Chalky correct, nail on the head...it's about records getting a legitimate first release in this country and yes of course, if the American release came first then it's de facto that is the copt to play....but everyone and their finances, are different....a 2hole heap of wanted tunes exist in minute quantities....and if the chances are, the average aspiring dj is never going to be able to afford the rocking-horse rare, theyre going to see what's on offer legitimately.
A super rare, but universally appreciated tune, can only be played in so many places in one time, but if it get's a legit uk issue ( and any parties or estates benefit from royalties or a windfall from sales ), in essence, it's helping to spread the word and popularity....and at the same time, as the global market is showing, the originals are no being devalued...like how folk maybe thought in the mid 70's and 80's...because theyre now ' antiques ' their values have increased substantially.
Everybody's thought dna is different on this subject...isn't it a win-win circumstance if some long forgotten artist is actually getting their music played, and appreciated by a whole bunch of folk?, they may have failed monetarily, but the sound they created, didn't.
the uk releases we've witnessed this last quarter century are as important as the one's soulies and mods alike, chased in the 60's....the 70's was important becahse it began the process of issukng tunes here, that actually never got a look in, or weren't discovered/known about 7 or 8 years previous.
They all have their worth, whichever way we look at it.