Paul, if the reissue was formatted on a CD single, then I imagine the licensing costs would be the same as a 7" single, and the production costs must be cheaper for a CD than a vinyl record ?
I've never bought many CDs to be honest, but seem to recall some well packaged 4 or 6 track CDs on the Joe Boy label (maybe from Neil Rushton).
I thought these looked great (was there a VJ one?)...........could the same not be done with just 2 tracks?
If packaged with die cut card sleeves printed with sleeve and label artwork akin to original sleeve or label, and possibly on the CDs that look like small vinyl records with grooves etc, they would be attractive to a much larger market....and thus possibly earn both the artist/writer and reissuer more revenue?
You state that the preferred market is for hard core collectors and DJs, and I think that this is the true, moreso DJs, but surely this is not a massive market.........so by releasing a 7" only it is limiting the mass exposure, and possible revenue for the artist/writer etc.
There will never be any common ground on this debate between collectors of rare soul 45s and those who license and reissue current 'hot' and indemand 45s, other than in the case where the track is previously unreleased.
The main crux here, seems to be that the reissue has been released too soon, and whilst I understand that this may have been done to beat the bootleggers, it does affect the Rare Soul Niter Scene, such indemand records do lose their shine to the collectors, DJs, and followers of that scene when reissued....we all know that.
Whilst that may seem a small price to pay to those who shout about the bigger picture of earning the original artist/writer a long awaited few hundered $$s, it is fair to say, that without the DJs and collectors of the Rare Soul Scene finding and playing these 'lost' gems, they would remain as such, completely unknown to all on our scene.
Crowds are thinning on the rare scene, no doubt about it, and nowadays (especially with the rising cost of fuel and the state of the economy) there must be motivation for people to put £50 - £60 of fuel in their car to drive 100+ miles to hear a DJ play that special something that they can't hear anywhere else.....and reissues such as this one play their part at chipping away at the attraction.......possibly until the point of no return.
Of course, some may not care if this is the case, but however small the rare soul scene is becoming, it still constantly drip feeds new discoveries onto the oldies circuit.
On a lighter note, at the last Lifeline some-one commented that the 3 known copies of this 45 in the U.K. were all in Brookfields venue on that night......whereas at the next Lifeline it will be morelike 1003 copies