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.........Whoever it was in the summer of 1963 who decided these things, Quality Control marked their territory in the expanding label's organisation by scoring a victory here, denying There He Goes a release. Embarrassed, Stevenson then seems to have engaged in a bit of face-saving subterfuge; he used his connections to place the rejected record with the little-known Independent Producers Group label, a small-scale indie offshoot of Hawk Records based out of New York City which specialised in licensing pre-recorded material from, well, independent producers, leasing the masters from Motown for a year. He was then able to go back to the Velvelettes and point to their record being in stores. It did pick up some radio play and sales in a few Northern and Midwestern cities, enough to convince Motown that their decision to sign the group had been the right one - but with no Motown promotional money to plug it, and no live following outside the WMU campus thanks to the Velvelettes' parentally-enforced, Motown-approved dedicaton to their schoolwork, the record's progress stalled before the single had a chance to chart nationally.