Timid Tomas

Still looking for a copy....

After a copy of the Holy Disciples - "Trying To Make A Hundred" on Song Bird. Please PM me only with condition and price. Many thanks, Tomas

After a copy of Sunny Ridell - "Come Out In My World" on White Cliffs. Please PM with condition and price. Cheers! Tomas

Damn - missed the Holy Disciples

We all know how much Adam likes his R&B

Looking for a copy of Sir Guy: "I Need You Baby" on DPG. Please PM me with condition & price you are after... Also still looking for a copy of the Huns Review. Thanks for looking! Tomas

Just picked up a copy of this recently, but might be forced to sell/trade it on: The Magicians: "Love, Let's Try Again" on VILLA. Very clean EX+ Please only PM me with any trades you would offer for this (or cash if you so wish). Many thanks Tomas

Its 2011 though.... Pottsy has already sold his copy, so no luck there. I give up

After all this I am still looking for a copy! Someone help a young man out

Haha thanks Warren - I am actually still looking for one though!

Now that he has a copy... I am after one too - please PM me if you have a copy for sale. Thanks, Tomas

Its fine I get it from women all the time

No luck in my search for a copy of Rudy Love so.... After a decent copy of The Huns Review - "Don't Make Me Love You" on Sorro. Please only PM me with offer and condition. I'd like to lock this thread but I am not sure how... Thanks for looking, Tomas

Was hoping to pay around £220 or a bit more for it... seems about right! Now I have put up a want & everyone is saying how good it is no one will let one go, doh!

Still looking!

Sure is! Finding it surprisingly hard to track one down though...

Good luck! But let me get one first...!

I could imagine its a Smith want! Correct me if I am wrong but used to be about a £80 tune and now its about £200...

Great great record - not that cheap now! Hope you guys manage to find one!

Anyone?!

Hey there, Looking for a copy of "Suffering Wrath" by Rudy Love and the Company Soul on Canyon. Please PM me with (good ) prices and condition, Many thanks, Tomas

At no point did I say the "mod scene" is "better" than the northern scene, I just stated that I think its healthier because it tends to attract more young people - feel free to prove me otherwise. If I wasn't interested in Northern why would I be writing on this forum/buying records? Just because I wasn't alive in the 60's/70's means my interest in music and clothing from that period is retro and purely a novelty? Maybe I should leave this site and go back to dubstep...

I meant to write a record you love

Interesting thread and I thought I would add my piece - qualifying for a young DJ Loads of interesting points and can't really add much to what Steve, Paul and Callum have said but... I find it interesting that people think that there has to be such a sharp distinction between what will become of soul nights in the future and their current status. I appreciated it maybe a difficult ladder to climb, but why can't you have older DJ's at events aimed at a newer fresher crowd? For example Callum's choice of Karl Heard I reckon would go down well with any crowd up for a dance! It maybe different as you travel around the country (speaking from limited experience) but I think that in London/Brighton you are able to have a good mix. For example at Crossfire/The Brighton "Mod" weekender you had all the older bunch DJing to a crowd that was mostly under 30 and they were dancing all night... surely that is a healthy sign? Personally I do think that the "mod scene" is healthier than (what I have seen of the) soul scene with alot more people coming onto it all the time and attending events. But people move from one thing to another and tastes evolve. I think as Callum said it is alot to do with the venues, their location and to a certain extent the people attending. Sometimes when at Radcliffe for example I think, what the feck am I doing at 19 with all these old c**nts (no offence ), but then you hear a record your love and thats all that matters... I know also that its well trodden ground but the topic of "its hard to build up a collection if your a new DJ" seems to come up all the time. Every fecker does want to be a DJ (me being part of the problem ) - but why should this be such a problem? Surely competition is a good thing. I mean its not hard to build up a collection of good records anyway - you just got to have your ear to the ground and your ear to the tunes and pick up things that you like and get people dancing! Doesn't have to be the same fucking records from the Wigan vaults every bloody time! There are hundreds of good records for under £50 and probably hundreds more still to be discovered - thats one of the things I love about the soul scene. I don't think original vinyl should ever be phased out either and I hope this is never the case - not only do I love it from a nerdy collectors point of view, but it also it forces DJ's to be creative with their sets and keep them trying to be original... However without nights such as Soul or Nothing, The Beat Boutique and Pow Wow I think it would be hard to attract new people into digging soul... its a difficult one! Maybe I am contradicting myself at some points here, but oh well! Tomas

Maybe so Hope to see you this Saturday in the smoke?