PetestoneIsland,
Im a purist, and purchase only originals (but only now Ive got older and more cash) I see both sides of the story, the soul scene has been supporting/supplying bootlegs in one way or another since the good old 60's.
Most people who are bellyaching about royalties and the law, are no more than hypocrites, who...as youngsters in the scene bought whetever they could get their hands on including boots and then....when they get their hands on some disposable income become all high and mighty......only judge if youve not offended you whingeing gits.
By the way Dan, Petes right the originators and artists had there slice of the pie on the original sale and will still get royalties from airplay how can they possibly gain any other royalties its not as if they can claim on a private sale.
The only way for them to gain is if companies release legit reissues (but then even someone like Cliff Richards may lose out on that next year due to the law and expiry dates of copyrights etc etc)
but lets put it this way.... Are any of the organisers and promotors of venues paying up for the tunes they play in pubs etc each weekend, are they putting their hand in their pocket and saying "here you are Mr Gordy heres the Money we owe you for tonight plays" are they shite as like ( and dont any body quote PRS licences they pay piss all back, I worked in the entertainment/club trade and know all about that)
Nobody likes boots or reissues that much, but they are part of this crazy scene and the less fortuntate who cant afford it may have a chance of a piece of enjoyment,
By the way there is a collectors scene in the states that go only for boots as a lot of them are rarer than originals and big money changes hands.
Pete if it wasnt you supplying them it will be someone else.
Regards
Geeeeooooorrdie