Roburt

A couple of Millage acts (the Contrails & Captions) were on this big charity show held in Pittsburgh in late October 1967 ..... ......... the AMM label's studio backing band, the Up-Set (Upsets) also played live gigs at venues across the city back then ....... BTW, the top local act on the charity show bill, (Sonny Gilmore &) the Premiers , had recorded for RCA in the late 50's.

Out in the US in about a months time this documentary features some of the greatest backing singers ever !!!! It concentrates on the careers of the likes of Merry Clayton, Darlene Love, Claudia Lennear (Ikette), Tata Vega, Lisa Fischer, etc. Tap to view this Soul Source News/Article in full

Can't believe how cheap the Backbeats CD's are, even though they have quality content ........ Bought 2 off Amazon today ........... 'More Xover Soul' ,........,, £3.60 'Dance Floor Revolution' .. £3.83

These two gals ..........

This track dates from 1973 and must have been cut in the NY area, so I guess the Rich Ward in question is the guy detailed below. He had recently quit the New York Police in summer 69 and was starting to make his way as a singer ........

In 1974, Landy McNeil was stating that "Making My Daydream Real" had been a chart hit .... but then as the writer of the song he would have been I guess.

Pete, can't see what you're on about, I think Wayne had a great hairstyle !!!!

When the Kelly St John Millage 45 (# 105) was released,it was announced that the single would be distributed by Pittsburgh based P & M .......... (see post #25 above). It seems to me that the distributor concerned was more likely the one below (run by ex record label guy & restaurant owner Paul McGrath) ...... The 45 was seemingly 'promoted' by P.M. Record Promotion Service ....... SO WHY ..... ...... do sleeves for promo copies of this single still show the Mortuary address; most strange ??

Not alotta people know that ........ Timi Yuro was so popular in the Philippines in the 60's that she got to appear in 2 films made there in 1967; Incognito & 'Buhay Marino'.

I'm suprised that she didn't call it Dusty ... ..... coz her & Dusty Springfield got to know each other when they both appeared at the 1965 San Remo Song Festival (Petula Clark was also on there that year). BTW, Ben E King and Peggy March were on the year before (64). I guess the San Remo Golden Strings were on every year at 'Festival Time' ..... .

When Diamond Records picked up the Contrails "Someone" in October 1966 (& released it at the end of that year), they licensed the 45 in from Bailey - McClendon Productions of Pittsburgh. So Odell Bailey still seemed to be operating out of Pittsburgh at the end of 1966.

Here's the SDF thread I believe Robb is on about ............ ....OR ...... it could be this one .................

......... I beg to differ .......... A Gino Soccio 12" .......

Roadshow Records was a label that operated in the US from 1972 to 1979 ......... https://www.discogs.com/label/Roadshow For a spell, Scepter distributed the label in the US and some of the 45's were put out on Scepter itself with a Roadshow 'badge' at the side of the label. Don Downing was the first artist to have a release on the label but quite quickly, the likes of B T Express & Enchantment signed up and had big hits for the label. B T Express had three R&B Top 10 hits released on Roadshow (2 of which made #1) and Enchantment had two R&B Top 10 hits on the label (1 making #1). Shirley Caesar & Al Wilson joined the label later on. It seemed to just be an outfit that signed up acts from across the States rather than being a label that developed its own acts. Stuff from the label was also released abroad, much on Pye International here in the UK. However, there were Canadian & Australian versions of the label that put out its product in those countries.

It's Millage that claimed to be a Detroit label ..... Steve Marriotts pre-Small Faces group (the Moments) were on World Artists not Millage. Lou Guarino worked for Odell Bailey's Varbee label, then he worked for World / World Artists / American Arts (that Detroit's Harry Balk was also involved with). Lou G quit WA to start AMM (American Music Makers) and fetched Harry Balk across with him (though that partnership seemed very short lived). Odell Bailey returns to the picture and starts up Millage (in Pittsburgh but claiming to be from Detroit) and Lou G and his act have a release on Millage. So there are definite links (seemingly right through the 60's) between the Pittsburgh & Detroit music scenes, but that doesn't make Millage a Detroit label (though it claimed to be one). Mind you, the Small Faces / Detroit links are STRONG ... ... Steve Marriott was from Manor Park, East London. Manor Park is near Deptford, Deptford sounds a bit like Detroit (well they share 6 letters in their names) ..... The Small Faces cut "Every Little Bit Hurts", a Motown song ....... so the Small Faces & Detroit are closely tied.

At the time of the Kelly St Clair release (Millage # 105 -- Dec 67) the label was still claiming a Detroit connection ...........

I know that Bettye wasn't very happy that it had come out (even though the backing on this version is a lot better than the original Motorcity version). .... mind you, her objection was a monetary one (she didn't receive a cent for the release).

