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Chalky

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  1. As much as I love soul music, new soul music and vinyl I am now beginning to pick and choose what releases I buy when they are priced over £10/£12. neither do I get the 300 press only, it costs very little extra (the price of a dozen sales in most cases) to press 500 rather than 300.
  2. Press Release: The Internationals “Beautiful Philosophy/Too Sweet To Be Lonely” SJ1013 Release Date: Monday 15th October 2018 Listen whilst you read: Your browser does not support the audio element The Internationals - SJ1013 Promo.mp3 Legendary songwriting siblings Richard and Robert Poindexter often during the 1960’s frequented the CBS Building at 1697 Broadway and 53rdSt (formerly known as the Ed Sullivan Building). On several of their visits they noticed a young man by the name of James “B.J.” Barnes, using one of the building’s many rehearsal rooms. Eventually the Poindexter’s invited B.J’ to partake in one of their open rehearsals. Asked to give their honest opinion regarding his voice, although they both liked him the brothers felt he didn’t have a strong enough voice to be a solo performer and recommended that he join or became a group. The very next day B.J returned with two other singers by the names of Randy and Tony, again the Poindexter’s liked what they heard but felt potentially this new ensemble still needed a fourth member, this situation was rectified with the addition of Douglas “Smokey” Scott the groups eventually lead singer. An initial recording session for this as yet un- named group lead to the recording of three unrehearsed songs “Give A Damn”, “Push Button Love” and “Beautiful Philosophy (Of Love)” with Robert Poindexter’s wife Jackie Members contributing to the songwriting credits. With the group taking the name of ‘The Internationals’ they released their first single on the D’ar Recording Company label during 1969 “Give A Damn/Push Button Love” (D’ar 102) followed later in the same year with their second release “Too Sweet To Be Lonely/Beautiful Philosophy” (D’ar 105). The lead track for this second 45 release a further Poindexter’s composition which had been previously recorded on The O’Jay’s as part of their 1968 Bell records “Back On Top” album project and also by a songwriting colleague of the Poindexter’s Ray Lewis (D’ar 101). The D’ar label was owned by Jeff Moore and a silent partner, with Moore overseeing the day to day running of the company. The Internationals later broke up with Randy and Tony leaving the group, leaving “B.J.” and “Smokey”, who with the addition of Charles Stodghill and with Richard Poindexter briefly filling in as a vocalist, became the hit group The Persuaders. Richard Poindexter although a reluctant singer, did sing on both sides of The Persuaders 1971 million seller “Thin Line Between Love &Hate/Thigh Spy” as well as a third song “You Musta Put Something In Your Love” before returning to his preferred position as a songwriter/producer upon the arrival of a later new group member Willie Holland. Holland’s vocals would then on feature on the remaining tracks from the groups 1972 “Thin Line Between Love & Hate” (Win Or Lose Productions) album. Today The Internationals second 45 is a highly regarded and sort after example of the genre of Soul known as ‘Crossover’. For further information please contact Soul Junction at: Tel: +44 (0) 121 602 8115 or E-mail: sales@souljunctionrecords.co.uk To buy visit Soul Junction Records direct @ http://www.souljunctionrecords.co.uk/SJ1013.html or the usual stockists.
