Yes I actually agree with you there Rod, Chadwick was the classic case of a trophy hunter, who JUST needed to have a box of rare records. Don't think he'd even heard of Bobby Womack or Sam Dees or Bettye Swann, and yet he got booking after booking on the Northern scene because of his box of "Trophy records". £250,000 sure can buy you a collection, but people like Chadwick don't make up the majority of todays DJ's do they?.
Surely serious DJ's must have a balanced and broad based collection which encompasses both rare and not so rare (and more than one beat/ style). Serious DJs take years to build their collections, there is no instant fix - Levine tried it in the late 90s hoovering up everything in sight, and it didn't really work for him and he sold them all off again.
The reality is as Terry says - far to many wannabe DJ's who don't have the goods and hide behind excuses like "the punters don't care", or "It's only a few mixed in with a few originals" etc etc. I won't even bother going to a place where I know that boots will be played, even if it's just up the road. Did the DJs at Wigan or Stafford play boots? I don't think so! So what makes it right now? At least in Herts and Beds we still have some soul night venues that stick to the principles of playing northern without resorting to bootlegs.
And hey Ian - £20 for the Salvadores in the 70's - I couldn't have afforded that if I wanted it. It was never any more "available" to the ordinary guys on 7/6d a week than it is now, although that 3k price tag does seem extreme - more trophy hunters I guess.