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Chalky

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Everything posted by Chalky

  1. There is a white label one, no demo markings etc that someone suggested could be the one RS did?
  2. It was booted by Raynoma as you rightly say whilst it was hitting the streets initially.
  3. Teddy Greene on Capitol if memory serves
  4. They are still sat there unsold so not really market price. I bet all three are UK sellers.
  5. Don't sleep on this, the first release completely sold out and is now sought after by those who missed out, this one will be no different.
  6. Two new previously unissued tracks from the same sessions that brought you the previous release “You Changed Me” and “What’s That Sound” in 2018. “I Really Love You' an excellent modern soul dancer backed with the more funky “Get The Funk Off MyBack". Tap to view this Soul Source News/Article in full
  7. For Sale: Impulse “I Really Love You/Get The Funk Off My Back” Kandi Two new previously unissued tracks from the same sessions that brought you the previous release “You Changed Me” and “What’s That Sound” in 2018. Firstly “I Really Love You" is an excellent modern soul dancer already being championed by Dj’s in the know, while “Get The Funk Off My Back” is a more funk influenced outing that would be at home in either a funk or modern soul set. Copies available at £12.00 each plus £3.25 postage (1st recorded, UK) overseas at cost. Again only a limited number of copies available therefore sorry only one copy per person To reserve PM @Louise or E-mail: david.welding@blueyonder.co.uk The Groups History: Impulse were (and are still in the main) a group of Milwaukee, Wisconsin musicians who during the 1970’s worked as the backing and touring band for another Milwaukee group The Quadraphonics , who during 1974, recorded a solitary 45 single “Betcha If You Check It Out/Prove My Love To You” for the Carl Davis/E. Rodney Jones owned Innovation II Record label. The Quadraphonics 45 would also land a subsequent national distribution on the major Warner Brothers label. The original members of Impulse were Michael Reese (Rhodes Piano and background vocals), Cedrick Rupert (Lead and Rhythm guitar), Jeffrey Williamson (Drums and background vocals) and Robin Gregory (Bass and background vocals).The band would later be joined by John Gee as their lead singer and fellow songwriter. John Gee had begun performing secular music in the late 60’s with another Milwaukee oufit, The Chefs, as their original lead singer from 1967 through to his departure in 1972. His replacement was Michael Moncrete who featured as the group’s lead on their desirable 1974 funk outing “Mr Machine” released on their own Pro-Gress Label. John Gee’s solo artist credits can be found on the 1980 release “Not Enough Love Makin’/You Are That Man (Why Don’t You Be That Man” on the Oakland C.A Pashlo label (Although recorded in Milwaukee). Followed by the 1985 modern soul dance floor favourite “So Good To Me/Just Get On” recorded under the artist name of Jon Pierre Gee on his own Kandi Inc, record label, as a 45/12” single and cd album project. Later projects included the 1995 Jon Pierre Gee & Touch album (featuring legendary rock drummer Anysley Dunbar (renowned for his work wth John Mayall, Frank Zappa, Whitesnake and Journey). Jon returned again in 2005, with the Ah’vant Soul cd album project,which featuring some of the former members of Impulse and Jon’s business and personal partner, Kat Webb. Jon also at one point sang with original drummer Billy “Stixs” Nicks version of the Jr. Walker’s All- Star Band. Returning to 1976 the musicians of Impulse migrated to Oakland California where they hooked up with a fellow Brewtown producer and recording artist, one Harvey Scales. Scales himself in 1976, through his earlier local hit “Glamour Girl” (recorded for the local Sauk City, Cuca Label) and a string of recordings for Lenny Lacour’s Magic Touch label. Of which “Get Down” had bought him both National and International attention after being picked up Atlantic Records was at the height of his powers. Further enhance by the success of Johnnie Taylors Columbia Records platinum hit “Disco Lady” a song Scales co-wrote. Under the auspice of Scales, Impulse recorded the self titled debut album project at Wally Heider’s Studio in San Francisco. The album was initially a proposed release for the Casablanca label which never materialised, a further offer from Jerry “The Ice Man” Butler to release the album on his newly formed Chicago label, Fountain Records also failed to materialise, leaving the album unreleased, It is from the surviving master tapes of these sessions that the above two tracks “I Really Love You/Get The Funk Off My Back” have been taken for the release of Impulse’s second 45 outing. Throughout all the above mentioned projects Jon has used and enjoyed performing with the original members of Impulse, as both musicians and co songwriters. They still from time to time perform together today (2020). With the exception of drummer Jeffrey Williamson who passed away during 2015, his replacement being Coley Jackson. Lead and Rhythm guitarist Cedrick Rupert who in the very late 70’s left the group to follow his heart and married a girl from Lake Charles, Louisiana, his home with the exception of a brief period of residing in Florida, until his recent passing in 2020. His replacements in Impulse included Joe Chatman and later Rudy Jacobs the original lead guitarist with Harvey Scales & The 7 Sounds. Words By David Welding. With Acknowledgements to Jon Pierre Gee.