  3. Soul Junction Records team up with the Poindexter Brothers to release the highly sought after Beautiful Philosophy & Too Sweet To Be Lonely from The Internationals. Tap to view this Soul Source News/Article in full
  4. The question marks are actually from when just the track listings were posted a long time ago by someone else, I actually knew them but I just copied and pasted the old listings
  5. Side 1 Kenny Smith – You’ll Never Know – c/u (Roy Roberts - Got To have Your Love) Jimmy Raye – The Only One – c/u (Little John - Gogate) Don Gardner – Think Again – c/u (Accents) Compliments – You’re Still The Same – c/u (Gillettes?) Chester Mayfield & The Casuals – Why’d You Have To Leave? – c/u (Bernard Smith on Groove) Ronnie Forte – You Came To Me – c/u (Lenis Guess - For All You’ve Been) Fabulous Continentals – That’s All I Want – c/u (Moovers on Brent) Mickey Newbury – There She Goes – c/u (Ray Jiminez I’ll Keep Loving You - Columbia) Four Shades – Tonight – c/u (Otis Jackson & Compromisers - Turn Out the Lights) Johnnie Jackson – What Y’gonna do? – J-mer Jeanette Harper – What About Me – c/u (Charlotte O’Hara) Paulette McWilliams – Send Him Home To Me – c/u (Linda Queen on Rod) Paris – Someday – c/u (Bobby Paris - Tempests) Scotty Williams – More Time – c/u (Cal Green - Filmtown) Soul Set – Don’t Make Me Cry – Bi me Carl Hall – Girl I Want You So Badly – c/u (Anthony & Aqualads) Gene Williams – Love for My Girl – c/u (A. C. Poston on Odessa) Superiors – Shame On You – c/u (Enjoyables on Shrine) Performers – She Said To Me – c/u (Delcos - Arabia) Side 2 Dave Blocker – Like A Ship – Verve Fred Cole & The Diamonds – It’s Too Late – c/u (Little Nicky Soul - Shee) Chris Morgan – My Heartfell Kenny Smith - One More day – Flo Fee Soul Set - Will You Ever Learn = Bi Me Winfield Parker – Being In Love With You – c/u (Tony Galla) Ideals –‘Til The end Of Time – c/u (Casuals on The Square - ISP) Carole Waller – Only Myself To Blame – c/u (Wilbur Reynold with Jimmie Lee - Resist) Carole Waller – Sweet Thing – c/u (Wilnur Reynolds - Sweet N) George Matthews – Our Day Will Come – c/u (Maurice Williams on 440plus) Don Gardner – I Wanna Know Who – c/u (Accents?) Johnny Washington – Shy Guy – c/u Bobby Mac - Shy Guy) Florence Miller – Make It last –c/u (Karen McMahan - Freddie Gorman & The Headliners – Can You Qualify – c/u (Ozz & His Spurlings) Reginald Day – Lost Love – Midas Leverett Allison – Gave My Heart To You – Poncello Sam Williams – Let’s Tie The Love Knot – c/u (Chuck Wells - Love Knot) Brad Lundy – Breaking Point – Lundy Michael Schofield – It’ll Be All Over – Wiltone
  6. Here is tape 1 of Keb's mid 80s spins, again thanks to Gis Southworth for the loan of the tapes.
  7. Side A Sequins – You’d Better Watch Out – unissued Cautions – Fall Guy – unissued 5 of a Kind – Back From The Other Side – unissued Johnny Summers – I’m Still Yours – Yorktown Shirley Edwards - Dream – Shrine Cairos – Stop Overlooking Me – Shrine Ray Marchant - Ship Of Fools – Dore Danny Moore – Somebody New – Allrite Changing Scene – When The City Sleeps – Jo Ve Jo Honey & The Bees – Be Yourself – Academy Temptones –Starting Over – c/u (Turbines - Cenco) Rosetta Hughes – Ooh Wee Baby I Love You – c/u Rufus Wonder – Under The Moon – Lando Headlines – He’s Looking For A Love – Laua The Invaders – The Best Is Yet To Come – Brewtown Ron Baxter – This Is It – Ole 9 Freddie Houston – I Wouldn’t Have Gone –Old Town Earl Jackson – Heart’s Beating Stronger – c/u (Andy Fisher - Faat Fish) Charles Holiday – Don’t Lie – Playboy J E Morgan – By My Side – Theoda Side B Betty Turner - The Winds Kept Laughing – Crescent Jessie Davis – Hang On In There – Era Candy & The Kisses – Tonight’s The Night – unissued Fabulous Impacts – Baby, I Want You – Edgewood Studio Disc Magnificent Men – Keep The Faith – c/u (Citations - Ballad) Silhouettes – Don’t Leave Me Baby – c/u (Limelights - Uncle) Earl Jackson – A Wee Bit Longer – c/u (Andy Fisher - Fat Fish) James Dockery – My Faith In You Has All Gone – Soulcraft The Topics – Have Your Fun – Dream Vince Apollo – I Bear Witness – Pentagon Tammy Lynn – You My love – Atlantic Studio Disc George Jackson – Don’t Use Me – Mercury Freda Payne – Easy Street – MGM Honey & The Bees – The Lessons I’ve Learned – Academy Little Ron & The Esquires – I’ve Found Someone – Charade Colt 45s – Lady Lady – Jerry Ravin Mads – Where IS Love – Ravin Peggy Woods – Love Is Gonna Get You – Unissued Universals – Diamond & Pearls – Cooking Joyce Davis - Hello Heartaches, Goodbye Love - Okeh
  8. More memories of Stafford this time from the other half of the 6ts mafia Keb Darge. Probably form 84/85. As with the Guy tape I posted yesterday, thanks to Gis Southworth for the load of the tapes. This is tape 2, tape 1 to follow, I did them in reverse order
  9. PDF copies of issues 3, 6 & 10 Blue & Soul 3.pdfBlue & Soul 3.pdf Blues & Soul 6.pdf Blues & Soul 10.pdf
  10. James Phelps, others are good but his voice/vocals is just far superior
  11. New Century Soul Club 24th November 2018 15th Anniversary Elizabethan Suite Dave Stabler Ian James Daz Dakin Your usual residents: Sarah Jane Matt Sneath Dick Krop Andy Dyson Calvin Lee Hughes Colin James. Kenwood Suite: Special Guests: The return of "Shifty" and "Chalky" Your usual residents: Simon Ingham Lenny Dopson Robbo Bob Hinsley Mick Howard
  12. It does play at little slow at times (tis 35 years old). What was once a C90 is now a C95. Side A Albert Jones – 15 Cent Love – Kapp Franky Jones – Need Somebody To Love – c/u (Ozz & His Spurlings - MIOB?) Ritchie Rome & The Empires – Lonely Voice – c/u (Formations - MGM) Honeybees – Don’t you Want My Love – c/u (Crystals) Vikki Styles – The Tears Won’t Stop falling – Odex Ghetto Boys – Hand Writing On The wall – Tarx Four Reputations - Call On Me – Millage Shep & The TNTs – Hang On In There Baby - c/u (Joe Moore - Truglotown) Barbara Angelle – He Knows What To Do – c/u (Rose St John - Veep) Kenny Smith – Like The Lord Said – c/u (Rod Keith - Preview) Jaywalkers – Love Is In The Air – c/u (Sonny Childe - Music Factory) Charades – You Better Believe It – Harlem Hit Parade Court Davis – I Can’t Deny – c/u (Pal Rakes/Rames & The Prophets) Scotty Williams – More Time – c/u (Cal Green - Filmtown) Paramounts – Happiest Day Of My Life – c/u (Bobby Samson) Chessmen – Like I Did Before – c/u (Combinations - Whatcha Gonna Do - Kellmac) George Jefferson – When You’re Alone – c/u (Buddy Conner - Breakthrough) Purple Mundi – Stop Hurting Me Baby – Cat Side B Ultimations – Would I Do It Over – Marvlus Jagged Edge – Baby You Don’t Know – RCA Big Joe’s Ivory Brass – She Won’t See Me Cry – c/u (Big Frank & Essence - Philips) Marvin & The Main Men – Take a Look – c/u (Emory & The Dynamics - Lets Take A Look - Peachtree) Terrible Tom – She’s Got Good Lovin’ – c/u (Johnny james - I Wanna Tell You about My baby - Cirlce M) Clifford Binns – I Walk Alone – c/u (Donald Jenkins - Courtland) Micky Valvano- She’s Fire – c/u (COD’s) Bobby Hutton – Come See What’s Left Of Me – Phillips Bud Harper – A Treasure That Can’t Be Found – c/u (Mr Caldwell - Scorpio) Larry Laster – That’s What You Did – Duo Virgo Aaron Varnell – You Got Me Locked Up – c/u (Sammy Ridgely) Mary Moultrie – They’re Trying To Tear us Apart – King Jo Jo Petite – Crazy, Crazy – Boss Jimmy Gresham – Heartbreakers law – c/u (Kell Osborne - Highland) Gladys – Can’t Get You Out Of My Mind – O-Gee James Spencer – In Law Trouble – Taurus Franky & The Twans – Good Things Come – c/u (Toni Washington - Kon-Ti) Monique – I Wouldn’t Believe – Maurci New Yorkers – I Was Wrong – c/u (Ray & Dave Wrong Wrong Wrong - Mica)
