he recognises the handwriting
  15. It is strange how there are no markings for the mastering company or anything else as Evans was working for some of the biggest at the time.
  16. Nice, that nails the time of release. Be nice to get something concrete regarding how the other presses came about and where they were pressed. If only Jack Ashford had a decent memory.
  17. Dunno, from what I can see NSC was set up much later than the 60s
  18. National Sound Corporation, mastering company? Something to do with Ron Murphy but later than the. 60s I believe
  19. I did ask Jack about all the variations but he couldn’t give me any answers about any if them, he cannot remember anything. I’m as curious as anyone to know the history of the disc, where when and why but without evidence it is just a guessing game. But those guesses soon get accepted as fact and its a route I’d sooner not go down, especially when there ate 1000s of records mastered in Nashville and pressed elsewhere. That and the fact that Jack didn’t always have the resources needed to do what is sometimes suggested.
  20. I don’t necessarily disagree with you about being pressed elsewhere but we have no idea where or when. I know Nashville Matrix plated the 45, I’ve never doubted that as the evidence is there. I’m fully aware of their work, their location and what was opposite.
  21. Tiny amount? Archer pressed records for many labels. I am not saying everything recorded in Detroit was pressed there, far from it. But neither is it true that because it was mastered in say Nashville that it was pressed there. There are a lot if places in between the two cities or closer to Detroit that had pressing plants Columbia did many labels so not sure how you can take them out of the equation? We don’t even know for sure the date the second press were done. Why would Ashford go to the expense of having another set of masters made when he already had one?
  22. The Superlatives - I Don’t Know How. Mastered at Nashville Matrix, lacquer cut by Evans and pressed in Detroit at Archer. Found that example after just a few discs and there will but 100s more mastered in Nashville and pressed elsewhere. The Four Sonics on Sepia another example. Your argument that because it was mastered in one place means it was pressed there holds no water.
  23. There is still no evidence it was pressed in Nashville just an inference as you say. They did have couriers back then, it is how masters got to pressing plants around the country for national distributed discs. Cheaper to shop a master than a quantity if discs. I doubt very much it was pressed for national distribution, Ashford didn’t have the resources for that.
  24. but it is still an assumption. It could have been mastered in Nashville, masters sent back to Detroit where it was pressed. Neither do you know it was a large quantity. Unless you see the actual paperwork there is no knowing how many were pressed and with the lack of pressing plant identifiers where. Nashville Matrix used to do mastering for labels all over the place, they didn’t press any but the masters sent back or to a pkant of tje labels choice a Motown suite in Nashville, again nothing to do with the manufacture of any discs.
  25. WME. If that is the initials of the engineer Mac Evans and mastered in Nashville, it doesn’t mean it was pressed or produced Nashville. I doubt the 45 was ever getting a national distribution deal, not on Ashford.


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