Geeselad

First batch of new sales from me, paypal please, pm to reserve, P and P £2 for one, pm me for multibuys. Sir Guy- Funky virginia/ my sweet baby- DPG, light yellow label- E- £40 Indemand and getting spins, 2 great sides Charms- You got the motion- Emblem E+ £20 Class male harmony dancer Little Walter Hammond- Let your conscience be your guide-M- Duo disc Great earthy R and B influenced soul dancer Marsha Brody- Right combination- Hot shot- E- £10 torch classic dancer Ray Godfrey- Come and get these memories- Event M- £15 little bubbling round rim like a lot of copies, classic wigan dancer, and its in an event sleeve! Paul Kelly - Chills and fever- - Dial- E £10 Classic wheel Leon Haywood- Its the last time- Decca demo-VG+ £10 sticker on label, great funky dancer Gilberto sextet- good lovin- Cotique- E £10 classic bogaloo Geminiles- dont fight this feeling/ thinking about my baby- sandbag- VG - £5 two great sides, plays ok to dj ect more to follow tomorow hopefully

when the hac reopended mid 91 my mate got his air horn confiscated at the door, Shay jones was the biggest tune of the night, house got a bow tie that night, we all started wearing proper shirts again!

think the essex boys from the jazz funk scene were at it too down at Caister and the lacey lady in Canvey island

I cant resist the Del larks- job opening, the vocal interchanges and phrasing are superb I never tire of it and yet have heard so many say they got fed up with hearing it at Wigan.

Rave was exactly the same in the early 9ts, We all threw away the airhorns and whistles and got into serious house music.

polk salad anne was a floor filler at Keele too for evo.

You'll not find anyone on here arguing otherwise Rob, Northern soul has certainly done nothing to advance djing's technical aspects but it has had a massive creative contribution to the craft of Djing through its obsession with labels, obscurity, alternate versions, exclusivity, sequencing, I could go on. Its rather well documented in most books on the history of Djing, Bill Brewster's 'last night a dj saved my life' amongst many others.

ok, too small minded might of been a better choice of words. there is certainly plenty of northern soul themed events out there, but I wouldnt really describe them as part of a universal scene anymore.

thanks guys for help on this one, think mine, if I remember correctly has a faint matrix stamp in the run out, not heard this mentioned.

no basically, the scene just isnt big enough, I've commented several times on the lack of progression from rare soul scene/ funky/ upfront into the oldies nights, it all stopped around 15 years ago imho, seems there very little consistancy in the musci played between any venues nowadays.

cant believe I've never flipped it! can anyone run down how to identitfy a real one? I bought mine fron tim brown around 15 years ago, so I'm hoping it should be pucka, but not certain

been told there's some interest in it at the mo, and its hard to locate Grant.

Ooops sorry Dave, though you were being seriously, I've seen several stories from that site shared on FB as though they were real.

anyone help with current value and id'ing an orig of Delrays Inc- destination unknown? thanks in advance, geese.

Great spoof that site, but mix djing is really considerably more skillful than the skills employed in collecting records imho.

I was thinking about this the other day, but traveling to bradford in a nicked capri has to be one of my personal highlights, the guy who'd knicked it, later a member of the tunstall mafia is now an alccy and vagrant I see around sometimes, though I thought he was cool as fuck at the time. after all were all just few feet from the gutter.

its the most basic technique a hip hop dj can employ, simply sliding the x fader across- on the beat to cut into the other deck. Mind you, EQ and volume need to be matched really well. Heard Kev roberts do it with just like the weather/ love reputation at the kings hall years ago too. Its dead simple but takes bottle to carry of on a dancefloor, and it sounds shite if done badly

sad news, nice, genuine guy.

rob I find it a little odd that you only choose to talk about the technical aspects of the music rather than to focus on the music itself, particularly why the scene continues to be looks towards the 1960's and earlier. Many might say that the NS scene by its nature is defined by its association with the 60's, I and many others would disagree. I think its worthy raising because the possibilities of the scene moving along a timeline may be linked to its technical advancement.

compared to mixing disco, soul and funk, house is peasy but most kids (anyone below 30 in my book) shrivel at the though of using proper vinyl, as opposed to cdj's or seratto/ tractor.

sounds essential, will do my upmost to be there, thanks for letting me know allison.

been pondering this for ages, are they singing about frankie, in the tune? 'lets give thanks to the one who started it all' thats how ive always read it anway. wish I been to this and I just gotta go this year.

I'd love to rob, just cant see it happening on the ns scene, a lot of punters just plain wouldn't get it, its a generational thing. if your in your 50's,with no insight into house or hip hop the very concept of the mix can be quite an alien thing. I grew up with house and hip hop but there's not enough open minded punters out there who would appreciate or dance to a mixed northern set at a venue. I also believe the archaic nature of the soul scene's culture adds to its appea,l for many, including the younger scenesters. A rejection of the contemporary, or the act of refusing to conform to modernity lies at the very heart of what NS is about surely? So why should it seems so strange that this attitude extends to even the presentation of the music?

funk and soul sets can and are mixed together very well off the scene, take someone like scruff, his southport mix cd from a few year back retained the credibilty and essence of every cut, yet they were enhanced by the records blended either side of them. Kenny dope, DJ spinna and a host of others have done it really well. would I trust anyone to do it well on the northern scene? your having a warlocks staff!

er, any other kind of soul, funk, disco, boogie and house thatwas still around, black underground music, just like now really.