  13. Another top show last night with Alan "Kitch" Kitchener and a great bunch of records.
  14. 205 events in the Manchester area in 99 days, just 28 days of that weekends if my maths is right, thats 7 events give or take in the area alone, is that sustainable?
  15. When Federal Green can do the Leroy Taylor "She's Not The Marrying Kind" is $10 who in their right mind is going to pay $150 for one average sounding release? I know there is a lot of mugs on this scene when it comes to parting with their cash for records but this is a bit o a p*ss take IMO. Another company out to exploit the scene by the looks of it.
  16. Best 45 stiffener I’ve seen, the extremely rare King George on Audio Arts
  17. I could pick a few by Tommy Tate....
  18. I think as said. above weekenders have had a big impact on nighters and soul nights. People can get their fix all in one weekend and they can do this every month. There is probably two weekenders per month now to choose from. Many Brits choose European Weekenders now over the UK scene, might not be the newies but rather than the same old same playlists there is a lot more imagination from more enterprising Djs and the scene over there doesn't have the baggage the UK scene has. Chill out Sundays also making life difficult for the scene. Many choose to do 6 hours or so on a Sunday, chuck a dinner in as well and home for 8/9pm. No getting wiped out and had their fix of the music with their mates. The scene has evolved and it appears to be to the detriment of the nighter scene. There is still life in it though but for how long I'm not sure, many seem to be holding it back with their selfish attitude and reluctance to evolve or to move on with the music. Maybe as the old farts disappear those left behind can take it up and develop their own scene just as happened in the 80s?
  19. Good time, yep that's all that matters. We will never get back to what we (think) we had and like you say and many others who'd have thought we would still be doing this 30/40 and 50 years later.
  20. The price I quotes, the record started at 650 over a year ago I think. Didn't sell yet the demo regularly goes for around £400. Issue far rarer IMO.
  21. Someone getting desperate, I'd rather hear the Supremes than this or anything by Sandy Nelson.
  22. Issue in August for £275. seen for more
  23. I have to agree with Steve, the nighter scene is in decline. Not many youngsters and a bunch of mainly OAPs trying to behave like they are 18 still. The music is bereft of imagination by and large with very few venues remotely encouraging imaginative sets. The dancers have no zip/energy, simply going through the motions shuffling about. Age and probably apathy is the main factor, then work and family time. I personally work 60 to 70 hours a week, work away all week and I have no desire anymore to travel 2 hours let alone 4 or 5. Certainly not to hear the same records I have been hearing week in week out...even on the so called upfront scene. I now no longer go out just for the sake of it instead picking and choosing where I go. There is little need to travel these days either unless it is Butch you wish to hear then it is the 100 Club only on the nighter scene which is a shame. Still love the music, more than ever, still love the scene and the friends on it. It matters not which scene you are on, oldies, upfront, crossover, same records week in week out, very few new discoveries, those that are recent finds by and large don't cut the mustard. All are simply oldies scenes now with a different angle on the music policy.


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