Interesting edit, but since lots of people will have seen your original words its maybe worth turning that round and saying lots of peoples positivity is generally in answer to lots of personal negative comments and competely daft comments as if it is somehow it’s a history of the whole scene. And I suspect lots of the positive people are jusn't being hopeful, they actually know just how much has been invested in this film in time and passion, script reedits, career time, research to get it as right as feasible and a huge investment of someone's life. The cash-in jibes particularly are so hilarously unfounded its pretty hard not get to defensive in all honesty. So to me most of the positivity seems based on some knowledge, whereas most of the negative seems to be based on things people are making up It just seems to be more people want to knock it just because they can, and for me, before I get accused of having a vested interet in being friends, I said the same for SoulBoy when it was first talked about and same for Paul Sadot's play, albeit before my SS membership, and like all art there is a risk of getting over excited, one was a huge dissapointment and one massively fantastic piece of art. I will let you decide which is which. I will say I was very lucky to see a little bit and the dancehall scene had me completely emotional, and had me right there, it was absolutely brilliant, to me that’s what it should be judged on. I do agree with you, it will stand on its story as a film and all along I have said lets judge it as a film, however lets give it a chance. And lets be honest if we judged all our films story on the trailers then I suspect we would watch a lot of Hollywood turkeys