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Posts posted by Davenpete
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15 hours ago, the yank said:
The least you can do is post 'Cheer Me Up' : )
Larry Wedgeworth - 'No More Games' was a Boston Celtics promo song.
Thought Roosevelt Grier was a baseball player (specially given the EP cover with him in whites and a baseball cap), how about Babe Ruth (anyone going on rise to that one : ) ).
Cassius Clay - forget, wasn't it 'Get Ready' he did on CBS?
Johnny 'R' (The Champ), boxer, Kenni Thomas, boxer. Major Lance, boxer. Supposedly Jackie Wilson put Berry Gordy in hospital at one point following some disagreement or other.
...Talking of music moguls, we mustn't forget the global cricketing sensation that is our own beloved Adrian Croasdell.
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53 minutes ago, Rob Moss said:
JJ BARNES Lucille
Tony Hester Keep a hold on me
SHARON MCMAHAN I have no choice
Much as I love it, I have to say that programming 'I have no choice' in the first three would totally destroy the dancefloor and mood and simply does not work with the other two - though it has to be the perfect ender.
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Surely a decent DJ plays records that reflect the tail end of the previous set in terms of tempo etc, whilst providing a bridge to your own set and also singalling what you're going to do musically.
Follow Your Heart? Yeh that'd be a good one : )
The first three mentioned (Karmen, Santos, Gallo) would simply have me feeling dejected that I was going to hear yet another unimaginative 'me too' set.
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4 hours ago, luxury soul said:
Linda Jones all day long. You mention both; assume you refer to My Heart... and Just Can’t..., if you haven’t already, check out the Hypnotyzed Loma album for her superior version of A Last Minute Miracle (maybe a future battle with that one) and the fantastic If Only We Had Met Sooner plus the alternative version on her first Turbo album
The backing's too frantic for me. I used to have a different vocal to it by the Shirelles called something like 'You Are My Last Chance' - anyway Ady Pierce got very excited when I flogged it to him 30 odd years ago, one I should've kept. Dx
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Proposals for other votes with numerous great versions:
Did My Baby Call
Just Keep On Loving MeDx
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Like the O'Jays, but it's just gotta be the Whatnauts - it's still amazes me when Ms Jones fires up those pipes.
It's just a shame how relatively little product there is on her that's of interest to us (at least Northern that is), such a shame she died young - always loved the nuttiness of 'Your Love Hit Me Like TNT' (heard the obvious ones simply too much and sold them both a long time ago - kept TNT!) - I heard it said she was only 14 when she knocked it out, don't know how true that is.
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Does that mean you can send it back after the first month when you realise what an appalling mistake you made and only lose £50?
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Dave told us he remained a Director of UK Tamla Motown throughout the sixties - though he only took a peppercorn salary.
As regards 'putting pressure on' he only told us that he did that with Atlantic to get Barbara Lynn and Loretta Williams released (his championing of BL was why she was so eager to meet him at the Cala Gran and why he introduced her on stage), there were others - about half a dozen, but I forget which - apparently Atlantic didn't even know they had the rights to them at the time.Dx
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Speak for yourself mate - never drink at nighters to speak of even when I can and never have (and well remember a universally angry reaction to people who were drunk).
And actually the first night Pete went to the Wheel the old crew that took him said in the pub that he was 'allowed' 1/2 a Stout (because it fortified you) or if he REALLY wanted a drink then one Rum and Coke (though they made it clear it would be frowned upon) - of course they also gave him three Red and Browns.
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Personally I think the late licensing of nighters was the worst thing to happen to the scene.
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3 minutes ago, MotownSoulMan said:
Personally, I would tend to agree with DaveNPete When you consider Motown on its own, it either is, or it isn't. When you consider Northern Soul, it covers a huge spectrum of artists, from out and out Soul singers, to the likes of Pop singers, Country and Western singers, Rock N Roll singers, Doo Wop singers, Gospel singers etc etc. The list is infinite They've all played a part in the Northern Soul scene at one time or another. We've all heard them, we've all danced to them and most likely when you look through your collection, we all own them. I tend not to classify anything into one particular genre, with the exception of Motown
Ah... but do you include RicTic and Golden World/Revilot as Motown post buy-out? And what about the 'evil' Motown CW label?
