Geeselad

well it seems, my friend that I mistook your pedantry for negative derision, and I apologise for that. Totally agree with the point you make regarding new plays, if its tape, cd, or even mp3 of a brand new unreleased or exclusive track its fine ethically in my book. Surely the point is that if its possible to play a track from original vinyl, then, at an event, it is played on that format, without diversion. That's why its not only more authentic but also more desirable to play an unreleased track from a vinyl, or acetate format, even if its one you pressed yourself. Amen.

what a don't get is what you mean to achieve by your OPINIONS, do you whish to deter people from playing acetates(in any form) at OVO nights? stop punters from hearing unreleased cuts? or just generally pour scorn on the OVO debate? OVO, for me is about maintaining a ethic, that stems right back to the origins of the scene, it aims to curtail mugs from diluting its underground codes and maintain the collecting of authentic recordings as the basis of the scene. Its never about pedantic point scoring. Really uncertain why so many have had to state this point over and over.

picked up, 'going out of my head' a few years back not exactly northern, but looks mint with the 7 in a frame, picked up a few philly sheets at the same time

simply following your logic pal.

as I said earlier, if you have the only original acetate of a track YOU HAVE PROVENANCE, and therefore its perfectly acceptable to make a copy to play out. You suggest the practice is illegal and illegitimate, making it a bootleg, someone else may own the rights, but they don't have a recording of it so they cant have provenance, can they? Following your logic, original acetate's and indeed all demo copies shouldn't be played, as they should have never been sold to the public in the first place, does that make Demo's 'bootlegs' then?

sadly pal, items like this usually fetch less than a standard issue and are intrinsically worth less to collectors.

Aye up, all bellow reduced from my regular prices, pm me if interested, uk post £2.80, ask for other, atb, geese. The Lollipops ‎– Loving Good Feeling - IMPACT- EX- LIGHT STAINING ON LABEL- £75 The Third Time Around ‎– Soon Everything Is Gonna Be Alright DENINE- EX- £8 Dee Dee Warwick ‎– Suspicious Minds ATCO- VG+ £7 Fred Hughes ‎– Oo Wee Baby, I Love You / Love Me Baby- VEEJAY- EX- £9 oh hold Spencer ‎– Searchin' For Love/You Don't Know What You're ..- MIDTOWN- WHITE DJ - EX, NICE COPY! £44 on hold Billy Soul ‎– Big Balls Of FireI KING WDJ- EX- £28

well said, with that sentiment, spot on

provenance comes with owning a one off acetate, of an unreleased tune, making a copy, another acetate, allows a dj to play the record out to the public, without damaging the only existing original recording. imho this is perfectly legitimate and totally practical, whilst still maintaining our mythical, underground credibility ethic. - so there! LOL.

thought this might be of interest, Jack white has done more for the music industry than a host of wannabe Ganstas

fair point plenty funky things that I'm sure wont sound great in a few years time

all the shite wasn't just played at wigan and the mecca then

yes mate, must have been covered at length on here before, its a later issue tho

massive for guy in the 8ts, still sounds right for now

love it, big at the 100 club

I've played this out over the last few years, also spun on new years eve at diff strokes by mr Haydon, I think, seems to be rising in demand again.

that's ace, proper, northern could have been played any era

personally I can see why certain boots would be collectable, they show the culture of the scene, albeit a perhaps negative aspect. and have their own intrintic value as artefacts. I have Zepplin 1 on a Usssr issue in a cheaply made printed paper sleeve, illegal at the time and not official, but to me infinitely more desirable than a standard UK issue, even with the 'blue atlantic badge'. worth less monetarily but in terms of relevance more important imho. However its also an intrinsic part of NS culture that you ALWAYS play OVO, and that as always should stand, regardless of the cultural credibility of bootlegs.

Bobby Wilson ‎– When I Don't See A Smile On Your Face / All I Need (I've Got) - Chain VG+- WDL £18- 2 great crossover sides, vinyl is great but has water damaged label Machine ‎– My Baby Loves Me- Jarret VG+- £25 WDL- Great up tempo, modern room spin, on an obscure label, slight water damage around edge of label Spencer ‎– Searchin' For Love/You Don't Know What You're Getting - Midtown WDJ Great uptempo Northern that's growing in demand VG+ £46, nice demo copy Billy Hamlin ‎– I Want Some M-O-N-E-Y- Uptite WDJ EX- £50- 2 great dancers on this hard release from the label, obscure! Little Anthony & The Imperials ‎– Gonna Fix You Good (Every Time You're Bad)- Veep VG+ £28 Nice clean labels and vinyl on this floor filling classic The Volcanos (2) ‎– A Lady's Man / Help Wanted- Artic VG+ £26, as above rerally The Orlons ‎–Spinnin' Top- Calla VG+ £18- and again! Fred Hughes ‎– Oo Wee Baby, I Love You / Love Me Baby VG+ £10, nice clean copy of this classic The Reflections (2) ‎– Poor Man's Son / Comin' At You -UK release on Stateside 1965 - VG+ £20, nice British release, decent copy. J. J. Barnes ‎– Real Humdinger/ pleaselet me in/aint gonna do it- TMG VG+£12, 3 classics on one disc, allessential. Ernie Hines ‎– Thank You Baby (For A Love Beyond Compare) / We're Gonna Party- USA records VG+ £10, 2 up tempo dancers, with a R and B feel Pancho Villa And The Bandits* ‎– Ain't That Bad / Progress - Symbol NM £12, 2 great sides of oddball R and B / latin Tony & Tyrone ‎– Everyday Fun/ Whip Your Lovin' On Me- UK Ember VG+ £12 , crossover/ funky soul on this obscure UK release The East Coast Connection ‎– Summer In The Parks - Right directions Ex- £22, very nice copy of this Mecca/ Wigan classic

I even like his later stuff like juicy fruit and chocolate chip

aint no bad thing where Black Moses is conderned.

its a side long isn't it? when does he kick in with the title, could be the main contender

both sound great, the betty semper shouid be huge

a genius in his own right, produced some amazing instrumental albums

yeah cause its hurley, i'm getting it confused with chris cuevas- hip hop, that dub is MAW, both on atlantic, both ace dubs of the highest order, love the 'rain, rain, rain' break in the hurley mix.