Steve L

My learned friend is correct, for me the "Burnley sound" is more to do with the ethos of the venue than particular records. Some venues can play a variety of styles and tempos but Burnley has (mostly) been about up-tempo, driving dance music, mainly 60s soul but some with a funky edge.

Thanks Pete

Off topic so apologies but Pete did any of the old articles you wrote have any more details about this kind of stuff? A subject I find interesting and would love to learn more about the who, where , why etc.

Dont do it Simon, great record that needs playing more. Cant understand why this isnt big at the oldies veues?

Yeah in a few years we'll need a jump start to get going

Great subject for a thread Derek, love to see/collect them Any more unusual/rare ones out there?

VANGUARDS - I CANT USE YOU GIRL (WHIZ) EX FANTASTIC FOUR - PIN POINT IT DOWN (SOUL) M- SOLD IDEALS - I GOT LUCKY (ST LAWRENCE) M- ALVIN CASH - FUNKY 69 (TODDLIN TOWN) M- HENRY LUMPKIN - HONEY HUSH (BUDDAH) M- MAD LADS - DONT CRY AT THE PARTY (CAPITOL) M- C.O.D.'s - I'M LOOKING OUT FOR ME (KELLMAC) M- PORGY & MONARCHS - LOVE CHAIN (VERVE D) M- SOLD BOBBY BLAND - GETTING USED TO THE BLUES (DUKE) EX/VG+ HERBS - PUT A HURTING ON MY HEART (SMOKE WD) M- SOLD PAYPAL (GIFT) PREFERRED, £2 RECORDED DELIVERY

Joan, I doubt it - its a joy to behold seeing you on the floor, the big smile says it all. You're probably right though some of us think we're still moving like we did 30 years ago, what others see is a different matter though Who cares so long as we're enjoying it? There's too many people in the cemetery who worried about what they looked like on the dance floor

I agree Pete but like Kev says I've seen em go for a ton. Its a crazy game we play and really shouldnt be surprised at anything. Off topic I saw a Velours on one of those blue UK MGM issues go for £56 the other week Unfortunately I never get any of these daft prices when I sell on Ebay

£70ish I would say

There really ought to be a dislike button! I'll be keeping my copy BTW

Because most people reading this will know that the OOTP label was a bootleg operation. Now the bootleg OOTP label has been bootlegged by other bootleggers, are you with me so far? My comment about them taking legal action was what is known as irony or an attempt at a joke (delete as appropriate) Hence my "misplaced sense of humour" question. On a serious note I'll have a copy of the UK issue off you for £6 (the one with I Cant help Loving You on other side)

Misplaced your sense of humour today Pete?

The orange UK RCA issue fetches around £30 on ebay. Maybe the owner of the original OOTP label could take legal action? He's still knocking about somewhere I think

Some of the pop stuff would have gone down well at Wigan in the pop/stomp years, oh the irony

All these are a fiver, £2 for recorded delivery, paypal gift preferred HOWARD TATE - THATS WHAT HAPPENS (TURNTABLE) M- HOWARD TATE - ITS TOO LATE (TURNTABLE) M- HOWARD TATE - SHOOT 'EM ALL DOWN (VERVE) M- POETS - SHE BLEW A GOOD THING (SYMBOL) EX PARLIAMENTS - I CAN FEEL THE ICE MELTING (REVILOT) M- PARLIAMENTS - LOOK WHAT I ALMOST MISSED (REVILOT) M- PARLIAMENTS - THE GOOSE (THAT LAID...) (REVILOT) M- SYL JOHNSON - ONE WAY TICKET TO NOWHERE (TWINIGHT) M- SOLD SYL JOHNSON - DRESSES TOO SHORT (TWINIGHT) M- SYL JOHNSON - THATS WHY (TWINIGHT) EX SOLD

No, its just because its being built up as the return of Ian Levine with the 100 club spot and everything. Also other people dont build everything up as "this is the best thing ever, better than so called top dj's are playing" blah, blah, blah Most of the stuff I've heard so far is distinctly average with some absolute tripe in there. If he thinks this kind of stuff is going to cut it at the top level alongside Butch he's sadly mistaken. If he just presented them as "this is music I really like have a listen and see what you think" that would be fine but I suppose thats not in his nature, he knows he going to get a reaction and is probably reading this now. As said before not all nighter music in 2012

Thats crossover, no funk in there to my ears though. Funk shoudn't even come into the equation IMO

60s soul has a definite style to it, 70s soul also has a definite style to it - the two are completely different and fairly easy to identify one from the other. Records from say 68-72 can have elements of both decades in them and are less easy to define. In general thats all there is to it really, I dont know why people have to complicate thing with loads of different theories as to what crossover is

Looking at the interest in this thread already I reckon Ady's pulled off a PR master stroke to get the 100 club off to a flyer in 2012. Hope it doesnt turn into the usual slagfest for once though

It'll be an interesting night thats for sure, wish I could be there. The un-retired bit is good news also.

PAYPAL (GIFT) PREFERRED, £2 RECORDED DELIVERY PATTI AUSTIN - I WANNA BE LOVED (CORAL) M- £20 PATTI AUSTIN - GOT TO CHECK YOU OUT (CORAL) M- £20 ELDRIGE HOLMES - WORRIED OVER YOU (JET SET) M- £30 BUDDY LAMP - I WANNA GO HOME/ YOU GOT THE LOVING TOUCH (WHEELSVILLE 113) M- £50 LEE ROGERS - LOVE CAN REALLY HURT YOU DEEP (WHEELSVILLE) EX £10 VICTONES - MY BABY CHANGES (FRONT PAGE) M- £30 V.I.P.'s - YOU PULLED A FAST ONE (BIG TOP) M- £15 WATSON & THE SHERLOCKS - STANDING ON THE CORNER (SOULVILLE) M- £20 JACKIE ROSS - TAKE ME FOR A LITTLE WHILE/ HONEY DEAR (CHESS) EX £8 RENEE PERRI - I AIM TO PLEASE (SOULVILLE W/D) EX- £25

Me too, not that I don't like Jerry Williams

For me too mate

Kev, I dont think it would. Most people (me included) would be genuinely interested in any tales you could tell from those long gone days. Love reading things from people who were central to the development of the scene, there's a lot of gaps in my knowledge still to fill