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Hi Paul, I just got it through as part of my continuing quest for the first 100 UK Motown LPs, its on 11067 - Smokey Robinson & The Miracles - Make It Happen. Cost me about a fiver plus postage Also just got 11022 - Marvin Gaye - A Tribute To The Great Nat King Cole but I doubt that will have any tracks on it to play out Cheers Paul

I know the Isley Brothers version gets plays from the MFP LP but just wondered if this has ever been played out by anyone? Also, which is best?

Voted Bad. Anyone remember the 100 club for the 3 months after the article in the Observer in about 2001? Its still there for people to find if they want to and if presented in the right way those that want to will. Cheers Paul

--> QUOTE(Mike B @ Apr 30 2007, 08:13 PM) link Then along comes some tw*t with a dollar more :angry: Post up if you land one Paul because I'm still scouting round for you Sorted now, thanks Mike

Both sold now

Updated

Is this not "Wait Til I Get To Know You - One-Der-Ful" ? Superb Tune! Worth 12 of anyone's money. One of those If-it-was-rare-it-would-be-1000 tunes https://www.raresoulman.co.uk/sounds/exists...GET_TO_KNOW_YOU

Bumped with some reductions

Stop it! Its not helping you know! Almost got a copy now

I'll leave these until Monday then away to the bay! Need some cash cash so will consider any reasonable offer. Thanks Paul

Also, just received: Charlie McCoy & the Escorts - My Baby's Back Again/Stubborn Kind Of Fellow - Monument 975 WLP - Sold A white demo! Thanks Paul P.S. Will listen to reasonable offers on all the above.

Still after one of these please

A few other nice bits here, please pm me or email ptp at just7.co.uk: Teddy Randazzo - You Don't Need A Heart - DCP 1134 - M- 80 Chubby Chekker - You Just Don't Know - Spanish Picture Sleeve - M- Sold Otis Smith - Let her Go/Alley Full Of Trash and Bottles - Perception 4 - M- Sold Volumes - I Just Can't Help Myself/One Way Lover - American Arts 18 - M- Sold (Black with Silver lettering, vinyl is M- but there is a sticker mark on the "I Just" side, also someone has put lines through the title in with red biro) Betty Lavette - I'm Holding On - Big Wheel 1969 - M- 40 Now 30 ZZ Hill - You Were Wrong - MH 200 - M- 20 21st Century - Every Little Heartache - Dot 17256 WLP - M- (date on label) 40 Vernon Harrell - If This Ain't Love - Score 1011 M- (slight label wear) 60 Postage: First class: 1.60 Recorded: 2.20 (insured up to 34 squids) Special Delivery: 5.50 (insured up to 500 squids) Overseas - I'll let you know. Thanks Paul

Looking for offers on these two please: Tony Middleton - Paris Blues/Out of This World - Mala 544 - M- (drill hole) Extremely rare blue issue, and almost stone mint Jack Montgomery - Don't Turn Your Back On Me/Never In A Million Years (inst) - Baracuda 101 - VG++ Some slight label wear and a couple of light marks Very good trades considered but would prefer money Thanks Paul

Just proves I know nothing Never heard it before, thought it was beautiful, I'm a mid-tempo sort of guy tho Thanks Paul

Your're right! Can of worms!

I refer you to the answer given in my previous post /index.p...st&p=489094 That's 3 times

Absolutely spot on Mark If you take the idea to its extreme then you would only ever have to buy one top notch (replace this phrase with rare or exclusive or whatever) record, cos you could then have it cut, sell it on and use the proceeds to fund another. You could build a whole box of exclusives having only really lashed out for one. I thought the whole point of this scene was to find and own rare tunes that suit what you personally like, for a DJ to have records that they want to play. I thought people who travel to hear certain DJ's do so because of the style and substance of their sets not just for one record. I had a copy of Sam Williams which I foolishly sold, its not the rarest of records but its not that common, does this policy allow me to play my Grapevine copy? Also, on a slightly different take, I have one of those "advance copy" white label pressings of Reconsider, who has the acetate? If this can't be determined then can I play my pressing cos its a great tune.

I wasn't assuming anything, I was saying that people checking your records is bloody annoying. Its generally obvious when it happens. Someone coming up to look at a record, either to ask what it is or have a look at a proper original, is generally quite pleasant about it and you can have a chat with them. As I said before, I do that myself, only once had a DJ be rude to me for doing it too. So that's twice I've explained what I meant

It's probably more group harmony than northern but what quality! Just wondered if it was known? https://cgi.ebay.co.uk/ws/eBayISAPI.dll?Vie...p;rd=1&rd=1 https://www.geocities.com/jeffib2003/realaudio/kaldirons.rm Cheers Paul

That's obviously not the same thing, if its someone who just wants to know what something is, or wants to have a look, fair enough - I do that myself. These people are generally pleasant though, its the staring at records-that-have-been-booted to see if its a real one that gets my goat.

I personally think this is just the worst practice ever, there seems to always be at least one person at a gig who comes up and glares at a record which is on the deck like they have some right to check it, makes my blood boil. Seen it happen to Jo when she played Stewart Ames, she actually had to hold the record up after it finished to show the guy it had King For A Day on the other side. I played Yvonne Baker - You Didn't Say A Word out somewhere once and some guy came and stood and watched it go round and round for about a minute. I eventually said sarcastically "It's Yvonne Baker, mate" "I know that" he says, all indignant "I just wanted to see if it was a proper one" So I said "Sorry, I didn't notice your armband" He had no idea what I was talking about. Now I'm only a small time wanabee DJ so I suppose people think they have some right to check my records but does anyone ever do it to the big names?

I think people should be able to play what they've got in their box, playing a record that another DJ is "associated" with is not a crime really. I suppose that if you know there are only 2 copies and the guy associated with the other is DJing with you (and you have one) then maybe you are right to tiptoe round him. I know that some DJ's play the boots of rare originals that they have due to better sound quality or caring for the original or summat, never worked out wether this is right or not, but playing boots of something you haven't got at a venue that is supposed to be OVO is not really on. Name and shame please. At the end of the day though, most of the people on the dance floor wouldn't know or care.

Yes please, can you drop me a pm with condition and price please. Thanks muchly Paul

Where's the Continental Showstoppers?