Pete S

duplicate post

What's he meant to do, play them to a panel of judges first? Someone's got to be brave enough to go with their instincts haven't they?

I know they are the first issue but a blank label is a blank label - thats why I compared it to a carver - black vinyl, white label. As opposed to a labelled copy. Wasn't saying they weren't the originals, I know what they are, I've got enough of 'em.

That's a rare one, came out on UK too. Fortunately I still have a copy of this one.

It would. F*cking hell am I kicking myself, about 2 years ago I GAVE AWAY the Jamaican blank of this to Brian Kelson, he bought a box of British off me and I said oh, there's about 20 blanks in that bag, you might as well have them...I didn't realise Love Kiss Blue sounds like an instrumental version of The Hamlins - I Don't Care At All. By the way, I can't see why anyone would pay that money for a blank, may as well wait for a labelled Doctor Bird one to come up.

PETE SMITH 01902 326306 pete.smith@freeuk.com ALL UK LONDON LABEL ORIGINALS JACK JONES - I'M INDESTRUCTIBLE - HLR 10131 DEMO M- 15 Big beat ballad, unknown GENE McDANIELS - TOWER OF STRENGTH - HLG 9448 DEMO EX 15 BOOKER T & THE MG'S - GREEN ONIONS - HLK 9595 DEMO EX- 25 No centre but very rare on demo THE EXCITERS - WEDDINGS MAKE ME CRY - HLZ 10038 DEMO VG+ 25 Lots of marks on this and looks scruffy but plays fine with a little bit of crackle at the start and the odd pop RAY STEVENS - A B C - HLU 10016 DEMO EX 35 Super midtempo dancer, very hard on UK. Small wol DICK & DEEDEE - THE MOUNTAIN'S HIGH - HLG 9408 DEMO EX+ 20 RUBY & THE ROMANTICS - YOU BABY DOESN'T LOVE YOU ANYMORE - HLR 9972DEMO EX- 20 Beautiful beat ballad. Small wol ALICE WONDER LAND - HE'S MINE - HLU 9783 EX 20 THE NOVAS - THE CRUSHER - HLU 9940 EX 25 LITTLE ANTHONY & THE IMPERIALS - TEARS ON MY PILLOW - HLH 8704 VG++ 25 Triangle centre MEL TORME - COMIN' HOME BABY - HLK 9643 EX 20 JIMMY BEAUMONT - YOU GOT TOO MUCH GOING FOR YOU - HLZ 10059 EX+ 100 FATS DOMINO - IT KEEPS RAININ' - HLP 9374 EX 15 CLYDE McPHATTER - JUST GIVE ME A RING - HLE 9079 VG- 15 BABY WASHINGTON - ONLY THOSE IN LOVE - HLC 9987 EX 15 BURT BACHARACH & TONY MIDDLETON - MY LITTLE RED BOOK - HLR 9983 M- 30 THE RONETTES - BORN TO BE TOGETHER - HLU 9952 EX- 15 THE RONETTES - DO I LOVE YOU - HLU 9922 VG+ 15 THE RONETTES - IS THIS WHAT I GET FOR LOVING YOU / YOU BABY - HLU 9976 EX 20 THE RONETTES - (WALKING) IN THE RAIN - HLU 9931 EX 15 I'll do all four Ronettes singles for £55 Cheers POSTAGE £2.30 UP TO 3 RECORDS THEN 10p EACH AFTER OVERSEAS I'LL QUOTE YOU PAYMENT paypal, card, bank transfer etc Paypal name is pete.smith@freeuk.com

Agree, I think that's because a lot of the UK releases were dubbed directly off Jamaican vinyl copies.

Yes he does, though pre's usually describe later releases I think (mid 70's onwards)

As John says above, they're the equivalent of promo copies really. I'm a bit split over Jamaican or UK blanks though, I'd much sooner have a labelled copy and I can't see a lot of difference between a blank and a carver. From experience, the majority of blanks that come onto the market are always very well used.

This is a proud moment for me.

If he spells it Rood it's a mistake on the label!

Very rare and very expensive that one. Never had it myself. I believe I had the first copy of Gloria though (no worries if I stand corrected on that), sold it for £300 a long long time ago, I'd say it's actually worth less than that now.

Folks I am closing down the current site where the episodes of Lost Vinyl Gems are stored and am going to transfer them to YouTube instead. I will do all of them eventually and post the new links here, just done one so far. Episode 7. There won't be any more new episodes.

How the f*ck should I know, I read it on someone else's post.

I thought he said "they do have a place" not "do they have a place" I'll read it properly next time.

What was wrong with his statement, can't see anything condescending at all, he says all should be able to advertise whatever type of do they promote.

On the Right To Reply thread, someone said why does the Modern scene always hang on the coat tails of the Northern Soul scene. Well?

This is true, the original aim of the thread was to try and pick a record which was played but nobody appeared to like it at the time or even now. Something like "Take a letter Maria" by Boots Randolph for instance.

Doug Banks has a lot more going for it than the likes of Soft Walkin, Let me be your boy, Emperor and all those similar things - much nearer "Northern Soul".

I've said it before and I'll say it again. TOO MANY DJ'S Once upon a time there were a handful of DJ's with their fingers on the pulse, you would travel just to hear an exclusive record from one of these dj's. Nowadays, everyone is a dj, if they haven't got that rare original 45 they can play it from a different format. Sounds aren't difficult to hear now - you don't have to travel to hear them - which is why there are so many local nights, and so many venues playing exactly the same records. The scene has to split now. DJ's playing new discoveries and rarities from original vinyl, and the rest, which include club nights, motown do's, nostalgia events, oldies nights. There's nothing wrong with the latter, but it's not what Northern Soul used to be about. also take into account the age of the average punter, running around the country was great back when we were 18, but now, in our 50's, it's way easier to go 5 miles up the road to an oldies night for a beer and a chat than it is to plan your weekend around a saturday night spent 150 miles away from home. And then there's the "interest" factor, people have much more to do nowadays than base their lives around music. So there are lots of things to factor in, one things for certain, it's not going to die but it may need a bit of resuscitation from time to time.

You should be a detective!

This is really serious.

Can't see why it's credited to QCSB and if it's the (Razors Edge) vocal it's worth £10...

Essential Modern Soul. A misnomer if ever there was one

I see no difference between a "badly photocopied label" and an original which has been defaced. Valentinos sound quality is perfect on the pressing. What are all these "badly photocopied label" bootlegs anyway?