I hope this thread gives some insight to what it's really like to D.J - From the outside, it looks easy and just good fun, but in reality there's so much to be thinking about and as you can see - The "ËœDecks Pest' really is an irritating species!
Every D.J "Ëœworth their salt' never forgets that the real talent is in the records they are playing of course, but there are ways of "Ëœserving them up' correctly. D.J's develop unique ways of doing this which are so subtle; they are hardly noticeable but make a huge difference between them playing a good or a bad set. Unique is one of the most important things, I read somewhere once - "If you're going to play records in public, you must do it your way and no one else's"Â I thought that was very true.
Having a decent box of records alone does not make a good D.J, if played wrong it will end up being a "ËœStilted' set. Yes, each individual record may be absolutely fantastic but if played (what I call) by "Ëœone at a time' D.Jing, e.g. — "This is good"Â....."Âoh, and this is good"Â...."Âum, this is good to"Â, it simply won't flow. There are many things that make a set flow, genre, tempo, but also subtle things a D.J can say on the mike which can also steer the set in a different direction nice and smoothly.
All these things and many more are (in most cases) only developed with years of experience and is why we should appreciate the real masters, because they simply can't be replaced with just anyone
All the best,
Len.