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There are as many answers as there are records and Northern fans - I know old Wheelers that think the move away from RnB around 67 was a betrayal and that Motown is merely pop music made by black artists for white people. Conversely the boss (who started in the last days of the Wheel) is a total Motown obsessive and rates it more highly than a lot of out and out classic Northern Detroit indie stuff and hates a lot of the R'n'B I have that his older friends like.
I don't think there IS a line because where Northern-ish Motown becomes 'Northern' the edges are just too blurred - partly because I don't think you can define 'Northern' any more definitely than 'music played at venues that call themselves northern soul clubs' ...and once you get into 70s and 80s stuff (Motown or whatever else) well it gets REALLY messed up - I've seen people very recently STILL damning the Mecca's move into playing 70s and disco as completely wrong more than 40 years ago on here only a couple of weeks ago. The trouble is that about 90% of Motown interest globally is in the popiest chart hits by Diana Ross, Marvin, the Four Tops and Michael Jackson with zero interest in the supreme work of the also ran artists we revere - and that the most truly expert Motown fans are those with a love of soul largely rooted in a Northern Soul youth - even if they have moved away from it as their core interest.
I think nowadays most of us are old enough, mature enough and know enough to recognise that there is A LOT of soulful stuff that is great that isn't strictly northern (RnB, soulful house, disco, jazz funk, mid tempo, deep etc etc) - and a lot of currently/recently popular 'northern' stuff that wouldn't have been recognised as such 40 years ago.
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Heard last night from Judy Moss - didn't know him well, but he was such a nice guy - such a pity, our sincere best wishes to Val.
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6 hours ago, stevegods said:
When I started going at the beginning of 83 you could still join WCSC and get an official membership directly from Winstanley; never did, but I think they were yellow, you could also buy genuine original Casino patches - I have two or three I bought then in my copious collection of 'stuff'. Dx
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Shocked to hear he passed away last night unexpectedly.
A real shame - nutty as a fruitcake but a real landmark character on the scene.
RIP.
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ONE version is a gazillion times better than the other which is so bad it's insulting IMO - no prizes for guessing which one I vote for.
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On 12/09/2018 at 11:42, RICK SCOTT said:
Cheryl Glasgow - Glued To The Spot. (live Records (alive 2)
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Haven't put much up of late so back to 1987 to my 'Scunthorpe Baths Hall' days, Fabulous Jazzy Soul Feel that really gets under your skin and hits the spot, And not easy to find these days, just love Cheryls Sultry Voice and that wonderful Horn Rift, Very Catchy, and Just Ripe again for todays Soul Scene.
There is a 7" inch Version but this is the 12" version which i prefer.
Nice - sounds like she's trying very hard to sound like Corey Day/Dr Buzzard.
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Took me years to find out what The Mayfield Singers was having had it on a tape of obscure stuff that Mickey Cruise gave me - kept bumping into various versions of Bobby Calender, Smokey Robinson etc instead. Anyway the whole thing is just fabulous, one of my all-timers, and never heard out - only come across it on the other side of ONE pressing of Don't Start None.
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30 minutes ago, Benji said:
And which ones are worth an auction? Maybe Just Bros and Deloris Ealy. All others are set sale items IMO.
Shadow of a Memory - one of my all-time favourites. Benny Curtis is daft though - sold mine for about £20.
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I watched you SLOWLY slip away belted out is a bit of an oxymoron to me - Howard Guyton all the way.
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Pete received a copy this morning. Have to say it's an absolutely superb job - huge credit to RS on this one.
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Surely it's how LITTLE you've paid for a record...
Joann Courcy mint demo £20 about 30 years ago when it was in high demand off (black) Ivor Allen (ended up giving it to a close friend who'd had his records nicked as it was the one 45 he had really wanted but didn't have).
Other than that never paid over a ton- though I haven't bought anything of real value for about 20 years - several I used to have are easily in the £2-3k bracket now.
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If you're THAT stupid how do you manage to make enough money to pay that kind of cash?
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Sporting Heroes Who Cut Soul / R&B Records
in All About the SOUL
Posted · Edited by DaveNPete
I understand his career as a pit pony jockey didn't go so well either.
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