Benji

Free Ebay Sniper? I don't think Soul Source is the right platform to ask for someone who shoots overpricing Ebay sellers for free

Can't play the YT vid but the one doing the rounds credited first to DR and later to BM is clearly Babs Mercer. Sounds very unfinished so I guess it's publishers demo acetate for other artists. Shawn Robinson on Minit is credited Myto Music, that's Don Davis isn't it?

Bought a few nice things off that seller just recently. Always meant to go through all his other Ebay records but never found the time. Otherwise it would have been me who snapped up Eddie Carlton. Am gutted

It's an original. Well done!

I'm not such a c*nt after all. Found the double album the other day. Fantastic tracks. Brought back many memories.

Even though the picture shows the 12" it's the same recording as the 7" version. Both records state 5:00 but the actual song is only about 3:40

Well, there is a link between Sandy Golden and Ray Agee. If you're deaf you can hear similiarities in the backing and the vocals.

Is there any difference in availability between the issue and the different demos? I bought a purple vinyl demo from Soul Bowl in the 90s and I remember he had a waste range of differently coloured demos for sale, e.g. blue/purple/black vinyl and probably some other fancy colours as well.

Pete, you basically sum up in a much funnier way what I tried to say . But that's ok. I'm german, we're not supposed to be funny.

Ian D's posts are pretty "ceterum censeo". Now matter how often you say it's a bootleg, it's still doesn't make it a fact. Sweets on Soultown is produced by Nate Fortier/Tim Lawson. SG is credited to Nate Fortier/Tim Lawson/Tony Benton. My guess is that in the early 70s Tony Benton and/or Sandy Golden got hold of the Sweets backing tape legally, recorded/overdubbed vocals, added new instruments/synths/accordions/ovomaltines/whatever. Then they went to a pressing plant to get the record pressed. Incidently it's the same pressing plant that SS was using at that time for his bootlegs. Pressing plant offers label designs for their customers (as did many other plants) if they don't supply their own designs. Usually these pressing plant label designs were pretty generic, e.g. using the same limited range of fonts. That's why so many different record labels look similar. Eventually record got pressed, probably very limited run maybe 250/500 pieces. For whatever reason record was never properly distributed. Maybe they intended to sell it at gigs but failed? I don't know and I don't really need to know. It's a pretty rare record and not the first rarity to turn up in unplayed condition, even after 40+ years. Re. the theory that SS himself recorded/pressed the record. That's bullshit. Record way to slow for the UK scene at that time. And if he had done it to show the world what a good producer he is, he would have put his name on it.

Sounds from the shelter vol. 23 - Early 60s, Beat Ballads, Popcorn IV 24 Beat Ballads, Early 60s, Popcorn and Midtempo tracks. 1 * Jerry Ganey * Just a fool * Verve 2 * Jimmy Hicks * Tell her I love you * Big Deal 3 * Mark IV's * Whoe baby that's all * Barry 4 * Lee Williams * I'll be gone * Carnival 5 * Gloria Walker * My precious love * People 6 * Kell Osborne * the lonely boy song * Titanic 7 * Tommy Hunt * I'll make you happy * Capitol 8 * Freddie Scott * Where does love go * Colpix 9 * Julie Grant * Then only then * Pye (UK) 10 * The King-Pins * A lucky guy * Vee Jay 11 * Jackie Hill * Won't you come closer * Mar-Brit 12 * The Wanderers * You can't run away * U.A. 13 * Gerri Granger * Ain't it funny * Big top 14 * Charlie McCoy & The Escorts * My baby's back again * Monument 15 * Belita Woods * That's when I'll stop loving you * Moira 16 * Big Maybelle * Let me go * Port 17 * Helen Shapiro * He knows how to love me * Columbia (UK) 18 * Ben E. King * No place to hide * Atlantic (UK) 19 * William Hunt * Would you believe * Streamside 20 * The Mark IV's * The tide has turned * Barry 21 * The Daylighters * I can't stop crying * Elite Special (GE) 22 * Marilyn Michaels * Let's pretend * ABC 23 * Kell Osborne * Quicksand * Titanic 24 * Teddy Randazzo * Lost without you * DCP

first one tables turned - unifics

B&O sold. Henry Lumpkin now free post!

But I do. Wasn't there tho.

Even though I'm obviously too daft to distinguish real strings from synth strings it's the same singer, just overdubbing.

Maybe I'll have to have a closer listen to it. But to me these 'strings' sound like actual strings to me.

Can somebody please enlighten me. I don't hear any synths on SG? Just the Sweets backing track beefed up by added instruments. And overdubbed vocals of course.

FREE POSTAGE! HENRY LUMPKIN - SOUL IS TAKIN' OVER - BUDDAH (GER, WHITE DEMO) EX+ £20 Great underrated Detroit dancer on what I guess is the rarest format available: white label demo copy on german Buddah. Complete with original picture sleeve. Record is in such a fantastic condition I doubt it was played more than once or twice before. Sleeve is a nice EX Henry Lumpkin.mp3 BALTIMORE & OHIO MARCHING BAND - CONDITION RED - LONDON (GER, WHITE DEMO) EX £10 SOLD Again, pretty rare format. Genuine 1968 white label demo on german London, complete with nice looking picture sleeve. Record is all around EX condition, sleeve is VG+. A few minor creases plus tiny date/name stamp on it. Baltimore & Ohio.mp3 ++++++++++++++++++++++++++++++++++++++++++++ worldwide P&P from Germany: FREE standard / £1.90 signed for / £3.40 fully insured (EU only) Payment Paypal only. As gift if possible but not necessary.

Many pressing plants offered rather generic label designs if customers didn't have their own. I guess that's the reason why many of the early SS boots look rather amateur-ish.

IMO many mix up proper instrumentals and instrumentals that are just backing tracks of well known Northern Soul records. I really like the proper ones whereas the latter ones don't do it for me most of the time. Don't know if this was already posted but it's one of my top favourite proper instrumentals. They hardly can get better than this one. Chaumonts - Now you've gone.

There's also a LP only Version with an extra verse. Some" Best of" compilation.

credible yes. soulful? not really. As good as it is, eventually it's just an alternative blue-eyed version of a fantastic song* * I know FW is played to death and any dj/punter playing/dancing to it is guilty of necrophilia.

Thanks!

Neither do I. Not saying it's not possible but the vocals are different. And the backing on the acetate sure doesn't sound like a Shrine production. @Marc: Any evidence it's the same group?