Roburt

A Bajan Tamla Motown 45 ............

... And Curtis is the guy for OVO.

Betty Wright has been putting out great 45s for almost 45 years now ....... She proves that its still possible for an 'ol skool' soul singer to cut good new tracks & be successful.

A few artists who prospered in the disco years ....

The music that brought the world to its feet ........

....... One for 70's fans (+ they don't have many chain shops like this now) ....

RE: As Chalky mentioned earlier, you can sit down for a little longer whilst listening to them at home. ..... I've got about 15,000 x soul / gospel / blues 45's ... but when at home, I put LP's or CD's on the stereo system & I can then get on with something else (posting here for instance). If I decide to play some 45's, then I have to stand next to the deck which is OK for 15 to 20 mins but then gets tiring -- no room for a comfy chair in the record room & the bed is always covered in records, books, mags, CD's, etc (you may have already guessed that I don't like tidying up & 'putting away').

Love the mashed up version, it takes the track to a whole new place.

Almost any cover version done by the Persuasions ...... they have done some great Motown covers ...... .... and some great Curtis Mayfield covers ......... ... The group do the Dells .... https://www.youtube.com/watch?v=BPlFakVwn-s This also has Persuasions input (& is done as the group did it) ...

Deffo recommended .........

Back in the day ...... in Philly ......

WARNING ... I've made a QUICK CHANGE to 67 coz my THIRD FINGER, LEFT HAND ... LIKES TO BOOGALOO .....

Viv Gospel cuts -- Early to mid 70's tracks on a label based out of Portsmouth (just across the water from Norfolk, Va).

When you've crossed over to embrace Modern, it's almost impossible to return to just being a 'Norman'.

If you are asking about his UK Fontana 45 ("My Love Keeps Growing"), it was' issued' as that is the version of the 45 I bought back in summer 1969.

PYE RECORDS HISTORY .............. The Pye Company originally manufactured televisions and radios. Its main plant was situated off what used to be Haig Road, in Cambridge, and it entered the record business when it bought Nixa Records in 1953. In 1955, the company acquired Polygon Records and merged it with Nixa Records to form Pye Nixa Records. In 1958, Pye International Records was started. The company licensed recordings from American and other foreign labels for the UK market, including Chess, A&M, Kama Sutra, Colpix, Warner Bros., Buddah, 20th Century, and King. It also released recordings from British artist Labi Siffre which were produced outside the company. In 1959, Pye Nixa became Pye Records and ATV acquired 50% of the label. By late 1965, the parent company were trying to get out of the record business, so ATV bought the other half of the business in 1966 thus becoming sole owner from then on. I'd guess that the Pye Company weren't doing too well with their main TV & radio manufacturing business (everybody buying cheaper imported transistor radios, etc.) so they got out of their 'side business' to just concentrate on core issues and thus try to revive their manufacturing facility.

RE: Honeycombs, Kinks, Petula Clark, Donovan, Kenny Ball, Herb Alpert, Sandie Shaw, Searchers etc, they'd never been more successful! .... Don't know about that as I recall reading in Record Mirror, NME etc that when Fontell Bass's "Rescue Me" was a UK hit it saved Pye Records from being shut down by their parent company.

A Detroit POP Chart from April 66. Some interesting local soul tracks feature .... BUT so does a New York recording which was dropping down from # 18 to #26.

No mystery al all with regard to the 1st UK issue of this track. Pye Records UK licensed it for British release but were having a hard time of it (hit / money wise), so they didn't want to have a new imprint label printed up. So it had to come out on one of their existing labels. Which one; Pye Int, Cameo-Parkway or what ?? They settled on Cameo Parkway & in that form it came out here.

A Spinner who was also interested in other parts of cars ...............

I do get it, I just think its an idiotic premise. Going by that rule then .... there were no NS 45's made in the 1960's as none were termed NS cuts when released or at anytime in the 60's. ........ If its NS then it was NS when released in the 60's If its a beat ballad then it was a BB when released in the 60's.

Still the same record; if it was a 'beat ballad' in the 70's, then it was the same in the 60's (even if fans of the track didn't call it a beat ballad).

Anyone know much at all about Morris Vaughn. I know he cut in Chicago with Jack Daniels but apparently he originally came from St Louis & cut solo tracks (for Gateway in 68) & group tracks (with the¯»¿ Soulful Illusion") in the city. I bought his Chicago cut 45 back when it was a new UK release but it seems it's the other side of his Fontana 45 that is favoured now (but I don't remember every playing tuva side at all down the years).

Can you give us any hints on whose tracks will be on this 2fer CD set yet ......... any Clarence Fountain & Roscoe Robinson cuts to be included ??

So "Walk With A Winner" wasn't a beat ballad when played in the 60's ... BUT WAS a beat ballad when played in the 70's ......... .... WHY, had the track been remixed in the meantime ?!?Q?! ............ CONFUSED OF SOUTH YORKS.