There's a piece on the net about Acid Jazz recently putting out the previously unheard "Money, Money" track that featured (Steve Marriott's) Moments. Funny coz the track was released on a World Artists 45 way back in the day ....... (see the US 45 in this youtube posting) ....

Yes, that's the registered address for Telldell Music that BMI currently hold. HOWEVER .... there's an e-mail address that goes with it (that I guess relates to SCI Records), but that e-mail address is defunct. BUT, I seem to recall Dave Thorley saying that Odell Bailey passed away a few years back, so I doubt an e-mail address relating to him would still be current.

Telldell Music is registered with BMI ......... the details are .......... ODELL BAILEY (PRESIDENT) 13027 PEMBROKE RD. DETROIT, MI 48235

............. Another new book .................. Midnight Train From Georgia: A Pip's Journey ........ https://www.amazon.co.uk/Midnight-Train-Georgia-Pips-Journey/dp/0828324697/ref=sr_1_1?s=books&ie=UTF8&qid=1367857836&sr=1-1&keywords=Midnight+Train+From+Georgia%3A+A+Pip%27s+Journey ...... an extract ............

So there were two Millage # 101records (the Kazia & Tawney Vonne releases) .... PLUS ... a Millage # D101 & a Del-La # D101 (the Grant St Exit releases) ...... Guess Odell Bailey really liked the number 101. But I knew the Grant St Exit release had Millage connections .... it was the 2 Della releases by C V Horne that I was seeking any linkage to Millage for.

Wasn't this a remixed version of a 90's IL track ??

Pete S, I'm sure you can help here ............. Lou Guarino made a start in the record business in 1959. At that time, he was working for Calico Records who were based out of Pittsburgh. The label went big that year with the Skyliners (led by Jimmy Beaumont) “Since I Don't Have You”. He was soon working for sister label Robbie Records and then with Marcy Joe (Marcy Jo) who enjoyed a national hit in May 1961 with “Ronnie”. He worked on another session with Marcy Jo and her new 45 brought Harry Balk into the picture as he helped organise her cuts being licensed for release on Jubilee Records. Guarino and his partner Lenny Martin then cut Little Maxine Simmons (“Since I Lost You”) for Odell Bailey's Varbee label in 1961. Another act Lou cut that year for Robbee was doo-wop outfit the La-Rells. Still with Lou in charge, more La-Rells cuts escaped on World Records and Robbee (Liberty picking it up for national release). In 1963, Guarino was working on more cuts that escaped on the World Records label (the label name would soon become World Artist), this time on tracks by Lou Christie. 1963 would also see Guarino visit the UK for the first time. He was talent scouting and signed up British duo, Chad & Jeremy. Also that year, Lou signed the Stereos and he sent them up to New York to cut "Good News" and "Mumbling Word" (released on a World Artists 45 in October 1963). The group would go on to cut for Hyde tracks (Ohio) and these tracks were picked up by Chess Records ("Stereo Freeze" --1967) and "I Feel Soul A Coming" --1968). Back in Pittsburgh, World Artists added a new label in 1964, American Arts and the likes of Bobbie Smith and the Detroit based Volumes were signed to the label (via Harry Balk). By 1965, World Artists were getting action with releases by the likes of Reparata & the Delrons, the Shevells and Lee Garrett (plus UK outfit, Chad & Jeremy). Mickey Denton also had a 45 (“One More Time”) out on World Artists in February 65.The label was living up to its name and people from the label (Lou G included) were visiting the UK and signing up British acts in the hope of landing more success off the back of the 'British invasion'. A UK act who got to enjoy a World Artist 45 release was Steve Marriott's 1st group, the Moments (the single never gained UK release). Another singer who it seems had involvement was the label was a young Phyllis Hyman, though what she actually did with them seems to be lost in the sands of time. Pete, what can you tell us about that release from Steve Marriott's The Moments group ?? Why did the cuts never escape in the UK after the Small Faces hit big ?

I'm sure Odell Bailey was involved with some Detroit recordings / labels .... BUT.... I think they dated from around 1970 and later. Does anyone know when he moved to Detroit ..... around 1967 I would guess.... .... though he still seemed to cultivate his Pittsburgh contacts up until 1968 at least. I have already sought Boba's input on the other 2 (later) Del-La / Della Records releases. These don't seem to have any Pittsburgh / Millage connections apart from the Telldell Productions credit. The artist on the 2 'later' Della releases was C. V. Horne ...... anyone know where he was from (Detroit perhaps) .... or when they date from (1970's maybe) .... C V Horne had a 3rd single out in 1984 and that was produced by a Buffalo based outfit.