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Davenpete

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Posts posted by Davenpete

  1. I don't think you can expect to get a professionally run venue on the cheap.

     

    It's not so much to enable the promoters to make loads of money (though WHY shouldn't they if they do a good job - were the Torch, Wheel and Wigan not all big money making propositions?) ...but if they're sailing close to the wind financially and they have a couple of bad nights (due to bad weather or venue clashes) they're seriously out of pocket and making substantial losses. I know back when me and Pete were involved in The White Heather at Carlisle, though it was well liked for its music policy by those who went, we only made any money a couple of times and lost A LOT several times.

     

    In the past we often used to get offered in free but always turned it down to ensure profits remained sustainable (with the exception of the Ritz guest list because we helped out here and there).

     

    Personally I think nighters should be of the order of £15+ to get in - not unreasonable on any level IMO for 8 hours of music that's very expensive to finance as a DJ (I bet the number of OXO spinners who actually really cover the costs of their records can be counted on one hand - at best) - and if it leaves you short of beer money then BLOODY GREAT as far as I'm concerned - the licensing of nighters was one of the worst things to happen in modern times IMO (more gear = more fun for everyone).

     

    Dx

    • Helpful 2
  2. Lloyd Price's Double L label springs to mind. No dynamite tunes here in the few I have but they do turn up regularly so must have sold well enough back in the day.

    Isn't Ludix also Lloyd Price?

    What about Washpan?

    Dx

     

    PS Wasn't Reprise owned by Frank Sinatra?

  3. WD40 removes the residue from sticky label.

    Hope it helps without any damage .

    NO!!!! Adding oil to your labels - mad!

    Petrol lighter fluid - back in the days we still did artwork on drawing board we always used it for degreasing and removing spirit glues, also great for degreasing vinyl.

    Felt tip - unlikely you will ever really succeed.

    Dx

  4. Frank Webster and myself went to a Niter in Coventry quite a few years ago, when we arrived the queue was massive and we both thought it's gonna be one hell of a night. Turned out that Amnesia was on upstairs and as the Northern room was crap we, along with most of the others from the Northern room, spent most of the night in there. 

     

    Certainly not a night to forget

     

    Mark C :huh:

    First time I've ever had my trousers taken down for a search going in to a nighter... Remember some very phased rave kids coming to see what was going on with all these old guys off their tits downstairs - yes it was a crap night in the Northern room BTW.

    Dx

    • Helpful 1
  5. The boss think it sounds like Brenda too (agreed the voice is deep for Patrice) - he's a major BH fanatic. More reminiscent of her earlier Donna period vocal sound.

     

    I know Brenda was doing the odd sneaky vocal foreigners under the Motown radar during her sessions at the Mirwood studios.

     

    Dx

  6. That Paulette record is f&cking terrible, it might as well be by Lulu it's that poppy - someone paid $2000 for it?

    Got my vote on that - how could you possibly compare the staggeringly brilliant Masqueraders with that piece of third rate clippy cloopy shite?

    Dx

    • Helpful 1
  7. Always thought the over-use of the mic was 90% egotism on the part of the DJ - unless he was imparting worthwhile info (the artist and title of a little known record for instance), something surprising about it or an interesting link with a preceding spin, and as noted you can rarely hear what is being said... After all - are we about the music or just doing our version of the local disco?

     

    Dx



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