Chalky

of the 6 copies on discogs, one was graded F, two VG, only one was mint/near mint, the latest sale at 206 was Vg+. I don’t think the average price can be taken too seriously.

Technically Horace’s is the first releae. The Kent anniversary 45 wasn’t a release 😜

I would imagine it is played everywhere....except of course down the south west.

It is the lack of info that is annoying. A quick update wouldn’t be too much to ask.

It was in April on Facebook, Stevan Clancy, it says on hold so I presume it sold. PS oops just sen Mark's post

It s virtually the same with just one line changed if memory serves. Obviously the 12 is extended.

Sold for 550 last year on Facebook

Same record on Wilkerr on a 12 although Butch has a very rare 7.

Covered by Richard as Lee Moore and the Resourceful Ones at Wigan, 1981 maybe little earlier.

Don't forget Bury where Saah Jane and Calvin are residents. Three rooms to suit all tastes.

no I know they weren't but I bet there was many more than 5% tanked up before hitting the nighter

To say beer was never a factor is wrong. I know it wasn’t sold at the niter bit many got oiled up on the way or at a soul night prior to moving on to the niter.

And Dave got it via Rod who replied above. They came on a tape from Robb K.

No mate, I will try again.

Charlie Rich? 100 Club and was released on an Lp in the 80s.

To say vinyl has had its day is just plain ridiculous. Deman has never been so high and the same for the prices. There has never been so many events and certainly never been so many Djs. Vinyl is here for some time yet. All events use and highlight tne Dj to promote that event. A Dj is booked for what he has to offer, real or not, yes some are you scratch my back etc. It is a scene that revolves (no pun intended) around a piece of vinyl, not a laptop or mp3 Once upon a time the Djs weren’t named as the music was first and foremost, not anymore. Until that changes and the names become secondary or irrelevant then vinyl will remain.

The Peaky Blinders style flat cap is known as The Baker’s Boy.

It ahs just about always been about rarity and still is. If a record was considered common it was largely ignored. It was always about exclusivity. I know of records being played off acetates/emis/carvers, call them what younwish, in the 80s because the record was somrare, one only in some cases and in the hands of a collector. He gave permission to have a copy cut. You would never have heard it otherwise. That isn’t the case today with most of the records in hands of Djs and rarity not the issue it was once upon a time.

All good mate. I would be better if I wasn’t working 🙄😕 Richard is positive he played it at Wigan.

But we are ‘t attending a party or wedding where the Dj and the format are pretty much irrelevant. We are a scene based on the Dj and what they have to offer. Until the Dj becomes irrelevant then the format should and will take centre stage.

OVO is a load of bollox I agree. It is another pointless term on a scene full of pigeon holes. BUT if I am travelling and paying good money to get into a venue the last thing I expect is Billy bootleg deceiving the paying customer. If someone wishes to play boots then so be it but advertise the fact then those who are paying get a choice whether to support or not.

Knew it had been discussed before, great article by Dave Thorley here

Macon in Georgia owned by Hampton Swain. There is a Grapevine CD of the material, or some of it available from selected sellers.

It was 81 when they turned up. Suspicion etc first got aired in the backroom of a SASofGB niter in Manchester, October that year. Stafford when they were unleased fully by Dave. Must have been late on at Wigan when LSH got played by Richard.

Bootleg design on vinyl...