World Quake Band" "On the one"..on World Quake label M- ...and its Rare as hell ..never seen one before.
So if anyone can let me know how much this is worth. It doesn't appear in any price guide.
Wayne I can supply this
World Quake Band" "On the one"..on World Quake label M- ...and its Rare as hell ..never seen one before.
So if anyone can let me know how much this is worth. It doesn't appear in any price guide.
What, an original Matta Baby for £6? Pink label? Thats a fantastic bargain, I paid £80 last time.
I don't think The Gig is worth more than a tenner though. Bloody awful record, never broke out of Cleethorpes.
Max, I'll buy you a pint if I'm wrong but they were done in 77 - Eddie Regan was done at the same week and they both appeared in limited quantities. The source was an ex Wigan dj.
I got this overnight...
Hi
We don't know each other but you have just posted about me on Soul Source - would I have the balls to say it to his face- well the answers yes but that;s not why I'm writing.
Your friend Ian got me thrown off soul source after a couple of postings but whatever. I'd be grateful if you would let him and the rest of Soul Source know that my reviews on Amazon are honest and unbiased. In fact of the seven cds he mentioned this evening I have today given rave 5 star reviews to two of them. I would also ask that you let Mike Hughes know that I'm not best pleased to be slagged off without the right to reply. Let him have my email address if he wants to contact me .
many thanks
Frank Kirkham
I've got that Jean Carroll but it's with a pile of unsleeved junk so it'll take me a while to find it. I bought it blind but both sides are terrible. late 50's or early 60's.
wonder who bought my Pye issue of the Jones Brothers, one of only two known to man.
Ian, just thought you might be interested to hear...
One turned up on Will Johnson's list today, Pye issue, £150.
I couldn't get anyone to buy it when I had it for sale - it was 250 - think I took 200 in the end - that was one of the reasons I stopped buying expensive records to sell on.
Have to say that I have both the original and the bootleg and I have played it in every set I've ever done I think - but I've never taken the original out of the house!
I think that's true as well, sadly. If you've got something like The Arabians and bid 120 to make 20 or 30 quid on it, and still don't meet the reserve, it does make you think. If the reserve had been 50 then there would have been a dogfight with people trying to win it.
How do you think things like studio time, production and record pressing facilities are paid for? They have to be paid before any profit can be shown. And Ian has already explained the Frances Nero situation on part 1 of the thread. And she's bloody lucky someone recorded her, remind me how many records she made after Keep On Loving Me?
Well for a start it's vinyl - I think all real copies are styrene, I may be wrong - the run off on the pressing is pitted and the print isn't as clear and slightly faded.