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Everything posted by Chalky
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45 is one of Levine's boots
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Is that not an Lp track though?
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I quite easily left those selections out. I only had 60 choices and many wee made by friends. I could probably have done another 60 quite easily. In fact if we can come up with 60 more I will do part two. Thank you.
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This topic is the first I've heard of the Royal Imperials being the Servicemen. It has never been mentioned in any conversation with Larry Banks. I will ask for clarification though. Maybe Andy is getting confused with the 5 Royales track the Servicemen cut (“Right Around The Corner”) that never came out until the CD Hadley released? The Wind Hit tracks were recorded at Audio Recorders of Arizona in Phoenix, can't tell you where they were pressed, probably somewhere local. The Pathway release had at least three presses, Cartoon, reversed and correct way for the labels and the orange release (which was also booted). My Turn was recorded October 1967 so either a late 67 or early 68 press. Wind Hit was early 1967, their second release after the Chartmaker 45 which was the year before (April '66) and recorded the at the Bob Ross Studios, Lelandway and Vine, Los Angeles, California.
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If you read their story you’d know, all in there.
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I think anyone with ears can tell they are different groups. Whoever thought they were the same must have ears painted on.
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The Servicemen photo came via myself from Larry Banks, one of the Servicemen. Larry gave me the names. What does it have to do with Roy & The Dewdrops?
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Impulse “You Changed Me/What’s That Sound” Kandi Two previously unissued tracks released as a vanity project in the fall of 2018. “You Changed Me” is an excellent modern soul dancer already being championed by Dj’s in the know, while “What’s That Sound” is a more funk influenced outing. Copies available at £12.00 each plus £3.00 postage (1strecorded, UK) overseas at cost. (Sorry only one copy per person). To reserve PM or E-mail: david.welding@blueyonder.co.uk The Groups History: Impulse were (and still are) a group of Milwaukee, Wisconsin musicians who during 1976 migrated to Oakland California where they hooked up with a fellow Brewtown producer and recording artist, one Harvey Scales. Scales himself in 1976, through his earlier local hit “Glamour Girl” (recorded for the local Sauk City, Cuca Label) and a string of recordings for Lenny Lacour’s Magic Touch label. Of which “Get Down” had bought him both National and International attention through it being picked up Atlantic Records was at the height of his powers, following the success of Johnny Taylors Columbia Records platinum hit “Disco Lady” a song Scales co-wrote. Under the auspice of Scales, Impulse began recording a self titled debut album project for a proposed release on the Casablanca label. This release for whatever reason never materialised and it is from the surviving master tapes that the above two tracks have been taken. The Casablanca setback although disappointing would not be the end of The Impulse story, the groups lead singer /songwriter John Gee had begun performing secular music in the late 60’s with another local Milwaukee outfit , The Chef’s and had sung lead on their 1974 Funk outing “Mr Machine” on their own Pro-Gress label. John credited as a solo artist recorded (in Milwaukee) the 1980 release “Not Enough Love Makin’/You Are That Man (Why Don’t You Be That Man)” which gained a release on the Oakland C.A Pashlo label. Followed by the 1985 modern soul dance favourite “So Good To Me/Just Get On” recorded under the artist name of Jon Pierre Gee for his own Kandi Inc label, as 45, 12” and cd project, returning in 2005 with the Ah’vant Soul concept cd album project. Throughout all these projects Jon has used and enjoyed performing with the original members of Impulse, Michael Reese (Rhodes Piano and Background vocals), Cedrick Rupert (Lead and Rhythm Guitar), Jeffrey Williamson (Drums and background vocals) and Robin Gregory (Bass and background vocals. These guys are still performing today (2019) with the exception of drummer, Jeffrey Williamson who passed away during 2015, his replacement being Coley Jackson. Words By David Welding. With Acknowledgements to Jon Pierre Gee. If you wish to purchase a copy then be quick they are selling fast and email: david.welding@blueyonder.co.uk
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Patrinell Staten - a bit of history
Chalky replied to Billy Jo Jim Bob's topic in All About the SOUL
Another web page abut her.... https://nwmusicarchives.com/artist/staten-patrinell/ And here she is with the choir.... -
Jean Wells - With My Love
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Thats a recent incarnation of the group, it is still going in one form or another.
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few for identification originals or boots and acetates
Chalky replied to roundhead's topic in Look At Your Box
Pressed in with vinyl and styrene if memory serves. The one above is real un. -
I find it laughable mate when records like this get slagged off. Ok it might not be as black or soulful as some southern soul artist, but we aren’t talking chill out rooms here. It is a full on dancer, the type of record the niter scene has thrived on and the thpe of record it is crying out for now.
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The only people dissing a record like this don’t do all-nighters. Its a fantastic dance track! Records like this is what the scene is all about.
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Keb Darge spin I think. There is a Deep City compilation from Numero.
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The most hated song on the scene. Is this it?
Chalky replied to Tomangoes's topic in All About the SOUL
Lyrically the snake is brilliant, great dance record too, same for Frank. But it wouldn’t bother me if I never heard them again. I don’t hate either but just sick of the exposure they have had. -
The most hated song on the scene. Is this it?
Chalky replied to Tomangoes's topic in All About the SOUL
It probably would have done if one or two hadn’t said something. The first page alone was turning into that. The trouble is these topics simply turn into ones personal opinion and not “the scenes most hated”. I doubt The Snake or Frank Wilson are hated by the vast majority, just a few on here shouting the loudest. People might be sick of hearing them but seriously, hated? I can understand the likes of Bob Sinclair getting mentioned, they are nothing to do with the scene really but some of those mentioned as the most hated are just laughable. I don’t think I hate any record that much I would consider starting a topic over it. -
when is it time to hang up your boots ? (not vinyl )
Chalky replied to a topic in All About the SOUL
To be fair to many of the acts that have come over here, I have only seen a handful who had lost it. Two or three who were suffering with illness, cancer, Mary Wells and one of the Brothers of Soul come to mind. Most have been good or better, some fantastic. if you get the chance to see the likes of Lee Fields then do so. -
when is it time to hang up your boots ? (not vinyl )
Chalky replied to a topic in All About the SOUL
Taken on my phone so quality not the best. He was great. He could hardly walk or move but he could still bang a tune out. -
when is it time to hang up your boots ? (not vinyl )
Chalky replied to a topic in All About the SOUL
Spencer Wiggins, last year or year before. Into his 80s I think.... -
when is it time to hang up your boots ? (not vinyl )
Chalky replied to a topic in All About the SOUL
Martha had lost it altogether last time I heard her, someone I would no longer pay money to see. -
It does the next day
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I haven’t witnessed any young uns attempting to force the older lot out of the way, the opposite IMO. There simply isn’t enough youngsters to do this.
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Don Heart (possibly Don Hart Detroit artist)
Chalky replied to Blackpoolsoul's topic in Look At Your Box
It tells you in the Catalogue of Entries that Don Hart is a pseudo for Donald Erquhart. https://books.google.co.uk/books?id=HkMhAQAAIAAJ&pg=PA669&lpg=PA669&dq=Donald+Erquhart+don+hart&source=bl&ots=vgK5jmRQFJ&sig=ACfU3U277Jat0RTN-eAV0U82TRNPkV8GOg&hl=en&sa=X&ved=2ahUKEwi58_qbmaDgAhWEsnEKHaABCw4Q6AEwCHoECAgQAQ#v=onepage&q=Donald Erquhart don hart&f=false