  8. The flip side was getting some turntable action prior to lockdown pushing the demand up even more.
  9. yer looking at 400 nowadays, a WDJ recently sold for 500
  10. @Pat Wallace has the Ann Peebles in sales
  11. Kenny Seymour is probably the lead singer, they had another release on the label as Kenny & The Impacts. Other release on various labels too.
  12. A few shows to catch up on and there is a great selection of music from all who have shared their 10. Nige Taylor, The legendary Keb Darge and Martin Meyler Nige Lowe & Sue Molyneux and Kev Roberts Matt Sneath, Jim O'Hara & Jock O'Connor.
  13. The album was released ages ago, well I've had my copy weeks. The digital files though have for some reason only juts been released. Will give it another listen this week as been a while since I did listen but it is a pretty good steady album really.
  14. Neither have a missed nights out, mates etc yes but the music I have heard at home has been far better than most nights out. Converting old tapes to upload I’ve heard many I haven’t heard in years.
  15. I’ve not seen many suggest a second wave won’t happen? I’ve worked throughout this and been all over the country and I’ve seen nothing to suggest people will be respectful of others once Limitations are eased, quite the contrary tbh. M ay distribution centre, sites factories hardly any social distancing. Those who have since returned Far too many have simply slipped back into their old ways and for this reason a lone I don’t think any event of any kind can work successfully until this virus has disappeared or we all have immunity. Our scene has to be one of the unhealthiest especially amongst regualr nighter goers especially once the sherbet dip is opened and the ale flows, all inhibitions just go out of the window. Too many around me amongst family and friends who would be at risk For me to consider returning to a venue this year at the very least. Many others on an ageing scene would be in the at risk category too, lack of sleep, drugs etc all reduce the capability of the immune system.
  16. Plenty of time to live once a vaccine is found. Laid up with a virus doesn’t pay the rent and bills. If no vaccine can be found then that is a whole different ball game.
  17. Folks will be running and attending events as soon as the words leave Boris’s mouth with no regard to the consequences such as a second spike.
  18. They are as far as I an concerned yes
  19. B-Side erroneously credited to "R. Ford" instead of "R. Fort" Black label matrix etc, what is the run out details on the brown? Matrix / Runout: 13696 Matrix / Runout: 13697 Label Code: 13696-R Label Code: 13697
  20. Both from same year but the black has the wrong credit according to discogs, maybe be black then brown when corrected?
  21. well northern soul was always about self expression. Line dancing (leave it for other scenes), the dress and the rest that goes with the kind of events in question are as I said far removed from the all-nighter circuit, not your Kings Hall, Tower Ballroom events but your week in week out venues that still show a desire to stick to the ethos and spirit of the original all-nighters. As I said he is enjoying Shirebrook and the rest and best of luck to him, thats all that matters at the end of the day.
  22. Bobby Thurston - The Very Last Drop Michael Wycoff - Looking Up To You Khemistry - I Surrender Chapter 8 - It’s My Turn Peabo Bryson - Crazy Love Lifestyle – Trying To Make It Up To You Tony Owens - When You’re Wrong (You Got To Pay The Price) Marcia Hines - Gotta Let Go Gladys Knight & The Pips - Make Yours A Happy Home The Flakes - No One (Can Love You Like I Do) Bobby Womack - Something For My Head Atlantic Starr – Circles Sam Dees - Come Back Strong Keni Burke - Let Somebody Love You Frankie Saunders – Take Another Look
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  23. Viewing from the outside probably yes they do believe it portrays the scene. In reality it is about as far removed from the real scene as you can get. But the lad has to start somewhere. I doubt he will move on from the parody that is Shirebrook and its line dancing but he is enjoying himself. He has had a tough start to life, one most cannot imagine. The relationship between the lad and his carer(s) was heartwarming and those who have shown him friendship and love deserve the plaudits that come their way. He wouldn't have found the kind of friendship or acceptance down the town on a Saturday night that this scene shows to people. He may at some point decide to delve into the murky waters of the real scene but I somehow can't see that happening. He or those around him won't affect what we do but best of luck to him and his friends.
  24. Mine arrived in Chicago, again, on the 26th but 27 it departed London, not sure if that is departed to or from?
  25. A Dj has to get his or her records from somewhere and regardless how successful the source or how good a record may be there is no guarantee it will work for the dance-floor. For me there are just two on the Northern scene, Richard and Butch. Butch edges it for me as he has been at the top since 86/87 and is still there. He can play just about any record any other Dj has. To be a top Dj or indeed top in any field you have to bring something to the table others can’t. Too many cheque book Djs the last 20 years or so for them to be considered IMO.


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