Geeselad

well said, with that sentiment, spot on

provenance comes with owning a one off acetate, of an unreleased tune, making a copy, another acetate, allows a dj to play the record out to the public, without damaging the only existing original recording. imho this is perfectly legitimate and totally practical, whilst still maintaining our mythical, underground credibility ethic. - so there! LOL.

thought this might be of interest, Jack white has done more for the music industry than a host of wannabe Ganstas

fair point plenty funky things that I'm sure wont sound great in a few years time

all the shite wasn't just played at wigan and the mecca then

yes mate, must have been covered at length on here before, its a later issue tho

massive for guy in the 8ts, still sounds right for now

love it, big at the 100 club

I've played this out over the last few years, also spun on new years eve at diff strokes by mr Haydon, I think, seems to be rising in demand again.

that's ace, proper, northern could have been played any era

personally I can see why certain boots would be collectable, they show the culture of the scene, albeit a perhaps negative aspect. and have their own intrintic value as artefacts. I have Zepplin 1 on a Usssr issue in a cheaply made printed paper sleeve, illegal at the time and not official, but to me infinitely more desirable than a standard UK issue, even with the 'blue atlantic badge'. worth less monetarily but in terms of relevance more important imho. However its also an intrinsic part of NS culture that you ALWAYS play OVO, and that as always should stand, regardless of the cultural credibility of bootlegs.

Bobby Wilson ‎– When I Don't See A Smile On Your Face / All I Need (I've Got) - Chain VG+- WDL £18- 2 great crossover sides, vinyl is great but has water damaged label Machine ‎– My Baby Loves Me- Jarret VG+- £25 WDL- Great up tempo, modern room spin, on an obscure label, slight water damage around edge of label Spencer ‎– Searchin' For Love/You Don't Know What You're Getting - Midtown WDJ Great uptempo Northern that's growing in demand VG+ £46, nice demo copy Billy Hamlin ‎– I Want Some M-O-N-E-Y- Uptite WDJ EX- £50- 2 great dancers on this hard release from the label, obscure! Little Anthony & The Imperials ‎– Gonna Fix You Good (Every Time You're Bad)- Veep VG+ £28 Nice clean labels and vinyl on this floor filling classic The Volcanos (2) ‎– A Lady's Man / Help Wanted- Artic VG+ £26, as above rerally The Orlons ‎–Spinnin' Top- Calla VG+ £18- and again! Fred Hughes ‎– Oo Wee Baby, I Love You / Love Me Baby VG+ £10, nice clean copy of this classic The Reflections (2) ‎– Poor Man's Son / Comin' At You -UK release on Stateside 1965 - VG+ £20, nice British release, decent copy. J. J. Barnes ‎– Real Humdinger/ pleaselet me in/aint gonna do it- TMG VG+£12, 3 classics on one disc, allessential. Ernie Hines ‎– Thank You Baby (For A Love Beyond Compare) / We're Gonna Party- USA records VG+ £10, 2 up tempo dancers, with a R and B feel Pancho Villa And The Bandits* ‎– Ain't That Bad / Progress - Symbol NM £12, 2 great sides of oddball R and B / latin Tony & Tyrone ‎– Everyday Fun/ Whip Your Lovin' On Me- UK Ember VG+ £12 , crossover/ funky soul on this obscure UK release The East Coast Connection ‎– Summer In The Parks - Right directions Ex- £22, very nice copy of this Mecca/ Wigan classic

I even like his later stuff like juicy fruit and chocolate chip

aint no bad thing where Black Moses is conderned.

its a side long isn't it? when does he kick in with the title, could be the main contender

both sound great, the betty semper shouid be huge

a genius in his own right, produced some amazing instrumental albums

yeah cause its hurley, i'm getting it confused with chris cuevas- hip hop, that dub is MAW, both on atlantic, both ace dubs of the highest order, love the 'rain, rain, rain' break in the hurley mix.

GOT IT, PRETTY WEAK APART FROM THE ACE maw DUB.

never seen the live footage, BEFORE, GOD HE CAN STILL SING, ACE!

yeah that's it, its the 12 mix tho, only hears the 7, sounds much better on reflection. thanks all for help on this,

anyone know a female version of the track by teddy P? I've hears it on a soul spectrum mixcloud thing. any help appreciated. another from the same mix is a cover of date with the rain, don't think its the other version I've heard knocking around any help of this one?

are we questioning authenticity here? for a start that looks like marker pen, felt tip, were they around in the 6ts? no acetate I've ever seen from the era use them.

yeah know what you mean about the banjo, but could be just a guitar with a weird open tuning or a didldy bo. love xylophones too, one of the distinctive things I remember about hearing my first northern sounds after been raised on a diet of rock guitar as a kid I thought that sounds really weird, think it was 'what' the xylophones really got me hooked.

vanda has indeed mentioned it, who I hope will be out dancing and prancing this weekend. Know go-go as well, but not rob berry.